Day of the Fight

You mudt go see Day of the Fight and spread the word. It will not disappointed! Far from being simply a trope boxing film, this movie is a passionate story of a man taking stock of his life. Boxing, though very well and accurately presented in the film, is almost incidental to the larger arc. Pitt conjured images of a young Jon Voight, and brilliantly carried us through Irish Mike's recovery of self. The entire supporting cast gave this film a heartbeat, a soul. Even the 'smallest' role gave us a sense of community, building Irish Mike's world for us. Huston knocked it out of the part with this directorial debut.

I absolutely loved this movie. Where most screeenplay advice is "conflict conflict conflict," this movie is all about the resolution of conflicts. So It's quite unusual, as well as being shot in gorgeous black and white.

OK, it's not perfect - there are some plot moments that I found a bit hard to believe - but I didn't care. When every other movie seems to be about killing and cruelty, and the ones in between are so sugary I can't take them, how wonderful to see a film that is about making things right, forgiving wrongs, and sacrificing for those you love.

I hope it wins tons of awards. It deserves them.

Jack Huston's Day of the Fight is an astonishing directorial debut that packs a visceral punch while delivering a poignant meditation on redemption, resilience, and the human condition. Huston, already celebrated for his acting chops, proves he's a multifaceted storyteller with an unerring ability to craft compelling narratives and evoke powerhouse performances.

Set against the unforgiving backdrop of a boxer's grueling journey, the film follows Michael Pitt's Danny Flynn, a pugilist with a troubled past seeking one last shot at redemption in the ring. Huston masterfully explores themes of sacrifice, brotherhood, and the blurred line between victory and defeat, infusing the story with an emotional depth that resonates long after the credits roll.

Michael Pitt is magnetic, delivering one of the most raw and vulnerable performances of his career. His portrayal of Flynn is both brutal and tender, capturing the complex layers of a man fighting not just opponents but his inner demons. Supporting performances from the likes of Joe Pesci, in a welcome return to the screen, and Nicolette Robinson, who brings heart and gravitas, further elevate the film's emotional stakes.

Visually, Day of the Fight is stunning. The cinematography, drenched in muted tones and stark contrasts, mirrors the protagonist's internal struggle and the harsh realities of his world. The fight scenes are a masterclass in tension, shot with an intimacy that brings the viewer into the ring, making every jab and blow feel immediate and personal.

Huston's directorial style is confident and assured, seamlessly blending the grit of Raging Bull with the soulful introspection of The Wrestler. He demonstrates a profound understanding of pacing, allowing moments of quiet reflection to punctuate the adrenaline-fueled action. The score, a haunting mix of orchestral and ambient tones, ties the narrative together beautifully, enhancing the film's emotional resonance.

Day of the Fight is more than just a boxing film; it's a deeply human story about the battles we fight both inside and outside the ring. Jack Huston has crafted a cinematic knockout that announces his arrival as a filmmaker to watch. This is a film that doesn't just entertain-it inspires, reminding us all of the unyielding strength of the human spirit.

A must-watch and easily one of the year's standout films. ✨

Jack Huston's writer / director debut, New York boxing drama "Day Of The Fight", is beautifully shot in B&W but let down somewhat by its screenplay. The first bout in 10yrs (after a tragic car smash and its aftermath forced him out) for former Middleweight World Champion Michael Pitt (outstanding) is a televised world title fight (one of the film's many implausabilities) - which he spends the day of catching up with characters from his past (including Joe Pesci, Steve Buscemi, Ron Perlman, John Magaro, & Nicolette Robinson) and flashing back on moments that have brought him to this one. Huston's a better director than writer, but overall his debut is one with a solid punch.

Loved all the acting and the shots were so well done! This felt like watching a classic film. The directing was so specific and felt like every choice was justified. And the black and white was really dynamic and added to the nostalgic feeling. I liked that there were moments that had the time and space to breathe on screen, without there being a lag in the pacing overall. The editing was really great too. I've always loved Jack's acting but WOW I was blown away by his skill shown here as a writer director and producer!! This looks like it was a huge labor of love and it feels like it was infused with the passion and heart of everyone involved. Wish I could have been a part of the crew. Hopefully I can get in on his next film!!