Verheißung: Der Grenzenlose

On an island in Denmark where the sun seemingly always shines, a young girl is found dead on the roadside. Years later a chief of police shoots himself in the head due to some inner demons created because the closed case was never solved. Huh? It turns out that absolutely nothing can justify this overreaction, but I guess the story needed some kind of shock opener.

This movie is based on a book from overrated Danish novelist, Adler-Olsen, who somehow got away with penning one of the dullest protagonists ever created, detective Carl Morck, who feels compelled to reopen the case, but just ends up witnessing things, as he strolls along from point A to point B, always speaking in very short sentences and in the end doesn't solve a thing, because all answers are just handed to him (and the audience) along the way, without him doing the slightest effort.

Seasoned director, Ole Christian Madsen, at least tries his very best to make this run-of-the-mill story come sort of alive with a pacing that makes sure you don't fall asleep. But when your protagonist is the least interesting character, there's isn't a whole lot you can do to avoid it ending up as somehow of a mess.

Unless there's anyway we can eject author, Jussi Adler-Olsen (from further involvement), and reinstate Zentropa, and, more specifically, Nikolaj Arcel, to Department: Q's cinematic universe again... then this'll probably be my last one.

Adler-Olsen is churlish and triflin; like Stephen King when he didn't agree with Kubrick's interpretation of The Shining (1980).

Afshin Firouzi is an improvement over their last Assad -- even if he's little more than an exposition-absorbing sidekick here; But now it's as if Ulrich Thomsen has realized these new D:Q installments won't live up to their predecessors, because whatever progress Thomsen initially demonstrated in 2021's Marco has faded and is just lackin now.

Really, Rose (Sofie Torp) is the principle sidekick here, since she's allotted the most screen time/dialogue (after Thomsen). She performs ably, but her arc is pedantic and at times antithetical (to her character development).

There are at least two characters whose development is marooned to the film's first half.

Most unfortunate is the story: the premise is intriguing and ultimate-reveal is equally appealing, but the execution is hopelessly rote (they're plainly trying to pantomime Fincher with only Joel Schumacher swagger). The first four films easily demonstrate some of the best procedural facets (of the sub-genre), while still facilitating convincing cold case thesis or agreeable whodunit subplots, but the author has gone out of his way to wipe the slate and insist on cinematic universe-dover (with these last six properties). Unfortunate, these later entries aren't worth your time (and hopefully won't be here for long).

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It's only appropriate Netflix is distributing Adler-Olsen's US adaptation, because these (Marco Effect, and now, Boundless) definitely aren't worthy theatrical exhibition (unlike his first four films, e.g. Under Arcel's pen and Zentropa's oversight).

No pun intended - many ways to interpret it - I am going to go with one explanation for you ... I really do miss the duo that was responsible for the author (of this and the previous movies) to make them successful ... I assume this was a novel too first. I have not read any of them, but this kind of leaves me similarly cold as the one before.

Don't get it twisted, the movie (and the one before that, where we got the cut and didn't get our crime fighting duo) are good movies overall. Especially if you are into crime movies ... into the drama, but also the suspense and the guessing game ... who done it and all that. And where are they ... so there are things to love ... question is: are they enough for you? You be the judge (hopefully not jury and executioner as well - no pun intended)

Detective Carl Mork (Ulrich Thomsen) and his cold case department are back in action in this sixth installment for the big screen of the successful novels by Jussi Adler-Olsen and script written by Jakob Weis. The department has to investigate the death of a young girl who was hit by a car, named Alberte. The case that was falsely closed as a traffic accident is reopened when Christian Haabersat (Peter Mygind) , an old friend and colleague of Carl Morck from his years at the police academy, commits suicide in front of the guests at his farewell party, haunted by the memory of Alberte. The killing, officially written up as a traffic accident, has connections to both the local Police precinct and a cult of sun worshipers from where young women have vanished without trace for years. Mørck must solve the case and confront his past to move forward with his fiancée. Along the way, Rose (Sofie Torp) is tasked with finding the connection of some murders to a weird cult. It's not long before she's on the run from those who intend to kill her because of what she knows.

Police thriller in the purest Nordic style with strong suspense, emotion, plot twists, action enough, and including a dark photography. Ulric Thomsen gives a decent acting , he's a prestigious actor with a long career that includes both cinema and TV, such as: The good traitor, Ambassador Kauffman, Face to face series,Brothers, Celebration, , Blacklist and Banshee series, he once again plays the tough investigator Carl Morck. Ulric was already the protagonist of the fifth installment of the saga, on this occasion he has to investigate the death of a girl who was found hit by a car and dead on a tree.

In this sixth installment, the people in charge of giving life to the brave and surly Carl Morck is Ulrich Thomsen and his faithful assistants change, being now played by the unknown: Sofie Torp as Rose and Afshin Firouzi as Assad. This film adapts a successful novel, ¨Den Grænseløse¨, the sixth and best-selling book written by Jussi Adler-Olsen, to the big screen. This procedural thriller is uneven but professionally directed by Ole Christian Madsen and has a script by Jakob Weis, replacing Nikolaj Arcel, who had written the storyline for the four previous novels and adapted the first installment of 'Milennium', another of the most important Nordic sagas in history. Director does it European way, showing sharply in the dark cinematographic approach within the story.

This is the sixth adaptation, most of them concerning a relentless search and murder investigations carried out by the members of the Q Deapartment that take them deep into the undercurrent of corruption, abuse, ambition, greed and malice that hides beneath the surface of the prosperous Scandinavia. The first of sextet starred by the great protagonists Nikolaj Lie Kaas and Fares Fares who signed a four-film deal, matching the number of Department Q novels written by Jussi Adler-Olsen that had been published at the time of filming. The saga is as follows: ¨Kvinden i buret¨ or ¨The Guardian of Lost Causes¨ (2013) by Mikkel Nørgaard with Nikolaj Lie Kaas, Fares Fares, Sonja Richter. ¨Fasandreperne¨ or ¨Pheasant Killers¨ (2014) by Mikkel Norgaard with Nikolaj Lie Kaas, Fares Fares, Pilou Asbæk. ¨Flaskepost fra P¨ or ¨A Conspiracy of Faith¨ (2016) by Hans Petter with Nikolaj Lie Kaas, Fares Fares, Pål Sverre Hagen, Amanda Collin. ¨Diario 64¨ or ¨The Purity of Revenge¨ (2018) by Christoffer Boe with Nikolaj Lie Kaas, Fares Fares, Johanne Louise Schmidt, Søren Pilmark. Despite being extremely succesful both critic and public, author Jussi Adler-Olsen was unhappy with the adaptations of the first four novels of the series and thus entrusted the film rights to the next books to another production company, resulting in the change of cast in this latter: ¨Marco effekten¨ or "The marco effect¨ (2021) by Martin Zandvliet with Ulrich Thomsen as Carl Mørck and Zaki Youssef as Assad.

Even though it wasn't as bad as the Marco Effect, which was a dumpster fire of a movie! It's like they don't know how to make a good movie! They're messy and full of side stories that go no where or does absolutely nothing for the story! This one was worse than all the old movies in the series but okay until the final act where alot happens just to end the movie... Leaving the viewer with a bad taste! This wasn't a good movie, yet it had potential they just didn't do anything with it! It started of strong and then lost its way somewhere around the middle and the ending just sucks!!! They have ruined a good series!