Human Error

... there are quite many believing crime dramas and relationship dramas are genres should never get mixed together, both should-must always be-remain kept separate... here in this production there's slightly more crime, yet quite a bit of personal relationship storylines are woven-in-included... for those not minding it's quite well done and no bother at all... and with many familiar faces from the down under acting community, the show's well supported by highly proficient character actors

... script-writing could be a weakness for some, for one of the important storylines raises issues that do not get resolved, least not fully in this premier season, leading us all to believe there will at minimum be another season series, or another was least planned-for-anticipated... just as in life, this issue involved could go several differing ways, none of which would be satisfactory to all the show's characters or audiences watching ... looking hopefully forward to next season's happenings

... continually throughout this first season, the glaring script omission is 'why'... obviously answer most would indicate being age, getting an unplanned-opportunity probably-not to-be-presenting itself again... for having to expose oneself (and others close) through all the scrutiny-criticism from work colleagues and social relationships... stares-whispers surrounding this new-unexpected extramarital long-term-commitment are to be daunting for sure... not now remembering seeing this scenario being approached-tackled in a TV script previously, should make for quite-intriguing-viewing, detailed-handled-well throughout the next season series.

Human Error is a compelling drama series that kept me hooked from the very first episode. The plot is well-crafted, blending suspense, intrigue, and emotional depth, making it easy to binge-watch. The actors delivered outstanding performances, each bringing their characters to life in a way that felt authentic and relatable. The pacing of the series is spot on, with each episode ending on a cliffhanger, leaving you eager for more. Overall, it's a well-executed series with strong character development and a gripping storyline that holds your attention throughout. Highly recommend!" Cannot wait for season two.

Right, it seems that Australians stick to the same formula with producing the same generic detective homicide show. Trying so hard to mimic American style shows but miserably fails! The lead character just doesn't carry the story and some awkward casting with supporting the cast. Just never drawn to any of the characters as they felt flat and manufactured. You could tell they were reciting lines!

Very frustrating to watch and very predictable stories. The cinematography was wonderful, I must say with great open shots. Overall this was a difficult series to watch let alone finish.

If you're looking for another generic police show! Watch NCIS Sydney!

I don't know why I actually sat through all six episodes of this show, with its endless plot twists held together by the finest thread, all with impeccable timing and implausible guesses that turned into leads, which then weren't leads after all. The only highlight for me was Steve Peacocke, the rest was utterly forgettable.

Competent. Fans of police procedurals will be overall pleased with this Aussie offering. It checks all the boxes. Even checks a box that wasn't on the list. Decades ago, the timeless US actress Susan Sarandan, in an interview, commented that her biggest challenge was playing against herself, she was too pretty to be taken seriously. Today -- when casting good-looking female leads for crime shows has become de rigueur -- we note that newbies tuning into HUMAN ERROR 2024 might glance at Leeanna Walsman and mistakenly believe they are watching a Michelle Pfeiffer biopic. It is a subliminal thing, but, don't forget, most viewship is based entirely on subliminal cues. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))