Don Jon

Joseph Gordon-Levitt plays Jon, a confident, promiscuous, foul-mouthed, obsessive-compulsive, Catholic New Jersey boy. Though he is able to sleep with any woman he likes, which is how his friend's gave him the name Don Jon, he is unable to find the same level of satisfaction he attains through his addiction to online pornography. After meeting Barbara, played by Scarlett Johansson, Jon falls in-love and struggles to choose between her and his addiction.

Where a typical Hollywood romance would end, Don Jon just gets started. This is not a romantic comedy, this is a character-study within an anti-romantic comedy with great performances by an excellent cast in perfectly written roles. Tony Danza and Glenne Headly, as Jon's parents, provide some of the film's biggest laughs while Julianne Moore's character gives the story genuine heart. Joseph Gordon-Levitt proves to be just as talented behind-the-camera as he is in-front of it.

Don Jon does more in one small, 90-minute film than most 2 hour big films have ever accomplished. There is much to learn about relationships in this little tale yet it's never preachy and it keeps the laughs coming. This isn't the kind of film couples will feel comfortable or even want to see but it's the film they need to see. It's sincere and honest truth, no fluff.

Don Jon was very well-received in its regional premiere at the Paramount Theatre during Austin's SXSW Film Festival. The film was written, directed and starred Joseph Gordon-Levitt. He did a really fine job for his writing and directorial debut, but he may have been trying to do too much. The acting by Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza, Glenne Headly, and Brie Larson is quite good. I think it is Gordon-Levitt's script that leaves something to be desired. His character Jon is a very successful ladies' man who is also heavily addicted to masturbating to internet porn – numerous times daily. Many people will find the film to be quite funny and enjoyable. However, the graphic use of porn will not be to everybody's taste and may be off-putting to viewers – particularly female viewers. I'm also wondering whether the extensive use of porn will lead to the MPAA giving it the kiss-of-death NC-17 rather than an R rating.

JGL's script is well-intentioned and he is trying to make the point that many people become so self-absorbed that they lose the ability to interact with others on a human level. Jon is deadened to real romance by his reliance on porn. His girlfriend has an overly romanticized view of relationships based on watching too many romantic movies. They are both so self-absorbed and selfish that they can't really build a real relationship. Still, it was often difficult to figure out what JGL's point was and in many ways became clearer listening to him during the Q&A after the film. JGL is attempting to raise profound issues about human relationships in the modern era, but he hasn't quite figured out how to do that as a writer and director. I expect that he is going to become as fine a director and writer as he already is an actor. He has a fine future ahead of him.

"Don Jon" (formerly known as "Don Jon's Addiction") is the feature directorial debut of the talented and ridiculously charismatic Joseph Gordon-Levitt. He also wrote the script and plays the title character, a young man from New Jersey who's developed: a) an unhealthy addiction to porn; and b) such unrealistic expectations about sex and love (and sex) that not even a "10" like Barbara (a hilarious Scarlett Johansson, in what is easily her best work since "Vicky Cristina Barcelona") can satisfy him in real life.

"Don Jon" reminded me of a great, half-forgotten French film: Bertrand Blier's "Too Beautiful for You" (1989). In that film, a wealthy car dealer (Gerard Depardieu) who has everything – including a beautiful wife (Carole Bouquet) – falls for his plain, slightly overweight secretary (Josiane Balasko). "Don Jon" is also like Blier's film in the sense that Jon finds his "10," yet he's still unsatisfied. Both films are very different in tone, aesthetics, and geography, but they delicately touch in the realm of our own emotional misconceptions and immaturity. We live in a world where our ever-growing concern about self-image, and the belief that we must abide by unattainable beauty standards in order to find a decent match, have grown so out-of-hand that all we ever do is find obstacles to getting to know anyone who doesn't meet our own ridiculous requirements. We are always waiting for the illusory perfection. Levitt sharply illustrates this issue by way of porn addiction; it might be crude for some, but he manages not to fall into excessive vulgarity or toilet humor.

Also featuring the always wonderful Julianne Moore in an important role, plus Glenne Headly (I've missed her on the big screen), Tony Danza, and Brie Larson as Jon's parents and sister, respectively; "Don Jon" is worth the visit. Here's hoping for more JGL directorial efforts!

Defining what kind of film this is had to be the hardest part of getting DON JON made, but ultimately it was worth it! It isn't really a "guy" film even though *technically* it tries to look at sex from a guy's perspective. It may actually best be called a "chick" flick, but one they would see alone rather than with a date. At the screening I saw, ALL the raucous laughter was coming from very obviously female voices - falling out of their chairs laughing over what they viewed as stereotypical male behavior - and even as the supposed "10" played by Scarlett Johansson reveals herself to be the kind of demanding (insert the word for a female canine here) who a very stupid - make that excessively immature - straight boy (like the one played with supreme élan by author/director Gordon-Levitt) would make a fool of himself over!

The film heavily satirizes stereotypical straight New Jersey Catholics - the easily offended of which should probably stay away along with anyone who expects a slick date night romantic comedy that doesn't require them to THINK - but it IS a beautifully structured and polished first directorial effort and very funny in its way. Man or woman though, it is not your usual DATE film to see with the opposite sex. The litmus scene for the film was probably when Johansson (Barbara) confronts Gordon-Levitt (Jon) over watching porn! Foolishly trying to evoke simple reason, he (accurately) tells her that "EVERY guy watches porn - and that anyone who says he doesn't is lying." The theatre got absolutely quiet there for a moment in any section where dates were sitting, as each side wondered what the other was thinking. What YOU may think in that scene will determine a lot about how you view and react to the film. You may enjoy it regardless of what you think of that (for the film) core issue, but you sure won't want to see it with anyone who you can't comfortably talk about it with.

The "home" scenes with Jon's family and Barbara's are probably excess baggage, but they give the central characters broad context (the broadest performance in a very stylized film is probably Tony Danza's performance as Jon's father) - and set up the one totally human moment in the film when Jon's silent sister defines what a good sibling should be when she finally has a line! Ultimately, there is one unexpected, rational woman (Julianne Moore giving a remarkable imitation of Susan Sarandon!) who Jon meets in the night class Barbara insists he take who not only "gets" him but broadens his horizons for the kind of growth any central character in a good film must have.

Don't expect a pat happy ending or a cheap thought-free throw away comedy (and DON'T make it first date material with someone you don't know yet!), and the open minded will have a wonderful time. My take-away image is really of a few years ago at the first Broadway preview of a Tony winning musical called AVENUE Q. Just before it started, a student of mine at the university where I teach came over to introduce his mother who was seeing the show too, sitting in front of each other all the way over at the side. Midway through the show there was a very funny, very outrageous musical number called "You Can Be As Loud As You Want" (When You're making Love). I glanced over to see how my student and his mother were taking it and, as you can imagine, my student, sitting in front of his mother, was sinking onto the floor with embarrassment. What he *couldn't see* was his mother rocking with laughter both at the insouciance of the number and her son's embarrassment! I think my mother (who, as far as I know, probably doesn't approve of pornography) or my minister would be howling with laughter at DON JON too - but they probably wouldn't want anyone they knew to see them doing so.

Recommended - but with noted reservations.

With the ever-prevalent rise and availability of internet porn, more and more men are experiencing erectile dysfunction, relationship dysfunction, and the consequences of addiction far worse and far younger than ever before. Don Jon confronts the realities of porn addiction on the young male mind. While it does not delve into the more severe side effects of porn addiction (like PIED), it does have an important message to convey and does it quite well.

Joseph Gordon Levitt plays Don Jon (and directs), a deplorable man living in New Jersey. Don Jon has the cringeworthy qualities of modern day pick-up artists: he is unchaste, disrespectful of the women he watches and meets in real life, and views sex as a wholly selfish endeavor (expects oral, does not like to give it). His friend group refers to women as numbers (she's an 8), "things" (using words like "it"), or disrespectful nicknames ("ponytail"). When Jon meets Barbara (Scarlett Johansson), he falls in love with what he calls "the most beautiful 'thing' I've ever seen." Barbara expects more of her men: she expects to be wooed, doesn't sleep with him right away, and flips out when she catches him watching porn. Barbara herself is not without her flaws; most of all, she is certainly naive, expecting a selfish dude-bro like Jon to respect monogamy being one mind-boggling assumption she makes.

Don Jon explores more than just porn addiction; it also explores nature v. Nurture. Jon himself claims his addiction is normal for men (obviously believing it to be in his nature), but we see glimpses of his home life (where his father continuously disrespects women in front of his wife) and friend circle (where his friends are incapable of treating women like people rather than objects to be conquered). Don Jon also hints at Barbara being conditioned to want the "perfect" relationship based on her obsession with romance movies, which few men (but in particular someone like Jon) could hope to compete with. When Esther (Julianne Moore) character comes into the focus of the story, the movie's once unlikable protagonist finally begins to see hope. Esther is arguably the most important character of all, helping Jon to realize his porn addiction is the main source of his poor sexual performance, and helping him mature from a porn-sick little boy into a man with some amount of promise.

While Don Jon covers a lot of territory and themes that most movies wouldn't dare touch, it doesn't quite make any daring or definitive conclusions. It also manages to be triggering to the same audience it is trying to reach. I am a former porn addict myself, and there are enough flashes of what appears to be actual porn in the film that could threaten the sobriety of any current or former addict. Be warned! Otherwise, Don Jon is a fairly good drama (I would not call it romantic or a comedy by any stretch of the imagination given its serious and bleak themes) about the addiction that is the least spoken about in modern society, and I recommend it to current addicts or the victims of addicts.