The Apology

I watched most of this film or at least tried to. It's an interesting premise I suppose, but it's also not in a lot of ways. The moment the guys (at the very beginning) car "breaks down" and she doesn't question it at all I knew the script wasn't going to be great.

It's basically a play format. A few characters and A LOT of dialogue. The acting is okay, but it just doesn't go anywhere and I personally didn't care about the outcome, the characters or really the whole story.

Overall, I can't give a full review because I got annoyed with all the yelling and arguing and fake tension I just turned it off to watch the Warriors game. We lost the game, but I won by ending the the struggle of watching this film.

The Apology is a cheap movie and by that I don't mean just the budget. Sure it is a low budget movie but there are good low budget movies, unfortunately this isn't one of them. The story is very predictable, not well written in my opinion and the execution was just average. The acting wasn't that great either. Linus Roache, I can't say I'm a big fan of his performance, found it a bit bland and not convincing at all. As for Anna Gunn it was just average as well. Never been a big fan of her either. The Apology is the kind of movie I will forget everything about it by tomorrow and that's a good thing.

This is not a Shudder horror movie, but it is excellent drama by first-class actors around a horrifying subject.

It reminded my husband and me a little of when we first started watching David Mamet's movies. At first, you're a little taken aback, because all of his characters speak in such a way that the words, not the emotional delivery, convey the power of the moment, so that when you first start watching a Mamet film, you think for a moment, "What's wrong with all these people?", and then the magic clicks, and you're entranced.

Not that Locke's style in anyway copies Mamet, it's all her own. Nevertheless, we had a similar experience with this movie. At first, we wondered why these wonderful actors seemed a little awkward, and then suddenly what was being conveyed clicked, and we were caught up.

Excellent film.

This isn't a horror film. It's barely a thriller. This is a generally a two person play they decided to film. The main character is hosting family Christmas after 20 years. She also lost her daughter, 16, 20 years ago who simply disappeared. Her ex-brother-in-law arrives unexpectedly, and this starts the drama. Unfortunately, the drama is a two person morality play of contrived dialogue and weakest of characterizations. This film triggers a lurid reaction to watch to the end, but only to see if any truth is found. Along the way, information that is meant to shock us is disclosed, and secrets are shared. All leading to the ending that is supposed to build faith in humanity? What I found was grief that goes without processing leads to dissatisfied and unhappy lives. Could have done something better with the 90 minutes.

Darlene Hagen (Anna Gunn) is still struggling 20 years after the disappearance of her daughter Sally. Jack Kingsley (Linus Roache) comes by claiming car trouble. In fact, he has a dark secret to reveal. Her friend Gretchen Sullivan (Janeane Garofalo) joins the horrific gathering.

New filmmaker Alison Locke is trying to write and direct a low budget feature. I don't know how, but she got three solid actors to do this. They make this as interesting as possible. The script isn't much. It has one surprise in the first half and the second half struggles. It has no more twists or turns to keep the interest. Mostly, this concept needs a few additions to keep it going all the way to the end.