Citadel: Diana

I do t know what people expect these days but I'm if they are smart enough to say the writing was bland and so on then please write one...please! I will say that having attractive characters helped...i liked it enough to want to see the US Citadel with choppy and madman even though many have panned that too. I don't see how it is worst than any Oops movies out there like Mission Impossible...really. They should have tightened it up and it needs more depth but the measured action scenes were good enough although I will never understand how she didn't break her back. They need a 2 clearly and up there game but folks take what you get times are tough and Hollywood is in trouble.

Jobs.

While Citadel: Diana had the potential to be a captivating international thriller, it falls totally flat in almost every aspect - except for Matilda. This feels like a low-budget series from the '90s. The storyline feels recycled, lacking any depth and complexity- unlike the first season. The pacing is uneven, with predictable twists that don't land anywhere. The show struggles to create meaningful tension or character development. The Amazon executives who approved these scripts should consider changing jobs.

Matilda, however, is the standout. She is the ONLY reason to keep watching the entire episodes which are painful to watch. She has a natural screen presence that captivates, and it's clear she's destined for greater roles. Hopefully, we'll see her in a major U. S. production soon, where her talent can truly shine.

In the end, while Citadel: Diana may not live up to expectations, it's worth watching just for Matilda- an amazing talent.

In a nutshell, this was just poor writing. Skilled narrative skills would have helped this plot and idea be more interesting on screen. It's decent effort by the actors but the story and writing just doesn't help. Didn't enjoy any part of this. In my opinion the entire citadel franchise is a letdown. They are trying to shove more and more down audiences throats cause of the contractual obligations. The indian adaptation is coming next which already seems like a snoozefest. There have been so uplifting spot in this franchise since the Chopra madden season which was a huge let down. Can skip this one.

Wow! This was a terrible waste of time on a holiday weekend. But, I really should have managed my expectations better since the first "Citadel" disappointed--after a very good pilot episode.

Anyway, "Diana" is greatly hampered by constant back-and-forth between time, and so-so action sequences. The worst thing, though, is that the series doesn't know how to TELL a story. There's no character development, motivation beyond the very superficial. The actors are all Italians--and not really well known in the U. S.

The Italian locations are great to look at, but the convoluted story undercuts everything.

Given two strikes, I'm not sure I'm going to watch the next "Citadel" installment that premieres in early November.

Citadel is seriously thinking of creating its own universe and world. We have had spy agents like Priyanka Chopra and now Matilda De Angelis, in the Italian version. Just less than a month later, we will see Varun Dhawan and Samantha Ruth Prabhu in the Hindi language called Citadel: Honey Bunny. All the spies have one thing in common- They are tough, intelligent, and in the case of Angelis, who is called Diana, angry.

Set in the year 2030, 'Citadel: Diana' follows Diana Cavalieri (Matilda De Angelis), a Citadel agent planted as a mole within Manticore. She joined Citadel after discovering that Manticore was responsible for the plane crash that killed her parents. Driven by a desire for revenge, she is trained by Citadel veteran Gabriele (Filippo Nigro) to infiltrate the syndicate. Just as Diana plans to disappear and leave the world of espionage behind, she receives unexpected help from Eduardo Zani (Lorenzo Cervasio), heir to Manticore Italy and son of the ruthless Ettore Zani (Maurizio Lombardi), who is playing his own power games against his German and French counterparts. As alliances shift and betrayals unfold, Diana must navigate a dangerous web of deceit, where trust is a rare and costly commodity.

Matilda De Angelis shines as Diana, the undercover Citadel agent, delivering a strong performance in both the dramatic and action-packed scenes. Her interactions with her sister and trainer offer glimpses of her acting range in a series largely defined by action. Maurizio Lombardi impresses as Ettore Zani, the head of Manticore Italy, suspicious of Diana's activities. His cool demeanour and sharp Italian style stand out. However, the real scene-stealer is Lorenzo Cervasio as Eduardo Zani, Ettore's son and heir to Manticore Italy. Lorenzo's calm, calculated approach, even when surrounded by enemies, is captivating. His sharp instincts and ability to anticipate threats make his performance highly credible.

Unfortunately, the basic plot and screenplay let the series down, failing to keep viewers engaged. The meeting between the heads of the Italian, French, and German Manticore branches feels outdated, with their hideout resembling a 70s-style mountain den. While the series boasts high-octane action, gadgets, and advanced tech, the lack of a gripping, edge-of-your-seat plot undermines their impact on the overall storyline.