Der große Trip - Wild

An irresponsible female goes on a hike & basically plans this hike in the same regards,like most of her past life decisions.

Not saying this movie was horrible,but so many better stories by others could of been told.. This trail surely has many stories to tell,but hers wasn't solely worthy.

When someone takes on such a journey it's to learn & grow,her approach felt more of an escape to runaway.

She was about.. Bad relationships,drugs,sex,unwanted pregnancy & always a victim. Yet somehow she becomes a hero,because of hiking a trail? Wow! If not for help along the way she would of had to quit before hardly beginning,again poor life choices.

Again because she was a female & traveling alone,this made her inspirational? Not really.

Food for thought: Would anyone of watched this if presented as a documentary? Doubtful. Why it became a movie with a good cast,otherwise it wouldn't of got anywhere.

The continuous flashbacks instead of helping you feel emotions,caused you to disconnect regarding her life.

The cinematography was decent,still worth checking out if bored.

No secret that I love one-man survival films (although this wasn't that type of "survival" film). Still, despite very good reviews, there was always a severe lack of hype and passion it seemed (certainly here). Maybe that's why I was so surprised. Usually this kind of heavy-edited, heavy- flashback-intercutting-with-main-story film alienates me emotionally for that reason. Too much back and forth. I had the same problem with 2007's Into The Wild, which so often prevented me from getting too involved with it. For some reason I didn't have that problem here. The actual story, as well as the dramatic ticks in the flashbacks and even in the present, aren't anything we haven't seen before dozens of times. However, the film really managed work despite that. The editing I found to enhance the film immensely, and the specific style of the intercutting with her memories managed to make the film more powerful.

I like Witherspoon just fine in Walk The Line, but it was all mostly surface-level. She was fun, but any lasting impact? Not at all. She's truly fantastic here, and she will get a very deserved nomination tomorrow. Now, everyone knows how much I'd been rooting for Laura Dern for a nomination. I hadn't seen it, but she's one of my favorite actresses. But so many reports of her role being super small, almost a cameo. Her role technically is super small, less than 10 minutes for sure, but the relationship between her and Witherspoon is the central relationship at the core here. Dern's presence is felt throughout to an incredible degree. And she really does have a meaty role for such short screen time. It reminds me of Jessica Chastain in The tree Of Life and also to Patricia Arquette in Boyhood, perfect depiction of that feeling of compassion and motherly love that is eternal. Dern is one of those actors that can move me with so little, so I don't think this was at all anything difficult for her, but either way, she manages to become such an undeniable, powerful part of the film. The editing is part of the reason that central relationship works, but the scenes Dern gets to convey her entire character are flawlessly acted and, so beautifully ethereal. I had feared for a while there that it would be such a small role she'd make no lasting impact, but of course she'd make an impact. It's Laura Dern after all.

Reese Witherspoon and Laura Dern got well deserved Oscar nominations for their roles in this film. In fact, I cannot fathom how Witherspoon was denied a win.

I won't fall into the trap of comparing this film to the book. The book was the best one I read last year, and I thought it unfilmable. I was surprised at how well the film managed to capture the essential elements of the book.

The key was not the Pacific Coast Trail, but Cheryl Strayed's journey into self-discovery. The point where she fell to her knees in tears was the culmination of pain in her life, and the realization of her love for her mother.

This is definitely a film to watch more than once.

Realistic performance of Reese Witherspoon. An history about the life as it is. A movie to watch and review in your mind later. I like drama movies that you suffer as you are watching but give you things to think later, this is this type of movie. Wild is a one-character movie but the little pieces of the secondary characters are so well introduced that allows to introduce drama, fear, suspense and romanticism to the history. If I need to say something wrong about the movie is that in some passages there is lack of continuity and feels as if the movie was longer at the beginning and the director need to cut it to do it shorter.

A wonderful performance from Reese Witherspoon anchors this very good film about a troubled young woman who embarks on a miles-long hike as a sort of personal therapy to deal with the downward spiral of her life in the wake of her mother's (Laura Dern) death. Witherspoon reminds everyone what a good actress she is; I haven't been this impressed by her as an actress since "Election" way back in 1999 (and that includes her overrated Oscar-winning performance in "Walk the Line"). And it's nice to see Laura Dern again, who's popped up here and there over the past many years but has mostly been absent from the movie scene. The movie's editor deftly integrates flashbacks of Dern and Witherspoon together with the character's hike through the wild, and avoids the monotony that usually plagues films when structured this way.

One of the minor miracles of "Wild" is how subtly it explores not just the trials and dangers one would encounter in such a hike, but specifically how those trials and dangers are heightened, or at least are of a different nature, for a woman. Only once in the film is it overtly addressed, but before that scene late in the film, the director and Witherspoon have already conveyed without words how perilous such an adventure could be for a young woman, for whom every encounter with a strange man carries with it the possibility of sexual predation, even if it doesn't materialize (which, the film acknowledges, in most cases it doesn't). At the same time, the film restores one's faith a little bit in humanity, suggesting that most people are decent and kind and willing to help, no strings attached.

Witherspoon and Dern were both justly Oscar nominated for their performances, and the gorgeous Pacific West scenery deserved an award of its own.

Grade: A