Ein witziger Headbanger schafft es endlich, nachdem er jahrzehntelang gekämpft hat, und enthüllt, dass das alles auf einen Vorfall in seiner Kindheit zurückzuführen ist, als die dunklen Mäch... Alles lesenEin witziger Headbanger schafft es endlich, nachdem er jahrzehntelang gekämpft hat, und enthüllt, dass das alles auf einen Vorfall in seiner Kindheit zurückzuführen ist, als die dunklen Mächte des Heavy Metal aus dem Grab griffen.Ein witziger Headbanger schafft es endlich, nachdem er jahrzehntelang gekämpft hat, und enthüllt, dass das alles auf einen Vorfall in seiner Kindheit zurückzuführen ist, als die dunklen Mächte des Heavy Metal aus dem Grab griffen.
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I had the incredible opportunity to be a background actor in Deaner '89, and the entire experience was unforgettable. From being on set to seeing the final product on release day, it was surreal to watch the movie come to life, especially after seeing so much of what went on behind the scenes.
I even got to meet Paul Spence, who couldn't have been nicer. In one scene, he had to push past me, and he took the time to check in and make sure I knew what was happening. As a freshly 18-year-old working on my very first project, it meant the world to me. It was such a small moment, but it showed how professional and kind he was.
Maybe I'm a little biased from being part of the filming process, but I genuinely enjoyed the movie. It has that raw, nostalgic energy with just the right mix of humor and heart. Whether you're a fan of FUBAR or just looking for something different, Deaner '89 is a ride worth taking.
I even got to meet Paul Spence, who couldn't have been nicer. In one scene, he had to push past me, and he took the time to check in and make sure I knew what was happening. As a freshly 18-year-old working on my very first project, it meant the world to me. It was such a small moment, but it showed how professional and kind he was.
Maybe I'm a little biased from being part of the filming process, but I genuinely enjoyed the movie. It has that raw, nostalgic energy with just the right mix of humor and heart. Whether you're a fan of FUBAR or just looking for something different, Deaner '89 is a ride worth taking.
I loved this movie but you can't go into it with an expectation that it will be like the Fubar movies. You also have to get over the fact that Deaner is an old guy trying to play a teenager. PS I have no idea how the hell he pulled off being so spry at his age... I am 40 and can barely get off the couch without hurting myself.
Anyway, my review has to be a certain length and I don't have much else to say about the movie other than...
Woman is a Danger Cat
The streets are silent, My wheels are the night, Black leather boots calling out to you, A cute blonde boogie machine spreads her wings, And comes along for the ride.
Your father thinks you're out at Suzie's place, Bonin' up on the classics, But everyone in high school knows, You're heavy into gymnastics.
One way street, never mind the signs, Full charged gasoline in the tank, Your foot is on the gas and the tires say YEAH!
Woman is a danger cat
Your teachers say you never try, You should be top of the class, But if I was your only educator, You know that you would pass.
You sneak out at night, Deep into the night, This ain't no halfway house, You came from good blood RIGHT!
On and on
Woman is a danger cat
-Deaner.
Anyway, my review has to be a certain length and I don't have much else to say about the movie other than...
Woman is a Danger Cat
The streets are silent, My wheels are the night, Black leather boots calling out to you, A cute blonde boogie machine spreads her wings, And comes along for the ride.
Your father thinks you're out at Suzie's place, Bonin' up on the classics, But everyone in high school knows, You're heavy into gymnastics.
One way street, never mind the signs, Full charged gasoline in the tank, Your foot is on the gas and the tires say YEAH!
Woman is a danger cat
Your teachers say you never try, You should be top of the class, But if I was your only educator, You know that you would pass.
You sneak out at night, Deep into the night, This ain't no halfway house, You came from good blood RIGHT!
On and on
Woman is a danger cat
-Deaner.
As a Métis person this movie inspired me to appreciate more my roots, as a metal head this movie inspired me to appreciate more my rooooots (blooooody roooooots) haha I know sepultura isn't the type of metal we're talking about here but it fits🤘🏼
But in all seriousness, this is an incredible movie and even though it outside the FUBAR world now it still has the spirit of the original movies with Deaners character.
This movie will be watched along side the originals by all of the old school fubar fans guaranteed as if it were a sequel to the originals, INSTANT CANADIAN CLASSIC 100%
Rent or buy this movie is worth every single penny.
But in all seriousness, this is an incredible movie and even though it outside the FUBAR world now it still has the spirit of the original movies with Deaners character.
This movie will be watched along side the originals by all of the old school fubar fans guaranteed as if it were a sequel to the originals, INSTANT CANADIAN CLASSIC 100%
Rent or buy this movie is worth every single penny.
Wow. Just wow. Is this an 'action comedy' about the Sixties Scoop?
As the logline suggests, there is no singular coherent story. Like, at all. Receiving a trunk of his dead biological father's belongings is not enough of an inciting incident, there is zero dramatic action or plotting that follows. The scenes lack internal structure and setups, payoffs or punch lines. The transitions are just frequent cuts to a fifty-year-old dude on a BMX pretending to be seventeen again. Instead of learning about his hitherto hidden indigenous Metis identity, he's discovering heavy metal, but the score lacks any actual heavy metal. It's 1989, so if you're a Dokken fan, you'll know that year things fell apart and they broke up. There's a cartoonish bad biker attempted antagonistic subplot that's so cringe it's funny in a 'The Room' kind of way. It's trying to pass off as part of a franchise with a fan base but not delivering any goods. Some performances are good despite the lack of material. Star Slade almost saves the scenes she's in. Spence, however, can only barely channel the character and has changed things about Dean like his social class, hometown, ethnicity, the mom he had in the Fubar films and his age while trying hard to prove he's the Deaner. How much can you stand to watch Paul Spence constantly shotgun beers and say 'Giver?" Feels like he's trying to prove he's the better of two bangers but fell flat on his 'Sexcalibur' knife. As a Fubar fan, I feel ripped off. This film looks like it had at least ten million to work with, so hardly the little Indy Canadian that could. Meanwhile, Indigenous filmmakers in Canada continue to get robbed at fund points.
As the logline suggests, there is no singular coherent story. Like, at all. Receiving a trunk of his dead biological father's belongings is not enough of an inciting incident, there is zero dramatic action or plotting that follows. The scenes lack internal structure and setups, payoffs or punch lines. The transitions are just frequent cuts to a fifty-year-old dude on a BMX pretending to be seventeen again. Instead of learning about his hitherto hidden indigenous Metis identity, he's discovering heavy metal, but the score lacks any actual heavy metal. It's 1989, so if you're a Dokken fan, you'll know that year things fell apart and they broke up. There's a cartoonish bad biker attempted antagonistic subplot that's so cringe it's funny in a 'The Room' kind of way. It's trying to pass off as part of a franchise with a fan base but not delivering any goods. Some performances are good despite the lack of material. Star Slade almost saves the scenes she's in. Spence, however, can only barely channel the character and has changed things about Dean like his social class, hometown, ethnicity, the mom he had in the Fubar films and his age while trying hard to prove he's the Deaner. How much can you stand to watch Paul Spence constantly shotgun beers and say 'Giver?" Feels like he's trying to prove he's the better of two bangers but fell flat on his 'Sexcalibur' knife. As a Fubar fan, I feel ripped off. This film looks like it had at least ten million to work with, so hardly the little Indy Canadian that could. Meanwhile, Indigenous filmmakers in Canada continue to get robbed at fund points.
Well, that was the best movie I've seen in a long time. I laughed my ass off. The characters were well developed. The humour was intelligent and relatable. I loved the sister and brother relationship. I had never seen the previous fubar movie before but i had an open mind when watching this film. It was so funny and laughed out loud a bunch of times. The music is soooo good. I think this is my new favorite movie and im going to say this is a Canadian Masterpiece. I really hope they make a sequel to this where Deaner lives in Calgary and starts a band or something. If you have time go do yourself a favour and watch this flick.
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- WissenswertesAlle Einträge enthalten Spoiler
- SoundtracksBreaking the Chains
Written by Mick Brown, Don Dokken, George Lynch
Performed by Dokken
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing
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- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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