Chaaver

"The movie started off with great promise, building up the hype and excitement within the first 15 minutes. However, the momentum dipped as the plot slowed down, leaving the audience waiting for the suspense to pick up. This lag continued into the second half, sapping the initial energy. Disappointingly, the film didn't deliver on the expectations set by its trailer. Kunchacko Boban showcased his acting prowess with a commendable role, but Arjun Ashokan's character felt somewhat out of place. Despite the flaws, the movie is worth a single watch for fans of the actors and the genre.".............................

The theme of the movie is violence stemming from political rivalry has long plagued Kerala's conscience and this persists even today. With numerous people from various outfits losing their lives in organised attacks and retaliations, the state has an extensive history of such incidents This movie had no main story. A 10 minute story makes 2 hours story with lagging. Total tragedy movie. Visuals are incredible. A veriety of movie musically visually theyyam based, but the main fault is story line. They might keep atleast good story line while making this movie. Tinu Papachan can direct a mega serial like this story line.

This is a very stupid movie. There is nothing new in the plot, everything has been written off. It is better to make the film better. It has ruined my time. The director of the film should understand that times are changing. Make something new but what will you do if you make the same old file. South should make a Hollywood type movie. Or then they should learn from Mammootty or Dulquer Salmaan that how to make a movie and not throw it in front of the audience. It is a request to the director sir not to waste his time by making such garbage and stupid movies. Don't do it. You are requested to please ignore this movie.

I could sense the enthusiasm with which Tinu Pappachan wanted to deliver this film - it was evident throughout, maybe a tad too much. As a one-liner, I feel Chaaver is a film with potential. But whatever I saw in the film scene-by-scene, the excitement fizzled out early on. The route the screenplay chooses to take is treading the beaten path, with negligible attempts at character development and building emotional depth.

There are feeble efforts to make a character's death feel sad and remorseful, and the thematic use of Theyyam (as an art form) to amplify these feelings unfortunately doesn't hit the mark. On the other hand, there are commendable efforts made on the visual front and the cinematographer (Jinto George) seems to have worked overtime to capture those incredible night shots. However, the excessive use of slo-mo proves to be a dampener. None of the characters stick, and even when Kunchacko Boban manages to look the part (of a no-nonsense ruffian ready to spill blood for his political party), the writing renders him just as inconsequential as the rest.

Arjun Ashokan's character is one that involuntarily gets embroiled in this mess, though I couldn't find one solid reason for him to be tagged along with this motley crew. He could've just been dropped at the next junction for all I care (after the ruckus we see), and nothing in the film would've changed. The political backstabbing and casteist angles are predictably weak, and they don't add much to a film that already appears worn-out while getting to its finish line. Justin Varghese's score is fantastic though, and without it, I'm guessing this would've been an absolute snoozer.

P. S. I'm pretty sure Tinu Pappachan will bounce back from this. This wasn't his comfort zone, and unfortunately, Joy Mathew's writing failed to back him up.

Another movie that reiterates the fact that Story is everything. This movie has such a weak storyline and screenplay that a decent making couldn't salvage it. The slow pace, dragged out scenes, random characters that isn't required, all makes this movie a snooze feat. BGM is nothing unique, I guess they've used folk songs (how original). Overall just another movie to forget about.

The plot is nothing new and cannot be justified as a political thriller. Leaving aside the fact that central characters belong to a political party and they do deeds that they believe are for the party is like treading on think ice. It barely makes the cut to qualify as a political thriller.

Only plus side is it's we'll cinematographed. That's it.

And the argument that its a theatric experience movie is juvenile as a good cinema has to be good anywhere, be it in theatres or on TVs.