Gold

Gold is a beautiful, intricate, sound movie. A movie that just depicts us humans, in our epic quest, without any concessions. Driven by some ungraspable idea, we need groups, leadership, moral standards, intimacy and love. Not all of us will stay, at least, not to the end of the movie, but though, the movie will go on somewhere else. A great canvas of WE as WE ARE. And then still willing to strive and look forward, still in the need to move ahead. Thus the depiction is better than the feeling you will get at the end of the movie.

This might be because, we, as a species, are made to believe and hope.

8/10

RELEASED IN 2013 and written & directed by Thomas Arslan, "Gold" covers events in 1898 when a single woman (Nina Hoss) joins a small group of other prospectors heading north through Canada to the Klondike gold fields near Dawson City. Their numbers dwindle as they face challenging hardships.

My title blurb says it all. Just as "Meek's Cutoff" (2010) covered the adversities of traveling in the late 1800s on an alternative route of the Oregon Trail and "The Homesman" (2014) covered journeying from western Nebraska to Iowa, so "Gold" features the challenges of traveling from Ashcroft, BC, where the train tracks end, to Dawson City in the Yukon territories.

Needless to say, "Gold" favors gritty realism to conventional Western staples. Still, there are Indians, Old West boom towns, covered wagons, a possible hanging, alcohol and a believable shootout. I think it's a little more compelling than those other two flicks, although those are worthwhile too if you favor mundane accounts of arduous travel in the Old West. If you'd like to see a more eventful old-fashioned Western covering similar terrain, check out "The Far Country" (1954) with Jimmy Stewart.

I suppose the movie should've contained at least one rain sequence, particularly considering it takes place in the Great Northwest. But shooting in the rain is challenging & costly so the viewer is asked to read in-between-the-lines that they experienced rainy days. The film never shows any of the characters 'going to the bathroom' either, but we're to assume it happened.

A German/Canadian production, THE MOVIE RUNS 1 hour 41 minutes and was shot in British Columbia, Canada. At least half the dialogue is in German with English subtitles.

GRADE: B

Having traveled from british columbia to dawson anyone could see that the initial terrain traveled in the film was inaccurate ... it looked more like the prairies of eastern alberta or eastern montana ... struggles today traveling from vancouver north aren't much different then 120 years ago ... its still about 2300 miles of rugged territory but possible with good planning and a lot of luck ... if you do it, be sure you get to the laird river crossing before late summer rains or you may find yourself mired down with mud ... get past that and dawson is easy ... you can pan for gold anywhere with recreation license ... if you don't have one be prepared to pay a steep fine

At the time when it was released - right in the middle of August - both in Germany and in France, Thomas Arslan's seventh film, 'Gold', appeared as the ugly duckling puddling clumsily around the pond of Summer movies. No cheap thrills, no big gags, no sultry scenes in this German UFO. Nothing about it to draw huge audiences. To begin with, it is a western, once a popular genre but today the ghost of what it used to be, at least in terms of box office (with the notable recent exception of 'Django Unchained'). Even worse, once again as far as box office is concerned, it is spoken in... Goethe's language! Okay, laugh you cynical money grabbers while it is still time! As for me, I would not be so surprised if this unusual effort should become a classic in the years to come. Agreed, associating the terms "German" and "western" looks incongruous at first sight but let's not forget there HAVE BEEN German "cowboy movies" before, mainly in the 1960's. Of course at the time they were generally nothing but undemanding adventure films meant for the young public, most of the time shot in Yugoslavia and aspiring to nothing higher than "to entertain". Whereas in the present case the ambition is different and while the end credits roll the viewer is now assured that the words "German" and western" can go together quite well. For 'Gold' is a little gem of a western movie, which is made apparent as of the first minutes through the feeling of authenticity it generates. For one thing, Arslan's rough and uncompromising work is shot entirely on location: all the places shown or mentioned (Baskerville, Clinton, Goldbridge as well as the wastelands of British Columbia) are the real ones. Moreover, the writer-director has worked from actual documents of the time (the Yukon gold rush of 1898), among which photographs, newspaper articles and pioneers' diaries. All that is shown is therefore realistic, not to say hyper realistic, from the horse tack to the weapons to the costumes to the train. Such a serious approach is commendable and would suffice to make 'Gold' a good film but there is even more to it than the true-to-life account of the journey of a group of German gold diggers, namely an allegoric dimension. Indeed, Beyond the facts reported lies a fable about the futility of man's efforts. Driven by the lust to get rich quick, the seven characters (with the one exception of the determined female hero... but for how long?) ride and suffer only to give up or die in the end. A sense of utter absurdity is thus gradually built, reinforced by the structure of the movie (almost all the protagonists disappear one by one in the manner of an Agatha Christie whodunit). I am pretty sure John Huston would have liked 'Gold' even if its tone is yet more pessimistic than his (for Huston, the final goal is absurd, only the adventure is worth living whereas for Arslan, the whole thing is purposeless). Well made, well interpreted by competent German actors (among whom Nina Hoss as the dark, untamed Emily Meyer), 'Gold' is an excellent surprise. Not totally flawless (a faster pace would not have gone amiss), it is nevertheless an outstanding achievement in its category. And quite an unexpected one at that!

I remember very well the feeling I had when I walked out of the theater after watching "Gold" : the movie was so realistic that I couldn't get out of my mind life's knocks during the particular era of the movie - and how lucky I was to live in Europe these days, have a secure job, a house and loving family.

"Gold" deals with a common story of the 19th century in North America : a trek of settlers decide to go up north in search for gold. The variety of characters makes it easy to identify with a least one : there is the lonely guy, the intriguing girl, the elderly couple, the crook ... the harshness of nature and human behavior point out their vulnerability but can also reveal their pugnacity and strong character.

Everything seems to match in "Gold" : the beautiful landscapes without any track of man, the very discreet music, the simplicity of these settlers' habits, the whole making this movie quite fascinating. I absolutely recommend it to anyone willing to see what a contemporary western could be.