Elevation

"Elevation" is a movie with a compelling premise that, unfortunately, stumbles in its execution. While there are glimmers of creativity and moments of genuine intrigue, the film ultimately falls short of fully capitalizing on its potential.

The story explores a high-concept idea that feels fresh at first but quickly becomes bogged down by uneven pacing and underdeveloped characters. The script occasionally touches on deeper themes but lacks the focus or depth to make a lasting impact. Instead, it relies on predictable plot beats and moments of unnecessary exposition that drag down its momentum.

On the positive side, the visuals are stunning. The cinematography does an excellent job of creating a sense of scale and immersion, and the production design gives the movie a polished, modern aesthetic. The soundtrack also enhances key scenes, adding emotional weight when the story struggles to provide it.

The performances, while not bad, don't elevate the material as much as they could have. The lead actor delivers a solid performance, but the supporting cast feels underutilized, leaving some relationships and dynamics feeling hollow.

Overall, "Elevation" is an admirable attempt that fails to reach its lofty ambitions. While it's not a bad movie and has some entertaining moments, it doesn't leave a lasting impression. For viewers who enjoy thought-provoking concepts, it might be worth a watch, but don't expect it to soar to great heights.

So, I sat down to watch Elevation, a film that promises thrills, chills, and a heartwarming tale of survival in a world gone mad. The premise? A single dad (played by the ever-charismatic Anthony Mackie) teams up with a brooding neighbor (Morena Baccarin) and a scrappy young woman (Maddie Hasson) to brave a monstrous, post-apocalyptic hellscape in search of lifesaving medication for Mackie's ailing son. Sounds intense, right? Like a twisted mix of The Last of Us and your standard "let's-go-fetch-the-thing-to-save-the-kid" plot. But here's the thing: while the movie has its moments, it often feels like it's hiking up a steep hill only to find the view from the top isn't all that spectacular.

Let's start with the good. Every now and then, Elevation delivers a solid dose of tension. There's one scene in an abandoned factory where our trio faces off against the film's signature monsters that had me white-knuckling my popcorn. For a brief moment, I thought, "This is it! This is where the movie takes off!" But alas, that moment, much like a cheap rollercoaster, peaked too quickly. The premise is another point in its favor. I mean, who doesn't love a good survival story with high stakes and creepy creatures? On paper, this could've been a genre-defining film. Unfortunately, "on paper" is where the brilliance seems to have stayed.

Now, the not-so-good. If you're planning to watch this movie, pack a snack-and maybe a pillow-because the pacing is slow. Like, snail-on-a-cold-day slow. The film spends so much time building up its characters and world that it forgets to, you know, keep things moving. Don't get me wrong; I'm all for character development. But there's a fine line between deep and dull, and Elevation doesn't always find the balance.

And then there are the special effects. Oh, boy. Let's just say that some of the creature designs wouldn't look out of place in a Syfy original movie circa 2010. I'm not saying the CGI is terrible, but when your big bad monster looks like it moonlights as a Halloween store mascot, you've got a problem. Speaking of problems, the big reveal-this film's pièce de résistance-lands with a thud. After all the buildup, the explanation for the monsters (or lack thereof) feels as satisfying as getting socks for Christmas. Sure, they're practical, but where's the excitement?

But wait, there's more! For a movie that wants to tug at your heartstrings, it sure leans hard on tired tropes. Mackie's kid is sick and needs lifesaving medication, so naturally, our heroes embark on a dangerous quest to save him. Haven't we seen this plot a million times before? It's like the writers took a spin on the Wheel of Emotional Stakes and landed on "sick kid." I wanted to care more, I really did, but this well-worn trope made it hard to fully invest.

And yet, despite its flaws, Elevation isn't a total disaster. Anthony Mackie does his best to elevate the material (pun intended), bringing warmth and gravitas to his role. Morena Baccarin broods like a pro, and Maddie Hasson injects some much-needed energy into the proceedings. The trio has decent chemistry, even if the script doesn't always give them enough to work with. It's clear these actors are doing their damnedest to turn this mixed bag into something worthwhile, and for that, they deserve credit.

Ultimately, Elevation is a film that aims high but doesn't quite stick the landing. It's got moments of tension and a solid premise, but the slow pacing, underwhelming effects, and lackluster payoff hold it back. Think of it as the cinematic equivalent of climbing a hill only to realize the view isn't quite worth the hike. Still, it's not a bad way to spend a lazy weekend-just don't expect it to change your life.

Rating: 5/10. A decent watch for fans of creature features, but not a must-see by any stretch.

This movie is much better than the bad reviews would lead you to believe. OK, so it's a cheaper knockoff of The Quiet Place. But that doesn't take away from the enjoyment. It's a fun movie if you like the sci-fi monster genre. The script and the acting are above average for this type of movie. It's also nice to see the Colorado mountains scenery. Just like in The Quiet Place, you have to accept one dumb premise in order to be able to enjoy the movie: For some unexplained reason, the monsters can't go above 8000 feet. This movie doesn't have as many holes in the plot as The Quiet Place series. And ending is much better. You actually find out where the monsters came from. It's also easy to figure out why they are killing everyone.

I watched Elevation early as part of Marcus's Mystery Movie series. And I knew nothing about it beforehand. Watching movies this way maximizes your enjoyment, which it definitely did here. Unfortunately the enjoyment offered is fairly limited.

Elevation has some cool parts mixed into a mostly boring movie. The majority is walking and talking with exposition mixed in. It's a fairly standard movie within the subgenre. I like the creature design and a few suspenseful scenes. The rest isn't bad, but it maxes out at serviceable.

From someone who thinks most streaming movies are low-quality garbage, I see Elevation as more of a good streaming movie. But theatrically released, it feels underwhelming.

In a similar subgenre, I found Nicolas Cage's Arcadian to be more entertaining.

(1 viewing, early screening Marcus Mystery Movie 11/4/2024)

3.125 STARS - Elevation is a post-apocalyptic monster movie where most of humanity has been destroyed and those who survived are only doing so because they learned that the creatures can't go beyond 8,000 feet of elevation. The trigger for the story in this film is that a small group of the survivors must journey into dangerous territory to acquire some life-saving supplies. While it felt rather generic, this isn't the worst I've ever seen. The ending felt a tad too compressed, and because of that, it probably could have benefitted a bit from a few more minutes in that part. Though it clearly got its inspiration from other movies that have done it better, it added its own unique twist on things that made it at least interesting enough to not outright hate. Anthony Mackie and Monica Baccarin performed well here - especially with Monica, during a moment of emotional distress for her character. The main things that jumped out to me as negatives were the typical perfect-timing scenarios that happened toward the end and the predictable character death/situations that occurred. Other than that, it didn't feel flawed enough to recommend a hard pass on. Also, there is a small mid-credits scene to watch if you're interested. Video review to come shortly.