Der Autor Thelonious "Monk" Ellison ist verärgert, weil sein neuestes Werk bei den Verlegern keinen Anklang findet, während der Band "We's Lives in Da Ghetto" von Sintara Golden die Bestsell... Alles lesenDer Autor Thelonious "Monk" Ellison ist verärgert, weil sein neuestes Werk bei den Verlegern keinen Anklang findet, während der Band "We's Lives in Da Ghetto" von Sintara Golden die Bestsellerlisten stürmt und Monk in Rage bringt.Der Autor Thelonious "Monk" Ellison ist verärgert, weil sein neuestes Werk bei den Verlegern keinen Anklang findet, während der Band "We's Lives in Da Ghetto" von Sintara Golden die Bestsellerlisten stürmt und Monk in Rage bringt.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 64 Gewinne & 174 Nominierungen insgesamt
Empfohlene Bewertungen
Jeffrey Wright was spot-on in his depiction of a frustrated academic getting in trouble with his liberal white colleagues and students for being blunt when talking about race. Outside of his job, he's generally grumpy with everything and everyone. But in watching what he has to deal with, we really can't blame him: modern America expects everyone to be ambitious and better themselves, but when Monk does this, he feels like a fish out of water and only gains fans when he pretends to be a "poor boy from the hood".
This movie addresses a lot of issues, covering homophobia, infidelity and grief, as well as racism, but it does so with a light touch. By focusing on characters and entertainment, it enlightens viewers without ever feeling like a lecture.
It's a story of a black writer who is tired of society's tend to stereotypes so he writes a crappy novel with intention of purely just trolling, but people eat it up and it becomes a best seller. I think in a way, the movie itself is like that; it tries to divert away from what you'd typically expect from a black story, that sounds weird... from a story based on black characters lol. It reminded me of "The Photograph (2020)," an okay romance movie (with Issa Rae too) that I liked because of its portrayal of a love story between two Black individuals, where the essence of romance took center stage instead being overly focused on their race or any associated struggles.
Loved how it was directed, the subtle yet not so subtle instances of race even though Thelonious. The social commentary was done really well and did not need to be shoved down your face to be effective. The characters are very easy to get invested in, even the ones that are short lived. I've only seen Jeffery Wright in supporting roles but he really nails his performance as a lead here which was great.
It's a film that balances deep emotions with humor, a difficult feat to achieve. Loved how there's a lot going on without the movie feeling overly crowded. It seamlessly combines satire and social commentary with a compelling family drama, and surprisingly, they harmonize flawlessly. Despite not being fast-paced, the film feels tightly packed, dedicating time to explore both themes thoroughly. Moreover, the quick-witted dialogue adds an extra layer of brilliance. Undoubtedly, this stands out as one of my favorite films of the year. The anticipation I had for it was met, and it truly stands as a unique movie.
I am aware of the irony woven in this review, but I guess that is the beauty of human nature, our flaws are what keep the world spinning.
Most of the movie is wonderful but the main character's LGBT brother is very likely not needed and was put in there to satisfy an agenda. Ironically... this movie itself is a vehicle for the message while also critiquing it. And at the end of the story it looks like it is going to go with a very Tootsie like ending but they do a few zigs and zags that I wonder if was just to extend the run time.
Overall though, very entertaining.
Wusstest du schon
- WissenswertesIn a 2023 interview with Esquire, Cord Jefferson explained his approach to a key scene in the film and how the actors elevated it in unexpected ways: "We've all seen that scene of the writer pounding the keyboard frantically, then taking a big sip of coffee and getting back to it. That's how you depict somebody intensely writing. But I thought, 'We can't have that. It's tropey and silly, and it doesn't get the audience's minds going.' So why not have these characters manifest in front of him? When I wrote that scene, I wrote the language to be very silly. It had to be ridiculous so that everybody could see how stupid this book is and what a sham it is. Then we got Keith David and Okieriete Onaodowan, who are both such tremendous actors. All of the sudden, it wasn't silly anymore. They made it seem like the book might be good. I love what the scene became in their hands: suddenly you're questioning whether or not the book is good, which is evidence that something as ridiculous as this book could become a hit."
- PatzerAt the movie's beginning, Monk walks out of a building while being on the phone and holding a coffee cup with a vertical print of Dunkin Donuts, and with a lid on it. Seconds later, when he gets into a car, the logo on the cup is horizontally printed and it has no lid, while he is still holding the phone to his head with the other hand.
- Zitate
Sintara Golden: Potential is what people see when they think what's in front of them isn't good enough.
- VerbindungenFeatured in 2024 EE BAFTA Film Awards (2024)
- SoundtracksWithout You
Written by Aubrey Johnson
Performed by Ace Spectrum
Published by Ace Spec Music
Courtesy of Mojo Music and Media
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- Auch bekannt als
- Ficción estadounidense
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Box Office
- Bruttoertrag in den USA und Kanada
- 21.098.470 $
- Eröffnungswochenende in den USA und in Kanada
- 224.469 $
- 17. Dez. 2023
- Weltweiter Bruttoertrag
- 22.483.370 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1