Amerikanische Fiktion

This was really good on so many levels. It was funny and thought-provoking and intelligent. I can see it landing a number of Oscar nominations, and not just so the academy can show off its new found diversity (although that would be fitting given the storyline and themes this movie tackles).

In short, Thelonius Ellison is a struggling author. When his latest book doesn't sell because it's not "black enough" he writes the most cliched black novel he can come up with, full of gang bangers and hoes. His agent submits it under a nom de plume and wouldn't you know, it becomes a best-seller. That's the bones of this story but it's so much more than that, as Ellison deals with an aging mother, an older brother who has just recently come out, and a new girlfriend. There's a twist towards the end of this movie that I won't spoil, but just suffice to say it made a good movie great IMO.

An author, dejected by the state of society and what readers consider black literature, decides to give the people what they want: a stereotypical black story. What was supposed to be a satirical commentary turns into something more than he ever expected.

This film is an adaptation of the novel Erasure by Percival Everett. The film is a good mix of drama and comedy. One storyline makes fun of how, even though society is becoming more accepting of minorities, it unintentionally marginalizes them by continuing to perpetuate stereotypes. At the same time, another storyline shows an individual struggling with the hardships of life. The film's display of irony makes it an intriguing watch and reflects our current state as a society. This is a great film to watch with friends and discuss afterward.

I was looking forward to this. It's as funny as I anticipated and didn't disappoint. I loved the humor, like the way Issa Rae talked about her book, then proceeding to read it. I remember how much and how often the theatre broke out in laughter.

It's a story of a black writer who is tired of society's tend to stereotypes so he writes a crappy novel with intention of purely just trolling, but people eat it up and it becomes a best seller. I think in a way, the movie itself is like that; it tries to divert away from what you'd typically expect from a black story, that sounds weird... from a story based on black characters lol. It reminded me of "The Photograph (2020)," an okay romance movie (with Issa Rae too) that I liked because of its portrayal of a love story between two Black individuals, where the essence of romance took center stage instead being overly focused on their race or any associated struggles.

Loved how it was directed, the subtle yet not so subtle instances of race even though Thelonious. The social commentary was done really well and did not need to be shoved down your face to be effective. The characters are very easy to get invested in, even the ones that are short lived. I've only seen Jeffery Wright in supporting roles but he really nails his performance as a lead here which was great.

It's a film that balances deep emotions with humor, a difficult feat to achieve. Loved how there's a lot going on without the movie feeling overly crowded. It seamlessly combines satire and social commentary with a compelling family drama, and surprisingly, they harmonize flawlessly. Despite not being fast-paced, the film feels tightly packed, dedicating time to explore both themes thoroughly. Moreover, the quick-witted dialogue adds an extra layer of brilliance. Undoubtedly, this stands out as one of my favorite films of the year. The anticipation I had for it was met, and it truly stands as a unique movie.

American Fiction is a rightfully angry satire that gets a lot of laughs out of showing how the industry isn't as progressive as it thinks it is. What makes it even better is that it's also a surprisingly investing family drama that is exactly the kind of film it's complaining there aren't enough of.

The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.

Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.

With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.

Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.

"American Fiction" has a great premise, one of the best in any movie this year. And I overall liked it and think it was well made, so I'm rounding my score up to reflect that. But it somehow didn't completely land for me, in a way that I find hard to explain.

I think it was the domestic drama part of the film that didn't completely work for me. The movie spends a lot of time on all the ways that Jeffrey Wright feels overwhelmed by his life's responsibilities, and it sags in some of these parts, and makes the movie feel a little bit like a slog. And I don't know that I ever completely believed the character played by Sterling K. Brown, who never seemed convincing as a gay man. But I did like what the film had to say about the burden placed on black people to constantly be representing black people everywhere that white people never have to deal with. And I also liked the choose your own adventure ending that takes the film into meta territory in its final scenes.

So, solid double for me, but not a home run.

Grade: A-