IMDb-BEWERTUNG
6,6/10
968
IHRE BEWERTUNG
Im Sommer 1989 beobachten vier Kinder in Tokio, wie die Schildkröte Kaiju Gamera es beherzt mit riesigen, menschenfressenden Monstern aufnimmt.Im Sommer 1989 beobachten vier Kinder in Tokio, wie die Schildkröte Kaiju Gamera es beherzt mit riesigen, menschenfressenden Monstern aufnimmt.Im Sommer 1989 beobachten vier Kinder in Tokio, wie die Schildkröte Kaiju Gamera es beherzt mit riesigen, menschenfressenden Monstern aufnimmt.
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While an epic and amazing piece of media. The animation does leave a lot to be desired. The characters are classic while avoiding the Kenny trope that predominants much of classic Gamera. The Guardian of the Universe is back abd he is still Friend to the Children. The fights have the weight that you'd expect and Gamera is the bruiser that'd you expect him to be. The classic monster gore is back and Gamera even has motal kombat style fatalities. His classic villains from the Showa era are back and actually threatening as opposed to comical. Gamera's orgins along with his villains orgins are more Heisei.
If there is something to applaud this series is how it was able to deliver an interesting plot along with combats at the height of this Kaiju.
Now yes, let's start well, this is the first time I see a Gamera product and I must say that I was very surprised, I knew it was the "rival" of Godzilla in Japan, while one was the terror, the other was the protector.
This series is the first time we see the Kaiju after many years and I must say that in the format he returned was very good since we come from very questionable animated products (Godzilla Singular Point, Ultraman, etc).
The only thing I must say I didn't like was the 3D style animation, as it felt very bad at times but contrasted with the phenomenal kaiju designs.
The plot is easy to understand and each chapter has its touch and at the same time the way they present Gamera's rivals is very interesting.
I'll just say that if you're looking for a kaiju series with a simple but complex plot, this series has it.
Also, the ending, tremendous ending, I just hope a second season is confirmed.
I also hope that the series does well and we have more of the protector of children and the universe, yes, it was the first time I saw Gamera in action and I liked it, I have no doubt that you will like it too.
And don't get carried away by the animation, because once you get caught up in the series you won't be able to put it down.
Now yes, let's start well, this is the first time I see a Gamera product and I must say that I was very surprised, I knew it was the "rival" of Godzilla in Japan, while one was the terror, the other was the protector.
This series is the first time we see the Kaiju after many years and I must say that in the format he returned was very good since we come from very questionable animated products (Godzilla Singular Point, Ultraman, etc).
The only thing I must say I didn't like was the 3D style animation, as it felt very bad at times but contrasted with the phenomenal kaiju designs.
The plot is easy to understand and each chapter has its touch and at the same time the way they present Gamera's rivals is very interesting.
I'll just say that if you're looking for a kaiju series with a simple but complex plot, this series has it.
Also, the ending, tremendous ending, I just hope a second season is confirmed.
I also hope that the series does well and we have more of the protector of children and the universe, yes, it was the first time I saw Gamera in action and I liked it, I have no doubt that you will like it too.
And don't get carried away by the animation, because once you get caught up in the series you won't be able to put it down.
Gamera is a friend to all children, and on the face of it, that's what we get here: three plucky Japanese boys thrown together with a cowardly, low-IQ, thuggish US antihero - careful now, there's a bit of politics creeping on the stage here.
The first three episodes follow the same basic kaiju trope of introducing a new villain-monster which eventually gets stomped or toasted by ol' rocket-shell. But before the showdown, you have to sit through half an hour or so of annoying kids doing annoying kid things, and getting into all sorts of avoidable scrapes.
And that's where it gets weird, as the pre-teen lads getting up to their boys-will-be-boys hijinks makes this seem as though its for children of that age. But this is intercut with graphic and bloody dismemberment and devouring, and some unnecessarily jarring adult language in the English dub, which makes it unsuitable for Gamera's younger chums.
The art and animation are also disjointed. There's a mix of hand drawn and CG backgrounds and buildings, basic low frame rate flat cell-shaded CG characters and vehicles, and spiky 3D kaiju that look very peculiar when they share the same scene. It's possible that this is a deliberate homage to the compositing in the original films, but it doesn't make it any less quirky.
All that said, if you stick with it, you'll find that the protagonists are well fleshed out with backstories, their interactions become increasingly character-based, and there's a commendable amount of development among the boys - with some very surprising twists and payoffs that I've carefully avoided spoiling - so full credit for that. The series gets a lot more mature and consequential as it progresses, and actually develops a solid plot, which is a surprise given its frivolous early feel.
This isn't the worst animation that Netflix has produced, not by a long way, and it improves as it goes on. It's just that I suspect some of its audience will tune out in the first two episodes as it doesn't settle on a consistent tone quickly enough.
The first three episodes follow the same basic kaiju trope of introducing a new villain-monster which eventually gets stomped or toasted by ol' rocket-shell. But before the showdown, you have to sit through half an hour or so of annoying kids doing annoying kid things, and getting into all sorts of avoidable scrapes.
And that's where it gets weird, as the pre-teen lads getting up to their boys-will-be-boys hijinks makes this seem as though its for children of that age. But this is intercut with graphic and bloody dismemberment and devouring, and some unnecessarily jarring adult language in the English dub, which makes it unsuitable for Gamera's younger chums.
The art and animation are also disjointed. There's a mix of hand drawn and CG backgrounds and buildings, basic low frame rate flat cell-shaded CG characters and vehicles, and spiky 3D kaiju that look very peculiar when they share the same scene. It's possible that this is a deliberate homage to the compositing in the original films, but it doesn't make it any less quirky.
All that said, if you stick with it, you'll find that the protagonists are well fleshed out with backstories, their interactions become increasingly character-based, and there's a commendable amount of development among the boys - with some very surprising twists and payoffs that I've carefully avoided spoiling - so full credit for that. The series gets a lot more mature and consequential as it progresses, and actually develops a solid plot, which is a surprise given its frivolous early feel.
This isn't the worst animation that Netflix has produced, not by a long way, and it improves as it goes on. It's just that I suspect some of its audience will tune out in the first two episodes as it doesn't settle on a consistent tone quickly enough.
If you're a kaiju enthusiast, the Gamera series on Netflix is a treat you shouldn't miss. Each episode brings a new kaiju to the forefront, delivering a fresh and exciting experience with every installment.
For fans who've been craving more kaiju action since Godzilla, the Gamera series fills that void admirably. The constant introduction of new kaiju keeps the series dynamic and engaging, providing viewers with an ever-expanding roster of monstrous adversaries.
However, while the Gamera series excels in many aspects, it's not without its drawbacks. One noticeable downside is the animation style. Some viewers might find it a bit lacking in quality, which can be distracting at times. The less polished animation can take away from the immersive experience that kaiju fans often seek.
Comparing it to the Godzilla animation, it's evident that there's room for improvement in terms of animation quality. Godzilla's animation set a high standard, and Gamera could benefit from a similar level of visual finesse.
In conclusion, the Gamera series on Netflix is a must-watch for kaiju enthusiasts, offering a continuous stream of epic monster battles. However, the animation style might leave some fans wishing for a more polished look. Despite this minor setback, the series is a thrilling addition to the world of kaiju entertainment.
For fans who've been craving more kaiju action since Godzilla, the Gamera series fills that void admirably. The constant introduction of new kaiju keeps the series dynamic and engaging, providing viewers with an ever-expanding roster of monstrous adversaries.
However, while the Gamera series excels in many aspects, it's not without its drawbacks. One noticeable downside is the animation style. Some viewers might find it a bit lacking in quality, which can be distracting at times. The less polished animation can take away from the immersive experience that kaiju fans often seek.
Comparing it to the Godzilla animation, it's evident that there's room for improvement in terms of animation quality. Godzilla's animation set a high standard, and Gamera could benefit from a similar level of visual finesse.
In conclusion, the Gamera series on Netflix is a must-watch for kaiju enthusiasts, offering a continuous stream of epic monster battles. However, the animation style might leave some fans wishing for a more polished look. Despite this minor setback, the series is a thrilling addition to the world of kaiju entertainment.
The series will focus on Gamera facing off against five different Kaiju.
I know the plots and other elements aren't deep compared to other genre.
Whatever they plotte was just great. We have three childhood friends who want to make sure that no matter how far apart they are , they're always gonna be together. The bond between Joe and Boko was the most intriguing one. We are told how Joe's little brother and mom died while he was in grade school and how his dad spiraled into depression forcing Joe to work as a paper boy to pay off their debts. Character development was also unique in the case of sea weed hair from Eustace.
Plus there is also for adults, especially to those who believe in conspiracy. Such as the Foundation organisation and how they could seen as modern day 1%. Who controls a lot of things like WEF. Wants to wipe humanity out of this planet and have a great RESTART. While they are completely in charge.
Lots of little cookies 🍪 in this one.
I know the plots and other elements aren't deep compared to other genre.
Whatever they plotte was just great. We have three childhood friends who want to make sure that no matter how far apart they are , they're always gonna be together. The bond between Joe and Boko was the most intriguing one. We are told how Joe's little brother and mom died while he was in grade school and how his dad spiraled into depression forcing Joe to work as a paper boy to pay off their debts. Character development was also unique in the case of sea weed hair from Eustace.
Plus there is also for adults, especially to those who believe in conspiracy. Such as the Foundation organisation and how they could seen as modern day 1%. Who controls a lot of things like WEF. Wants to wipe humanity out of this planet and have a great RESTART. While they are completely in charge.
Lots of little cookies 🍪 in this one.
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- WissenswertesAccording to co-writer Hiroyuki Seshita, the series features some of his unused ideas he had originally planned for the Godzilla anime film trilogy by Polygon Pictures (Godzilla: Planet der Monster (2017), Godzilla: Eine Stadt am Rande der Schlacht (2018) and Godzilla: The Planet Eater (2018)). The Godzilla trilogy was made under heavy restrictions and the creators were specifically told not to reuse many concepts from the classic films, whereas he was given more creative freedom with this series.
- SoundtracksNatsuake (Summer Dawn)
Performed by Wanima
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- Gamera: Rebirth
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- Tokio, Japan(Studio)
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- 47 Min.
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