Tony, ein einsamer Taxifahrer aus Liverpool, entwickelt eine verdrehte Weltsicht und eine ungesunde Besessenheit von einem Late-Night-Radio-Talkmaster.Tony, ein einsamer Taxifahrer aus Liverpool, entwickelt eine verdrehte Weltsicht und eine ungesunde Besessenheit von einem Late-Night-Radio-Talkmaster.Tony, ein einsamer Taxifahrer aus Liverpool, entwickelt eine verdrehte Weltsicht und eine ungesunde Besessenheit von einem Late-Night-Radio-Talkmaster.
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Teacher turned taxi driver Tony builds an unusual obsession with nighttime radio host Lawrence, when Tony commits a heinous crime, he turns to Lawrence for guidance and support.
There are definitely a group of reviewers that simply want to hate on Channel 5 dramas, I question why bother watching them, I've called out the bad ones, and praised thr good ones, this is definitely a good one.
I really did enjoy this one, well paced, tense and intriguing, we're given several questions, all of which are answered in the excellent final episode.
It got better after it went on, the first episode is a little slow, but it got better and better as it progressed, I loved the final episode.
The best performance I've seen from Robert Glenister for a while, he was terrific here, matched by the excellent Sean Pertwee, a voice perfect for radio, thank goodness he's such a good actor.
8/10.
There are definitely a group of reviewers that simply want to hate on Channel 5 dramas, I question why bother watching them, I've called out the bad ones, and praised thr good ones, this is definitely a good one.
I really did enjoy this one, well paced, tense and intriguing, we're given several questions, all of which are answered in the excellent final episode.
It got better after it went on, the first episode is a little slow, but it got better and better as it progressed, I loved the final episode.
The best performance I've seen from Robert Glenister for a while, he was terrific here, matched by the excellent Sean Pertwee, a voice perfect for radio, thank goodness he's such a good actor.
8/10.
There are many poor reviews for this programme and everyone is entitled to their opinion. If you want action this is not for you. On the other hand if you want a believable plot full of tension about a man at the end of his tether then I recommend it. Both principal actors Sean Pertwee and especially Robert Glenister give wonderful performances in this superbly written drama about an ex teacher who is now driving a cab for a living. We don't know why he lost his job but it has deeply affected him. He finds comfort and support when he calls the Night Caller radio call-in programme. Gradually his problems are revealed but his troubles increase.
Put simply: this series is a real treat. It's well made. Brilliantly acted. Perfectly scripted. And beautifully photographed.
Both Robert Glenister & Sean Pertwee are on top form. The connection between the two actors and their characters is excellent. The dynamism is magic.
The story is a perfect length. At 4 episodes the miniseries is just long enough without being dragged on and on. And as over-lengthening - or over-shortening - is a common flaw in modern dramas, this ideal length was a sign of good editing.
The storyline is credible. As are the lead characters. The plot's development is realistic, the characters' backstories are sufficiently fleshed out, and the lead-up to the finale is well paced. We believe the two leads' pain and how they each got where they are.
Other good points: The minor characters are all scoped out well. There is no spurious box-ticking. Even the incidental music is on point. The characters are written as human - i_e_ making crass mistakes - but, as imperfect is how human beings are, this is what we need to see.
The storyline references modern issues: school teachers' stress, kids' peer pressure, social media hassle, binge-drinking, generational differences, ex-military PTSD, loneliness. I challenge any series to give a viewer more in a range of issues with which to identify.
Seeing two characters in their maturity/middle age - and actors of their performance magnitude - play off each other on screen, is a template for TV dramas. And as Channel 5 all too often rolls out dramas that verge upon dross, this series belies the pattern. The series lifts up the channel in my estimation. And to great heights. It shows us what a production unit can do when the team put their mind to it.
I see TV awards in the offing . . .
Both Robert Glenister & Sean Pertwee are on top form. The connection between the two actors and their characters is excellent. The dynamism is magic.
The story is a perfect length. At 4 episodes the miniseries is just long enough without being dragged on and on. And as over-lengthening - or over-shortening - is a common flaw in modern dramas, this ideal length was a sign of good editing.
The storyline is credible. As are the lead characters. The plot's development is realistic, the characters' backstories are sufficiently fleshed out, and the lead-up to the finale is well paced. We believe the two leads' pain and how they each got where they are.
Other good points: The minor characters are all scoped out well. There is no spurious box-ticking. Even the incidental music is on point. The characters are written as human - i_e_ making crass mistakes - but, as imperfect is how human beings are, this is what we need to see.
The storyline references modern issues: school teachers' stress, kids' peer pressure, social media hassle, binge-drinking, generational differences, ex-military PTSD, loneliness. I challenge any series to give a viewer more in a range of issues with which to identify.
Seeing two characters in their maturity/middle age - and actors of their performance magnitude - play off each other on screen, is a template for TV dramas. And as Channel 5 all too often rolls out dramas that verge upon dross, this series belies the pattern. The series lifts up the channel in my estimation. And to great heights. It shows us what a production unit can do when the team put their mind to it.
I see TV awards in the offing . . .
Just lately there has seen a spate of four part dramas on channel five, with its fair to say mixed results. The Night Caller staring the excellent Robert Glenister and Sean Pertwee is a psychological thriller set in Liverpool.
Glenister plays a taxi driver who has recently lost his job as a school teacher due to a tragic accident he blames on himself. During his night shift he listens to the late night phone in on local radio, and believes he has found a soulmate in Pertwee who plays the Phone in's host.
What follows is pretty grim, as we see a man suffer a mental breakdown as he try's to come to terms with how his life has come to this point.
Overall a really well made, well written drama. More of the same please channel five. 8/10.
Glenister plays a taxi driver who has recently lost his job as a school teacher due to a tragic accident he blames on himself. During his night shift he listens to the late night phone in on local radio, and believes he has found a soulmate in Pertwee who plays the Phone in's host.
What follows is pretty grim, as we see a man suffer a mental breakdown as he try's to come to terms with how his life has come to this point.
Overall a really well made, well written drama. More of the same please channel five. 8/10.
Black Cab earns ten stars from me based on Robert Glenister's outstanding performance as Tony. He captures perfectly the pain that a person in his position would suffer, and the intensity of his facial expressions gave me chills. This series won't leave you laughing for sure but will hopefully touch your heart. Suzanne Packer as Rosa, Sean Pertwee as Lawrence, and Stephen Walters as Rob also deserve recognition for the portrayals of their respective characters. Some viewers might find things move a bit slowly and I might agree to an extent. Overall, however, I found Black Cab excellent and very moving.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Ночной разговор
- Drehorte
- Irland(Set in Merseyside, but filmed in Ireland)
- Produktionsfirmen
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