Joram

I went for this movie as I couldn't get the tickets for an another movie (so much for marketing a movie :) But what did we just watch!!!! This must be the best ever Indian movie I have ever seen ever. This is the kind of movie I was waiting for, from Bollywood. Have we come of age? This HAS to be watched in theatres. This is Panchayat meets Kill Bill. Such storyline, I am suddenly proud of Indian Cinema. An extremely sensitive subject of Naxals has been chosen here, and the government's lust for development, leading to rapid decimation of our forests, ecology and all the good things which nature ever gave us. The entire theatre was silent, eerie silent the entire movie, on the edge, goosebumps. This is first ever moment I have seen Indian public just sitting quietly, not moving because we were so moved internally, almost for about 5 minutes after the movie finished. So this is the next movie after GOW & Rang de Basanti, in my my Bollywood hall of fame. Anyways this will not be sent by India for Cannes/ Oscars, but some random garbage from Bhansali or Karan Johar, as usual and embarrassing themselves internationally. Anyways, so this movie has to be seen. Don't go with small kids as there is gore at a few places. Also, what sorcery is this - I see people saying great things about this movie in other reviews but giving less rating? They don't want others to watch this movie? My rating is 20/10. And this is coming from someone who is allergic to Bollywood.

Joram stands out as a meticulously crafted cinematic gem, boasting a stellar cast whose powerful performances seamlessly intertwine with the brilliant direction. The film serves as a poignant voice for the voiceless, representing the untouched tribe of society. The narrative not only captivates with its gripping storytelling but also sheds light on the often-overlooked struggles of marginalized communities.

The strength of the movie lies in its ability to evoke genuine emotions, thanks to the stellar performances of the cast. Each actor brings depth and authenticity to their characters, making them relatable and compelling. The director's skillful guidance is evident in every frame, creating a visual and emotional journey that resonates long after the credits roll.

Moreover, Joram transcends the boundaries of conventional storytelling, offering a fresh perspective on societal issues. The film's exploration of the untouched tribe serves as a metaphor for the silenced voices in our communities, urging us to reflect on the importance of empathy and understanding.

In addition to its thought-provoking narrative, the film's cinematography and soundtrack contribute to its overall impact. The visuals are not merely a backdrop but a vital element that enhances the storytelling, while the soundtrack complements the emotional beats of the film seamlessly.

Joram is more than just a movie; it's a powerful statement. It not only entertains but also challenges us to reconsider our perspectives and become advocates for the unheard voices in our society. A must-watch for those who appreciate cinema that transcends boundaries and leaves a lasting impression.

Joram paints a tense picture of Dasru (Manoj Bajpai) on the run with his baby daughter post his wife's murder. Inspector Ratnakar (Mohd Zeeshan Ayub) pursues him relentlessly across Mumbai and Jharkhand.

Smita Tambe's portrayal as Phulo Karma seeking retribution is gripping. The film sheds light on farmers' struggles and the complexities of parenthood amid adversity.

With riveting performances, "Joram" becomes a raw portrayal of societal challenges. It's a rollercoaster ride of action, emotion, and social relevance, leaving a lasting impact.

I would advise people from all generation to watch this masterpiece in Cinema Halls only.

I am truly thankful to the writer, director, and actors who take bold steps to create such layered cinema. Despite commercial cinema dominating the indie movie box-office, a film like that is still searching for its place, almost as if it's tucked away in a corner of a large multiplex.

In today's time, there are fewer movies being made that can truly resonate with people and compel them to ponder, forcing them to realize that this is the same society that separates humanity from humaneness.

The movie "Joram" beautifully portrayed all characters in their roles. We don't perceive Dasru as Manoj Bajpayee we see him solely as Dasru. Similarly, Smita Tambe played magnificently as Phulo Karma, and Mohammed Zeeshan Ayyub portrayed Ratnakar with brilliance.

Overall, it's a creative concept which is beautifully written and directed by Devashish Makhija.

Devashish Makhija makes movies about people on the margins, compelled to switch on their survival mode in the face of great odds. His fourth feature 'Joram' reunites him with Manoj Bajpayee who was terrific as a retired low-level policeman in 'Bhonsle': here, the latter plays a tribal on the run, keeping at bay inimical forces from within his own people, as well as those who are hunting him from the outside. Is there anyone left on his side?

From the bucolic and tranquil forests of Jharkhand to a cacophonous and bustling urban jungle, the forced transition that Dasru Kerketta (Manoj Bajpayee) and his wife Vaano (Tannishtha Chatterjee in a special appearance) make in Joram, an immersive and disturbing man-on-the-run drama written and directed by Devashish Makhija, is excruciatingly and expectedly painful.

Joram is a gritty tale that will stay with you for a long time. Although it strays from being a survival drama as the socio-political facet overpowers the narrative, it's a must-watch for its intense storytelling and performances. The poignant movie will also make you think about what we are doing to Mother Nature in the name of development and progress. It deserves to be watched on the big screen.