IMDb-BEWERTUNG
5,2/10
3506
IHRE BEWERTUNG
Auf Befehl eines skrupellosen Gangsterbosses muss ein Fluchtwagenfahrer gegen sein Gewissen ankämpfen und ein ahnungsloses Crewmitglied zu einer Hinrichtung aus dem Hinterhalt fahren. Es lie... Alles lesenAuf Befehl eines skrupellosen Gangsterbosses muss ein Fluchtwagenfahrer gegen sein Gewissen ankämpfen und ein ahnungsloses Crewmitglied zu einer Hinrichtung aus dem Hinterhalt fahren. Es liegt eine lange Fahrt vor ihm.Auf Befehl eines skrupellosen Gangsterbosses muss ein Fluchtwagenfahrer gegen sein Gewissen ankämpfen und ein ahnungsloses Crewmitglied zu einer Hinrichtung aus dem Hinterhalt fahren. Es liegt eine lange Fahrt vor ihm.
- Auszeichnungen
- 1 wins total
Marcus Johnson
- C. Morales.
- (Nur genannt)
Empfohlene Bewertungen
Worth a look just for Barry peppers performance alone.
Slow burn with satisfying ending, filmed in my local town so I enjoyed it on another level.
Movie tell of a heist gone wrong and the price you pay pay for your actions and inactions. Don't be fooled this film doesn't shy away from the hard reality of life and crime.
Supporting cast from the always reliable Sam neil and racheal Griffith but the true star is Barry pepper the man as a face for this and could easy replace as the new Clint Eastwood for our time.
Story may not be new but it's never dull or lazy.
And the action for a low budget product was effective and brutal, what we come to expect these days.
Slow burn with satisfying ending, filmed in my local town so I enjoyed it on another level.
Movie tell of a heist gone wrong and the price you pay pay for your actions and inactions. Don't be fooled this film doesn't shy away from the hard reality of life and crime.
Supporting cast from the always reliable Sam neil and racheal Griffith but the true star is Barry pepper the man as a face for this and could easy replace as the new Clint Eastwood for our time.
Story may not be new but it's never dull or lazy.
And the action for a low budget product was effective and brutal, what we come to expect these days.
This flic could have have been so much more. It tried to be an action movie but there wasn't a lot of action, instead it centered mostly around driving in a car. It tried to build up emotion for a good revenge movie but it all came too late and then it just abruptly ended. It tried to be a message movie about how crime doesn't pay, but even that simple message got messed up. It even tried to be a straight forward crime drama, but because of the wanderings of the script it didn't even really succeed at that.
The script was definitely sub par, with no continuity at all, despite having some decent actors. The atmosphere was ok, dark and rainy, but it didn't pertain to anything useful in the plot. I do like Barry Pepper, his character acting is great, but the script didn't allow him to come across in any meaningful way; Jamie Costa's performance was also good, but again, he was wasted due to the poor script. Though without him I probably would have rated this more of a 3. Sam Neill's role was one of the few in the movie that made sense, though quite short. Rachel. Griffiths role was quite good as the dragon lady, but even that was pulled down because of all the silliness going on in the end scenes.
All in all, a movie that had the opportunity to make a defining statement, but failed utterly to do so.
The script was definitely sub par, with no continuity at all, despite having some decent actors. The atmosphere was ok, dark and rainy, but it didn't pertain to anything useful in the plot. I do like Barry Pepper, his character acting is great, but the script didn't allow him to come across in any meaningful way; Jamie Costa's performance was also good, but again, he was wasted due to the poor script. Though without him I probably would have rated this more of a 3. Sam Neill's role was one of the few in the movie that made sense, though quite short. Rachel. Griffiths role was quite good as the dragon lady, but even that was pulled down because of all the silliness going on in the end scenes.
All in all, a movie that had the opportunity to make a defining statement, but failed utterly to do so.
This movie about criminals, a heist gone a bit awry, money missing, and someone has to pay for that, the motivations, the tempers - has a bit of a timing and editing problem, and the story starts generic enough, then turns into a road movie drawn out, and takes a few unexpected turns down that road.
It is not really deep, but worked to make me care for the two mains. And some of the other characters are fun.
Some cookie-cutter bad guys, some chase scenes, and a successful underlying tension of what will happen when / if they get there.
This film is about seeing it through, but what and why gets twisted.
It was good acting, and it has a nice ending.
It is not really deep, but worked to make me care for the two mains. And some of the other characters are fun.
Some cookie-cutter bad guys, some chase scenes, and a successful underlying tension of what will happen when / if they get there.
This film is about seeing it through, but what and why gets twisted.
It was good acting, and it has a nice ending.
Trailer looked like a lean and mean noir and right up my alley.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
As "Bring Him To Me" (2023 release from Australia; 96 min) opens, a driver is ordered to pick up a guy and bring him to crime boss of some sort. In a parallel story, we see the same driver as the getaway driver in a art heist gone bad... At this point we are less than 10 minutes into the movie.
Couple of comments: this movie has a film noir B movie feeling from start to finish, and I don't mean that as a negative. The story line is quite of less importance that the sense of danger that seems to lurk around the corner at any given time. A good chunk of the movie plays out literally in the car itself as we watch the driver and the passenger interact. I will admit I didn't recognize any of these actors (or for that matter the production team including the director). At just over 90 min. This flew by pretty quickly.
I don't know if "Bring Him To Me" had a US theatrical release (I doubt it to be honest). In any event, it is now streaming on Hulu. Where I caught last night. I knew nothing about this movie and simply took a chance on it. It's okay. Not great, not bad, but okay. If you are in the mood for a film noir B movie type, I'd readily suggest you check it out and draw your own conclusion.
Couple of comments: this movie has a film noir B movie feeling from start to finish, and I don't mean that as a negative. The story line is quite of less importance that the sense of danger that seems to lurk around the corner at any given time. A good chunk of the movie plays out literally in the car itself as we watch the driver and the passenger interact. I will admit I didn't recognize any of these actors (or for that matter the production team including the director). At just over 90 min. This flew by pretty quickly.
I don't know if "Bring Him To Me" had a US theatrical release (I doubt it to be honest). In any event, it is now streaming on Hulu. Where I caught last night. I knew nothing about this movie and simply took a chance on it. It's okay. Not great, not bad, but okay. If you are in the mood for a film noir B movie type, I'd readily suggest you check it out and draw your own conclusion.
Wusstest du schon
- WissenswertesTom Evans' screenplay was inspired by the death scene of Nicky Santoro (played by Joe Pesci) in the Martin Scorsese film Casino (1995).
- PatzerAt roughly 12 minutes in, the passenger is complimenting the driver about his car and asks what year it is. the driver says it's a 1970. this is wrong. the Chevy Chevelle in the movie has two round tail lights on each side making it a 1971. the 1970 Chevelle had one square (ish) tail light on each side.
- SoundtracksAuburn Skies
written by Kevin Qian
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.301 $
- Eröffnungswochenende in den USA und in Kanada
- 1.475 $
- 25. Feb. 2024
- Weltweiter Bruttoertrag
- 65.492 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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