S-VHS aka V/H/S 2

V/H/S 2 is the sequal of V/H/S which is an anthology about people finding tapes, about otherworldly events. V/H/S 2 is an improvement over the first one, in basically every aspect. The stories and the events are more brutal and entertaining and some of them, are very great and absolute movie materials. The ending one is my favourite but the bicycle one with the zombies is also great. V/H/S 2 is bloody, gory and funny sometimes and it can give you chills while make you feel entertained. The whole tape thing is explained too, giving them some mystery element that there are several of them and some people just collect these. I really wanted V/H/S to be the next big thing, but the third one makes me so sad. It was really bad, compared to this.

All in all, V/H/S 2 is a great movie with great stories. I can recommend the first and the second one, but the third one is not that great.

There is one amazing segment of VHS 2 that has to do with a Cult. It is frenetic, gory, has a great story and makes the most of the "found footage" format. If the rest of the film had lived up to this one sequence, we would have had something special. It's better than Part One in most aspects, though I did like a few moments in that film.

Timo Tjahjanto really blew me away - his segment is imaginative and has some real shocks crammed into it's short running time. Some of the camera work is a bit too shaky as people run around, but I was able to get around that due to the intensity of the story. Out of the remaining short films, we get a return to full on Shaky Cam with Edwardo Sanchez (Blair Witch Project). Truthfully, Edwardo has ALWAYS got to shake the camera like he's in a runaway car or something. He seems to think this is a STYLE. I must argue the point. True artists do not need to shake a camera like a fool to get an image to move someone. Argento, Carpenter, Bava. Masters of the art. Dean Cundy would never run around like a fool, shaking his camera at every object he can find, disregarding the basic rules of directing at will, and no real professional should allow camera-work like this. What an artistic stretch for Edwardo. Next time just throw the damned thing on the ground and drag it around with a rope.

There are a few other sparks. Jason Eisener makes the most of his segment by having some real fun with it and throwing in an Alien Invasion that is both scary and funny. And I really enjoyed the basic idea and most of the execution of Adam Wingard's segment. Still, too damned much shaking here.

I am not sure I understand it really - why so much shaking in these "Found Footage" atrocities? I mean, the old camcorder videos that my family made at Holidays and on Vacation never looked like this. Grandpa tried to keep the camera still. I never actually have seen a home movie like these. Not even on old Super 8. Have you? Eyestrain central. For part 3, maybe they can just go to an old amusement park and give us a POV of the rides or jump out of a plane while filming. At least there'll be a legitimate reason for it being so damned shaky. I think I'd rather watch "HI-8" again.

Wow, what a contrast this film is with the first one! Most found-footage films I've seen have always had me wondering why the hell the people in the films are bothering to carry video cameras around and record the events that are unfolding around them as they run for their lives, this one is different, every use of a camera has been cleverly thought out and explained, from a camera mounted on a mountain bikers helmet to a documentary crew with button cameras, and even a bionic prosthetic eye, the intelligence that the film makers put it into this has made this into one of the best ff films I've had the pleasure of watching.

In comparison to the first V/H/S film I thought this one was a whole lot more mature, the stories were more believable and well written, the excellent sequence from a zombies perspective was hilarious and gory and by far my favourite, I'm not sure if it was meant to be funny, but if it was it worked brilliantly.

In V/H/S 1 there wasn't much said about the video tapes, only that they were found, someone wanted them and that they contained some pretty freaky stuff, this time I think the film makers have realised that they could have a gold mine hiding within the urban legend of the tapes, and have started to play on this legend a little more, and I think if they continue down the path they have ahead of them, expanding on the legend, keeping the intelligent use of cameras and smart reasons behind the tapes discovery for each film, then they could have a franchise as successful as the Saw franchise.

Here's hoping! More reviews at http://stuarthine.worpress.com

V/H/S 2 manages to fix the faults of the first. It's shorter and takes the grungy, exploitative snuff film tone of V/H/S and adds more excitement and humor. The quality of the shorts this time around are much more consistent, but they are still a mixed bag. The first short "Phase I: Clinical Trials" is average at best, but it mixed in a bit of humor which I liked. "A Ride in the Park" was fantastic and incredibly unique in it's use of the first person POV. It was my favorite of the four segments. "Safe Haven" is a close second with countless WTF moments. I would have loved a feature length version of this one. The weakest entry was the last, "Slumber Party Alien Abduction". It ineffectively used loud noises and bright lights to generate scares and it just didn't work for me. The wrap around story "Tape 49" was good, but I liked the ambiguity of the first films "Tape 56" better. V/H/S 2 added fun to the series and I hope these films continue.

V/H/S/2 (2013)

*** (out of 4)

Gory sequel to the 2012 film has a pair of investigators breaking into an apartment where they find an assortment of videotapes. The first story involves a man who receives a mechanical eye transplant that soon allows him to see dead people. The second story has a biker with a camera on his helmet getting bit by a zombie and soon he turns into one. The third story takes place at a strange cult school where the leader is being interviewed when "it" happens. The fourth and final story deals with a group of boys who keep playing a prank on one's sister when something joins them. I enjoyed the first film in the series and this one here is actually a tad bit stronger thanks in large part to the first two stories. The majority of the camera work comes from the camera being placed on people head's and I must admit that this gave me a headache at times but I will give the filmmakers credit as this did allow some familiar stories to be told in new ways. This is especially true for the second story when we get the POV shots from the zombie as he goes searching for people to eat. This was a rather unique spin on the genre and it really worked. The first story was also quite good, although this mechanical eye thing left some logical issues. Still, the episode is a good one and features some nice ideas. The fourth episode is one I won't ruin but there's a nice little twist along the way and I think it manages to be quite ambitious. The third film is without question the weakest but it does contain some very twisted scenes and a high level of gore. V/H/S/2 has the same look of the first film as the quality is quite different from one story to the next but this gives the film its own unique feel. Fans of gore will also enjoy that there's plenty of that going on here and especially in the third story, which is a downright bloodbath and even the second one contains a lot of the red stuff. For the most part the performances were just fine and at 95-minutes the film goes by fairly quickly. V/H/S/2 is a nice little gem that has a few flaws but for the most part it works well and I look forward to future installments.