Füge eine Handlung in deiner Sprache hinzuFollows Olivia, who lost her boyfriend and job at once and wants to return to her hometown in Nebraska, but in the way she meets George and gets stuck in the road with him, spending time tog... Alles lesenFollows Olivia, who lost her boyfriend and job at once and wants to return to her hometown in Nebraska, but in the way she meets George and gets stuck in the road with him, spending time together and realizing love is what truly matters.Follows Olivia, who lost her boyfriend and job at once and wants to return to her hometown in Nebraska, but in the way she meets George and gets stuck in the road with him, spending time together and realizing love is what truly matters.
- Regie
- Drehbuch
- Hauptbesetzung
Peter James Haworth
- George Kessler, Sr.
- (as Peter Haworth)
Empfohlene Bewertungen
Terrible acting, terrible writing and zero chemistry between the main leads. He is a jerk, she is clueless and no amount of Hallmark magic is going to save this. I have been a huge Hallmark fan for years, but this past year or two has been a major disappointment. Hallmark is trying new faces, but the casting crew is doing a poor job of finding compatibility. I appreciate the effort, because it was getting tiresome of 40 year old single gal or guy meeting up with their former lover/high school sweetheart 20+ years later, both still single and stuck in bad relationships. Hallmark has needed fresh faces for years. So here's hoping they can find some who can also act.
6.0 stars.
He calls the little boy a "they"? I think I heard that correctly. So I realized at that moment that whatever else they want you to hear, or think, the agenda is for us all to slowly ease our way into woke. Ok, so I guess I'll talk about the film now. I always rate a film primarily on entertainment value, quality of lead actors, chemistry, dialogue, story, cinematography, the usual. "Welcome to Valentine" has zero chemistry between the leads. I'm sorry, the 15 seconds of a "moment", or the last 30 seconds of the film are insufficient to meet the definition. This story is so overdone and boring. The dramatic part about their careers is so understated, it's practically non-existent. Will he measure up to the man his father wants him to be to run the company? Frankly, I don't care. Will she someday attain her dream of being the true artist that everyone knows she can? Actually, no she won't. Her art is pedestrian and amateurish. I've seen teenagers with a flare for that sort of art doing similar paintings with more skill. Waste of time this movie.
He calls the little boy a "they"? I think I heard that correctly. So I realized at that moment that whatever else they want you to hear, or think, the agenda is for us all to slowly ease our way into woke. Ok, so I guess I'll talk about the film now. I always rate a film primarily on entertainment value, quality of lead actors, chemistry, dialogue, story, cinematography, the usual. "Welcome to Valentine" has zero chemistry between the leads. I'm sorry, the 15 seconds of a "moment", or the last 30 seconds of the film are insufficient to meet the definition. This story is so overdone and boring. The dramatic part about their careers is so understated, it's practically non-existent. Will he measure up to the man his father wants him to be to run the company? Frankly, I don't care. Will she someday attain her dream of being the true artist that everyone knows she can? Actually, no she won't. Her art is pedestrian and amateurish. I've seen teenagers with a flare for that sort of art doing similar paintings with more skill. Waste of time this movie.
Yes this is a Hallmark movie, and there are rules to Hallmark movies: There is the small town with a big heart, the icy business man who needs a small-town makeover, the parentless protagonist etc, but this movie felt playful. I appreciate the sense of humor throughout- it was very refreshing. Mickey is the cutest child ever- he was so sweet! My heart melted for him and his valentine for his dad! The woman who played Miss Hackey is perfect.
"The parade is nigh" is a hilarious line. There is good dialogue cracking through. I want more movies like this! More funny Hallmark movies! More writing like this!
"The parade is nigh" is a hilarious line. There is good dialogue cracking through. I want more movies like this! More funny Hallmark movies! More writing like this!
In the commercials, Welcome to Valentine looks like a road trip movie, which morphs into a "let's put on a show" movie. And that's all true. But this movie seems to want to be a lot of different things.
The hero is poised to take over the family business, while the heroine wants her artistic career to begin with the help of an influential gallery owner. Within the first ten minutes, the hero causes the heroine to spill food on that gallery owner. She loses her cater-waiter job and her apartment. (Calgon, take me away!) Oh, if only she had a way to get back to Nebraska. The hero has a car, and we're off.
With all these well-worn tropes, a lot of the plot (and the dialogue) is going to be predictable. Follow your heart. The show must go on.
I liked it. The leads were attractive and they had good chemistry together. Is this the best movie ever? Of course not. But it's cute and sweet and exactly what I expected. I don't think that's a bad thing.
The hero is poised to take over the family business, while the heroine wants her artistic career to begin with the help of an influential gallery owner. Within the first ten minutes, the hero causes the heroine to spill food on that gallery owner. She loses her cater-waiter job and her apartment. (Calgon, take me away!) Oh, if only she had a way to get back to Nebraska. The hero has a car, and we're off.
With all these well-worn tropes, a lot of the plot (and the dialogue) is going to be predictable. Follow your heart. The show must go on.
I liked it. The leads were attractive and they had good chemistry together. Is this the best movie ever? Of course not. But it's cute and sweet and exactly what I expected. I don't think that's a bad thing.
Boy, I hated to give a movie like this a 5 rating. I'm usually a little more generous. This movie tried hard - too hard! At a certain point, it struck me: "WHY is there so much overacting in this movie?" Except for the fairly appealing male lead (Markian Tarasiuk) most of the actresses need to tone it down a great deal. Gestures too big, facial expressions too big, emotions too big... Then I realized several of them have a lot of stage experience, or maybe they've done a lot of emotion-fraught dramas. Whatever. In a big theatre, an actor HAS to be "big" or the audience can't see what's up. These actresses seemed not have have learned how to "bring it down" for the camera. It got to the point that I had to start skipping through the movie.
Also, the writing was just a little too self-conscious, too "New York," too "Neil Simon-esque" to be enjoyable in a small-town romance Hallmark movie. It sounded unnatural. As I said at the beginning, trying too hard - and it just didn't work. Beautiful faces, for sure, but...no.
Also, the writing was just a little too self-conscious, too "New York," too "Neil Simon-esque" to be enjoyable in a small-town romance Hallmark movie. It sounded unnatural. As I said at the beginning, trying too hard - and it just didn't work. Beautiful faces, for sure, but...no.
Wusstest du schon
- WissenswertesAired as the third of four original films in The Hallmark Channel's 2023 "Loveuary" lineup.
- VerbindungenReferences Das zauberhafte Land (1939)
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