Cora

If you enjoy the mood and feel of the Stalker games, this is the movie for you.

I have no idea how they spent that much to make a movie that takes place in the woods.

From a science fiction point, it actually have a really good story in the end, but take way to much time just to get to it.

Perhaps, it would be better as a short film ?

You would find better dialogue and acting from any AA computer game, and there is probably big chunks of the story cut out for time, as theer are many story threads, never resolved.

This is what happens when you try to do some world building, without a storyboard or general idea on what message you want the movie to give the audience.

I am all for a movie that we get snippets of information about what really is going on, or with an open ended finish, where you can speculate on what is really going on - but a 500 piece puzzle, and you only get ten middle pieces just builds frustration.

The final twist however, i really liked.

( despite being used so many times it almost is a trope by now. )

I wished I watched the trailer on youtube first could have saved me wasting my time. First up this is some kind of student type project film, everything is bad.....Sets, acting, editing, script (if it has one) are all awful beyond expectation. Its not a proper film more a tragic attempt at one thats just a total mess.

So my advice to you is if for some reason you come across this film ABSOLUTELY track down a trailer first, I doubt you will want to watch it after that. But to recap its really, really, really bad in every single area dont be fooled and dont waste your time. Theres plenty of good stuff out there this shoody, half assed rubbish is just an insult!

The film has some convincing special effects, especially the toxic mist, but any notion that it symbolizes "late-stage capitalism" is purely ludicrous. The film's story arc is one of survival in a post-apocalypse setting that pits selfishness against altruism. Other than its sluggish pacing, Cora suffers from an incomplete script that introduces a MacGuffin (the scientists) but delivers no resolution (what happened to the scientists). Note that "deleted scenes" are displayed during the end credits, which reveal a longer film was shot but a shorter film was released. It feels like a TV series pilot that was abandoned but sold to theaters to recoup expenses. Actress Sanne Brostöm (Cora) bears a resemblance to Mona Lisa but I doubt it was anything more than coincidence.

As I stumbled upon the 2024 movie "Cora" here in 2025 by random chance, and given my love of all things horror, of course I opted to check it out. I virtually didn't know what I was in for here, as I sat down to watch the movie from directors Sonny Laguna and Tommy Wiklund, so I suppose the directors had every possibility of entertaining me with their movie.

The storyline definitely had potential, but writers Sonny Laguna, David Liljeblad and Tommy Wiklund seemed to not know in what direction to take the narrative. And the end result was a script that proved boring and uneventful. Running at 104 minutes, it is primarily the last half an hour or so that proved to be carrying the movie, but by then it was too little, too late. The rest before that was just boring filler where leading actress Felicia Rylander did nothing but sit around or wander a wasteland shrouded in fog, making it nearly impossible for the viewers to see what was going on.

Of the entire cast ensemble, I was only familiar with Michael Paré and Thomas Lennon. I will say that the acting performances in the movie were actually fair enough, taking into consideration the limitations imposed on the actors and actresses from a subpar script.

I have to say that ultimately then "Cora" was a disappointing and boring movie, and not really one that I would recommend you to waste 104 minutes on watching.

My rating of directors Sonny Laguna and Tommy Wiklund's 2024 movie "Cora" lands on a generous three out of ten stars.

A standout element of the movie is the adventurous behavior of Cora. She is a character defined by her courage and willingness to confront the unknown head-on. Whether facing daunting obstacles or navigating uncharted territories, Cora's proactive and daring approach to her circumstances is consistently engaging. Her decisions and actions propel the plot, making her a dynamic and inspiring figure whose journey is as much about inner strength as it is about external exploration.

This adventurous spirit is brought to life brilliantly by Felicia Rylander, who delivers a captivating performance as Cora. Rylander imbues the character with a nuanced blend of vulnerability, determination, and raw emotion. Her portrayal makes Cora's trials and triumphs deeply resonant, allowing the audience to fully connect with her experiences. Rylander's ability to convey both the character's internal struggles and her outward resolve is a key factor in the film's immersive quality.