Ein Drama darüber, was passiert, wenn ein Todesgott, Ggokdu, der alle 99 Jahre auf die Erde kommt, um die Menschen zu bestrafen, als Gastarzt arbeitet.Ein Drama darüber, was passiert, wenn ein Todesgott, Ggokdu, der alle 99 Jahre auf die Erde kommt, um die Menschen zu bestrafen, als Gastarzt arbeitet.Ein Drama darüber, was passiert, wenn ein Todesgott, Ggokdu, der alle 99 Jahre auf die Erde kommt, um die Menschen zu bestrafen, als Gastarzt arbeitet.
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The story is messy, so many plot holes, goodness i really cant finish watching this series. Such a waste of money for the producers. Some of the shots looks so cheap, the cgi is so much like in the year 2000's, its obviously a low budget production. The FL is so annoying, i dont know if its just the character that i hate or the actress itself, she's so dumb and shes a doctor? The ML, i think he's good but sometime hes so overacting, i just skip some of it. The only thing that i like here is the second lead couple, they are way better than the leads in terms of chemistry. So all in all this drama is such a waste of money, talent and time.
Wow was this a huge disappointment! The potential for an amazing drama was there and the horrible writing completely destroyed an otherwise really interesting plot.
The premise and actual plot were very good (although not particularly original) but the way they got from point to point was awful, often nonsensical, and confusing. The story felt disjointed, and at times I felt completely lost while watching. The first episode was horrible, and the second was only slightly better, but then the next few episodes gave me hope. But by the halfway point I knew this show was going to be a mess, but I wanted to finish it anyway because the ML and FL gave such great performances and their characters were so interesting.
That being said, even the great acting couldn't save the show. Sad moments were written so poorly that they failed to make me feel any emotion. Instead of feeling immersed in the story and characters, I felt like an outsider watching, not connected to any character or story line.
This was truly a shame, the cinematography was beautiful, and as I said the performances were well done. The writing completely ruined a show that had great potential to be an amazing fantasy kdrama.
I think I would recommend skipping this one! Watch Goblin instead for a similar story line that is done perfectly.
The premise and actual plot were very good (although not particularly original) but the way they got from point to point was awful, often nonsensical, and confusing. The story felt disjointed, and at times I felt completely lost while watching. The first episode was horrible, and the second was only slightly better, but then the next few episodes gave me hope. But by the halfway point I knew this show was going to be a mess, but I wanted to finish it anyway because the ML and FL gave such great performances and their characters were so interesting.
That being said, even the great acting couldn't save the show. Sad moments were written so poorly that they failed to make me feel any emotion. Instead of feeling immersed in the story and characters, I felt like an outsider watching, not connected to any character or story line.
This was truly a shame, the cinematography was beautiful, and as I said the performances were well done. The writing completely ruined a show that had great potential to be an amazing fantasy kdrama.
I think I would recommend skipping this one! Watch Goblin instead for a similar story line that is done perfectly.
I decided to watch this drama because the plot reminded me of "Doom at your service" and "Guardian" - a mythic creature and human love story. There is something magical and romantic about these stories, and I can't help myself but watch them all.
The plot itself is interesting, it's not dull, and the story is unique. Also, what's important: there are not many moments to skip, as almost every storyline has its own mission in the series, so it's all harmonious.
BUT, as much as I like female lead (her look and skills), her character IS SO ANNOYING. Sometimes I want to hit her so badly, and it is a big problem for me, that they made her this way. She looks and sounds so stupid sometimes, that it's not even funny. The things she says, and the things she does, like what the heck.
It's really a shame, because male lead and his character on the other hand is so interesting and exciting. And also all the other cast as well.
I watched 8 episodes so far, and as much as I liked first episodes I don't know if I will finish this drama or not, as I don't know if I am able to struggle even more with not logical, impulsive and stupid movements of Han Gye-jeol.
The plot itself is interesting, it's not dull, and the story is unique. Also, what's important: there are not many moments to skip, as almost every storyline has its own mission in the series, so it's all harmonious.
BUT, as much as I like female lead (her look and skills), her character IS SO ANNOYING. Sometimes I want to hit her so badly, and it is a big problem for me, that they made her this way. She looks and sounds so stupid sometimes, that it's not even funny. The things she says, and the things she does, like what the heck.
It's really a shame, because male lead and his character on the other hand is so interesting and exciting. And also all the other cast as well.
I watched 8 episodes so far, and as much as I liked first episodes I don't know if I will finish this drama or not, as I don't know if I am able to struggle even more with not logical, impulsive and stupid movements of Han Gye-jeol.
If ever a series needed editing to half the length this is it. It starts off okay with a historical star crossed lovers deaths. But then the modern present day story goes
Nowhere.
Some much of it is just stuck in a rut not moving forward. Poor Kim Jun Hyung given such bad dialogue.
Im Soo Hyang has often been ridiculed for her acting. But here the story is worse than her acting. The endless back and forth between the couple is meaningless. So many words that mean zilch.
The secondary stories are not any good at all. Her brother and the friend are so uninteresting.
The story is so scatterbrained. One moment there is some dorky comedy the next moment some overacted angst.
This is a terrible series. Avoid it at all costs.
Some much of it is just stuck in a rut not moving forward. Poor Kim Jun Hyung given such bad dialogue.
Im Soo Hyang has often been ridiculed for her acting. But here the story is worse than her acting. The endless back and forth between the couple is meaningless. So many words that mean zilch.
The secondary stories are not any good at all. Her brother and the friend are so uninteresting.
The story is so scatterbrained. One moment there is some dorky comedy the next moment some overacted angst.
This is a terrible series. Avoid it at all costs.
It seems to be the writing that's the problem. Among Kokdu and nine tailed and goblin and sht of this vein, I've found Kokdu to be the best.
Actors are very good. The stuff they have said about the FL is utter venom, in my opinion. Too much aegyo and disgustingly childish mannerisms that just don't suit the character? That's goblin's baby lover.
This show suffers from amateurish dialogues, sometimes they are too long or dragged out. But considering the uniqueness of the way a concept is discussed along the show, and the way actors act it out, such shortcomings become invisible.
The uniqueness has to do with the concept of conditioning: fate and freewill are discussed but alongside that, something even more important is examined: traces of things that are long gone. Things that you know mattered a lot to you once and you cannot even remember what. The trace itself becomes what matters. And in this specific case, that trace is the painful experience of yearning... Turning all existence into grudge for the one that has yearned since time immemorial. There's a valuable observation there and the epically poetic way with which how conditioning and what it means to a mortal, sapient being were conveyed... That alone was breathtaking.
This show has kind of grown on me after I finished it.
I think Kim Jung Hyun is an outstandingly talented actor (he sings a song BTW for the OST, he is great at it, he certainly puts his heart into it). There were moments where I'd thought his acting was a bit exaggerated, but then I tried to think about how else someone could act those lines and descriptions out and it was then that I realized there was a problem with the written material. They should have let the actors free and make suggestions for a more natural flow and expression. I feel the director might have been a bit strict too. Im So Hyang was a nice discovery for me and KJH, aka the king of adlibs, would have the whole show soar along with Cha Chung Hwa and Kim In Kwon, if a Mr Queen kind of chemistry could get built among all the main actors. I must say though, this show doesn't have issues with character development the way its ilk has.
Creative writing from a writer who has a long way to go when it comes to adapting things to the screen, especially for a romcom, seems to have been hindered in this one due to what I'm guessing was a lack of healthy back and forth with the director and the cast. Unfortunately, only such communication would create the environment best conducive to a wholesome show with all the parts fitting and in harmony.
Telling it like it really is... with the pharmaceutical companies and all... And a brief yet honest evaluation of capitalism in passing... That's what got this show low ratings from all these hypocrites.
There's no universe where this show could get a 6 something and yet the previously mentioned ones could score a lot more, except one where people are hypocrites.
Actors are very good. The stuff they have said about the FL is utter venom, in my opinion. Too much aegyo and disgustingly childish mannerisms that just don't suit the character? That's goblin's baby lover.
This show suffers from amateurish dialogues, sometimes they are too long or dragged out. But considering the uniqueness of the way a concept is discussed along the show, and the way actors act it out, such shortcomings become invisible.
The uniqueness has to do with the concept of conditioning: fate and freewill are discussed but alongside that, something even more important is examined: traces of things that are long gone. Things that you know mattered a lot to you once and you cannot even remember what. The trace itself becomes what matters. And in this specific case, that trace is the painful experience of yearning... Turning all existence into grudge for the one that has yearned since time immemorial. There's a valuable observation there and the epically poetic way with which how conditioning and what it means to a mortal, sapient being were conveyed... That alone was breathtaking.
This show has kind of grown on me after I finished it.
I think Kim Jung Hyun is an outstandingly talented actor (he sings a song BTW for the OST, he is great at it, he certainly puts his heart into it). There were moments where I'd thought his acting was a bit exaggerated, but then I tried to think about how else someone could act those lines and descriptions out and it was then that I realized there was a problem with the written material. They should have let the actors free and make suggestions for a more natural flow and expression. I feel the director might have been a bit strict too. Im So Hyang was a nice discovery for me and KJH, aka the king of adlibs, would have the whole show soar along with Cha Chung Hwa and Kim In Kwon, if a Mr Queen kind of chemistry could get built among all the main actors. I must say though, this show doesn't have issues with character development the way its ilk has.
Creative writing from a writer who has a long way to go when it comes to adapting things to the screen, especially for a romcom, seems to have been hindered in this one due to what I'm guessing was a lack of healthy back and forth with the director and the cast. Unfortunately, only such communication would create the environment best conducive to a wholesome show with all the parts fitting and in harmony.
Telling it like it really is... with the pharmaceutical companies and all... And a brief yet honest evaluation of capitalism in passing... That's what got this show low ratings from all these hypocrites.
There's no universe where this show could get a 6 something and yet the previously mentioned ones could score a lot more, except one where people are hypocrites.
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By what name was Kokdu: Season of Deity (2023) officially released in Canada in English?
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