Cut Snake

Well, this was a very nice surprise! From the moment Pommie (Sullivan Stapleton) makes his appearance in the film, one can feel the tension. A tension that never lights up and - on the contrary - intensifies immensely towards the final act. Interestingly enough, although Pommie is the antagonist, he remains a very likable character - a character I feel and care for, and who's motives I completely understand and actually justifies.

It was also interesting to see Sparra (Alex Russell)'s character develop from an ex-convict now leading a clean existence, to becoming convict again, although unintentionally. This is a very different love story, and also a story of jealousy, and how far one would go for the person you love. Sullivan is really great in this film (and the rest of the cast as well). It is a role I never expected him to do, but he does it so incredibly well that I believed and liked everything about the character.

The film contains drama, action, suspense and romance in equal proportions.

In many ways 'Cut Snake' is a wasted opportunity: it could have been a worthy social drama about how young men sent to prison cope with their prison history when they're out. Critical acclaim and award ceremonies would have followed. Instead, it's packed with macho violence, swearing and drag queens. So fewer filmsnob points, but probably more box office success.

It's Australia (in the 1970s, judging from the outfits). Ex-con 'Sparra' (the personable Alex Russell) is going straight and working in a broom factory when an old mucker from prison, 'Pommie' (Sullivan Stapleton) turns up. Pommie quickly inveigles his way into the home of Sparra and fiancée Paula, despite the former's reluctance - it is clear there is some prison-based connection between the pair, a connection Pommie is determined will continue. Meanwhile, his violent tendencies come to the fore.

Although it is fairly obvious early on what the connection is between Pommie and Sparra, this isn't explicitly stated until late in the film - meaning the viewer cannot be sure s/he fully understands Pommie and Sparra's motivations. But other aspects of the story rattle along at a fair old pace. As for the acting, Russell does well enough in portraying Sparra's confusion, but Stapleton seems so intent on channeling every one-note psycho who has ever featured on screen that by the time his big emotional scene rolls around it is hard to take him seriously. Still, caught as it is between the two genres of social drama and action thriller, 'Cut Snake' is an entertaining film and I would be happy to watch it again.

I saw this premier last night and their was discussion on not revealing the twist and I wont for the sake of this review but I think its a bad idea not to reveal the twist. I think it'll make more money by revealing it. If its left as surprise it comes across more as a reflection on the actors ability to quickly change character as opposed to steeping in from the beginning that these characters can and do exist in the way they are despite their difference. It also seems clunky then and without integrity to appear suddenly different to the point that after that twist is established the movie is finished and resolved. The cinematography was very good and it really did have great features. Once scene in the Chinese restaurant didn't quote cut it for me though. Still overall collaboratively it presented round and beautiful to watch.

Australian movies of late have really been on the rise, with some great entries like "The Rover","The Mule", "Son of a Gun" and "Mystery Road", just to name a couple. And now this. Another very entertaining piece of film making with excellent acting all round particularly the powerhouse performance by Sullivan Stapleton. He really is the main attraction, and I still wonder why we don't see a lot more of him in American action-pulp. On the other hand, here he proves once again to be a great actor capable of a lot more than the gung-ho marine beats and shoots bad guys type he plays in the Strike Back series, so maybe a couple more of these great indie productions wouldn't hurt at all. Particularly check the guy out in the amazing "Animal Kingdom" by the director of "The Rover". In which he also plays a charged up volatile character even more perfectly. A highly recommendable movie.

This doesn't reach that class, but definitely is in a class of it's own. I love the fact the movie plays out in the 70's including the perfect soundtrack and meticulous detailing. This combined with some great tension building, pretty shocking twists and confronting bouts of violence makes it a movie that stands out just that bit more than an average comparable US made production. 7/10

I honestly don't know why the movie received such low scores. It seems like a combination of people expecting it to be more of a fast-paced action film or people offended/turned off by the gay element/subplot of the film. That kind of ignorance in 2019 is really quite discouraging.

For a more objective perspective, keep in mind this in an independent film that's much more of a character study than some sort of heist film. One reviewer drew a parallel to Brokeback Mountain, and there are definitely similarities - specifically that love and sexuality can be fluid and even confusing, and more importantly that one can't chose whom they love. However, it's not a rip-off of Brokeback Mountain; in fact I believe it's loosely based on real people & events. In doing so, it's also a look into a person's nature and If they can change or if they're doomed to repeat the past they know.

So, no, it's not some glossy big budget Hollywood fare, but it's a solid film with some honestly sincere performances - I was really quite impressed w Sullivan Stapleton (showing range I've not seen before). I may have given it a higher rating than it deserves (it may be closer to a 7), but that was partially to offset the unfairly low ratings.

Bottom line: If you're looking for an action flick, then skip it, but if you enjoy well crafted character driven films (that may take a different approach to story telling than American audiences are accustomed to), then give the film a chance.