Füge eine Handlung in deiner Sprache hinzuA funeral-speech writer gets a new lease on life when he meets a widow who commissions him to write a piece for her 8-year-old son.A funeral-speech writer gets a new lease on life when he meets a widow who commissions him to write a piece for her 8-year-old son.A funeral-speech writer gets a new lease on life when he meets a widow who commissions him to write a piece for her 8-year-old son.
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The first reviewer is none other than my good friend Leon,so you can trust him when it comes to French/Belgian cinema:he knows what he is talking about.
This is a variation on a subject which has often be treated: someone rises from the dead and has to cope with the world of the living ,but it is given a rather original treatment ,if not always successful.
The film begins a bit like a modern fairytale and continues as a fantasy story,fortunately devoid of those special effects which mar so many films of this kind.The part of the mother is underwritten,and the first sequences focus on the man/child Relationship:to him,he's like a wizard ,who can make his wishes come true ,and he can in a way ,from the lonely snowflake which precedes the return of the father to the lovely pictures of snow falling down on Paris.
The movie becomes too talky when the two men meet ,and amnesia is always the easy way out.But further acquaintance shows this: a physical presence does not bring you one of your dear departed back;incidentally the key is given by Pierre Richard as the old Jew from Warsaw: a person is not only flesh and blood,it's also a lot of memories ,like those the Jews of the WW2 ghetto used to bury in the ground ;and even if he can bring a dead back,the hero is forced to give him his own memories he had buried in his mind after the loss of his wife.And all the padlocks of the Pont Des Arts would not be enough to keep those gone happy hours from emerging again.
This is a variation on a subject which has often be treated: someone rises from the dead and has to cope with the world of the living ,but it is given a rather original treatment ,if not always successful.
The film begins a bit like a modern fairytale and continues as a fantasy story,fortunately devoid of those special effects which mar so many films of this kind.The part of the mother is underwritten,and the first sequences focus on the man/child Relationship:to him,he's like a wizard ,who can make his wishes come true ,and he can in a way ,from the lonely snowflake which precedes the return of the father to the lovely pictures of snow falling down on Paris.
The movie becomes too talky when the two men meet ,and amnesia is always the easy way out.But further acquaintance shows this: a physical presence does not bring you one of your dear departed back;incidentally the key is given by Pierre Richard as the old Jew from Warsaw: a person is not only flesh and blood,it's also a lot of memories ,like those the Jews of the WW2 ghetto used to bury in the ground ;and even if he can bring a dead back,the hero is forced to give him his own memories he had buried in his mind after the loss of his wife.And all the padlocks of the Pont Des Arts would not be enough to keep those gone happy hours from emerging again.
I really loved this movie and don't quite understand why there are no more than 2 reviews to date.
The theme, of someone rising from the dead and turning the lives of the living upside down, has been tried many, many times, in some cases more successfully than in others. I think this film definitely belongs to the former category.
The film often leaves you puzzled as to what is going on, but without leaving you lost and frustrated, as is sometimes the case with such super-natural films. The whole movie felt magical to me, just like the little toy in the story.
Julie Gayet gives a very convincing performance, of a mother of an 8-year old son, left distraught by the untimely death of her husband, but willing - for her own as well as her son's sake - to move on in life, and while doing so, finding unexpected love, but then not able to cope when her late husband suddenly makes a comeback to the world of the living.
Pierre Richard as the quirky old Victor gives a superb performance. He seems eccentric - if not a little crazy - but warms the viewers' hearts at the same time. And he parts with wisdom that I found very touching. The way the plot unfolds can, in my view, only work in a French film, and it is what I like so much about French movies.
Whether this film got so few reviews because it is very little known, or whether nobody who saw it found it worthy of a review, I don't know, but I for myself loved it. And it put my wife and me in a very magical mood for the rest of the evening.
The theme, of someone rising from the dead and turning the lives of the living upside down, has been tried many, many times, in some cases more successfully than in others. I think this film definitely belongs to the former category.
The film often leaves you puzzled as to what is going on, but without leaving you lost and frustrated, as is sometimes the case with such super-natural films. The whole movie felt magical to me, just like the little toy in the story.
Julie Gayet gives a very convincing performance, of a mother of an 8-year old son, left distraught by the untimely death of her husband, but willing - for her own as well as her son's sake - to move on in life, and while doing so, finding unexpected love, but then not able to cope when her late husband suddenly makes a comeback to the world of the living.
Pierre Richard as the quirky old Victor gives a superb performance. He seems eccentric - if not a little crazy - but warms the viewers' hearts at the same time. And he parts with wisdom that I found very touching. The way the plot unfolds can, in my view, only work in a French film, and it is what I like so much about French movies.
Whether this film got so few reviews because it is very little known, or whether nobody who saw it found it worthy of a review, I don't know, but I for myself loved it. And it put my wife and me in a very magical mood for the rest of the evening.
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- Weltweiter Bruttoertrag
- 976 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
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By what name was Les âmes de papier (2013) officially released in Canada in English?
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