Dancin': It's On!

Oooohhhh a truly terrible movie that I watched to play along with the "How Did This Get Made" podcast. Despite its director being a 50 year veteran of many aspects of the movie industry, but most famously as a choreographer, the film is truly hopeless and I've seen pornography with more convincing acting.

Jennifer (Witney Carson) spends the summer at her father's luxury hotel in Panama City, Florida. The hotel has an odd policy of attracting performers of various disciplines, which appeals to Jennifer as she is a dancer. On her first night she meets Ken (Chehon Wespi-Tschopp), a general dogsbody at the hotel, but who dancing wins admiration. Ken and Jennifer fall in love, much to the disapproval of her father, who prefers preppy Danny (Matt Marr).

Of all the negative points that the film has, the most noticeable is the ADR work. It feels like a foreign film, except it isn't and I'm assuming everyone is ADR'ing their own performance, but there's no life to any of the delivery. Each staccato sentence spoken like the performer was tortured into saying them. To be fair, very few of the performers seem to have been cast for their acting ability. Rather than making actors dance, the decision appears to have been made to make dancers act. Indeed, Witney Carson never acted again, but made her way to "Dancing with The Stars" and both she and Wespi-Tschopp appear to have gotten their starts on another dancing talent show.

There are plenty of other problems with the film though. From acres of stock footage, never more apparent than during the dance competition at the end; the public staring at the camera as we drive endlessly around the high spots that Panama City has to offer; or the general plot - lifted from "Dirty Dancing" but with a bit of any of those "Step Up" films.

Did I hate it though, or did I find it amusingly terrible? With the exception of the last twenty minutes, mostly the later. I'm sure going to enjoy what the HDTGM team make of it.

Every single line in the movie sounds like it was done via ADR! The acting is wooden and amateurish. The plot is a rehash of every other love story from the "wrong side of the tracks", and it's not even a good love story. Even the costuming is basic! At least the dancing is good... But, if the only good thing I can say is that the dancing is good, then it's not a very good movie...

I have become especially fond of dance after many years of working at a university and learning many of the nuances of good dance. With that said, I would just guess that anyone who would not like this movie, simply doesn't like and appreciate the incredible art forms of dance displayed in this movie. Some of the acting was a little amateurish, yes, but let's be real, this is more about dance than acting. The storyline is very predictable, but but hey, what's wrong with boy meets girl. Especially, Richgirl and poorboy. Getting back to the dance, it was exciting, and truthfully I didn't want the movie to end Whitney Carson and Chehon were fantastic. Chehon had more energy and movements than I've seen of any male dancer. Some compare this to dirty dancing. Well clearly the budget for dirty dancing was higher, but not the talent. Chehon could dance circles around any of the cast for that movie Whitney stayed with him and had some moves of her own highly recommend if and only if you have an appreciation for dance.

This movie gets a 3 only because the actors (if you can call them that) can dance really well. The dancing was fun to watch. That's it for the good stuff.

The acting. Where to begin? So wooden and awful! This movie seemed like a parody that a late night comedian would put out...it was laughably bad. Including the part where Ken, the main actor, said "I just need some SPACE right now!" Wow. High School Musical and Step Up were INFINITELY better than this movie, and that is saying something. The main girl, Whitney Carson, was not so bad, but everyone else, from her dad to the "Captain," we're just weak.

Somehow the director and sometimes actor David Winter of SPACE MUTINY (one of the hallowed classics in Mystery Science Theater 3000 lore) was unfrozen from his peaceful cryogenic sleep and was tasked in 2015 to make a dopey Step Up style dance movie. Lo and behold he concocts the kind of material that lucid nightmares are made of: ADR that would make Tommy Wiseau cringe, acting where it seems like Winter drank up their personalities to the point that the actors appeared like pod people out of a 1950s movie (which I might add Winter may have acted in!) and dancing which, while Im sure a little better than I can do, is still at best laughably funny and at worst a cacophony of off styles and choppy editing (ooh the climax ooh).

In other words, Winter may have topped himself from his Mutiny days; this is shockingly inept and terrible, a movie that might be simply forgettable crap if not for the fact that it got an *actual theatrical release on more than 100 screens* (though it somehow missed the missile silo known as Rotten Tomatoes). It features all of the separate elements that are part of what makes a movie a "movie"- romance, spectacle, location (Panama City and if you don't get that's where this is don't worry a montage will show you), choreography (in a matter of speaking), "humor", uh, ladies on stilts walking around a lobby, a token black bellhop who dances whenever someone he talks to walks off screen)- but its as if the cook putting this stew together hit his head on solid concrete and then threw it all on to a final cut pro time-line and said 'eh ***k it." This is a The Room level disaster.

I almost wish I could go into all of the things that make this so awful but simultaneously uproariously monumentally wall shatteringly funny but you got to see (and hear) the miasma to believe it. This group of Community theater dance players (with a forgotten Z level action hero as the strangely one dimensional "fighter" cum hotel owner father of the girl who falls for the - gasp - dishwasher dancer at the hotel he runs and the father cant stand the double gasp she may like him!) is among the least talented and pushed to less than zero degrees.

Oh and not to mention all of the super on the nose songs and things like the guy who goes through the pains of love (hint the hotel owners daughter is forced into a relationship with a preppie manager at the hotel) having an ANGRY DANCE ACROSS THE CITY MONTAGE! Or how people randomly, in this surreal candy-colored-clown-surreal landscape break out into dancing and food fights and the lighting looks like it's by a guy who's never thought about things like a THREE POINT LIGHTING set, oh, nevermind.

The key thing is this is sincere, and because of that it commits to its worldview which is 100% banana-pants. It deserves to be discovered and have midnight screenings in major cities with people cosplaying as minor characters in the darn thing. Its the stuff cult classic is made of... And its so bad.