Hasseen Dillruba - Die Schönheit kehrt zurück

Weak story, weak screenplay and worst acting by All 3 characters. This is disaster if I will compare the same with 1st part. Not sure what they all seen in this story line up . The Jimmy Shergill character is totally waste. He is not able to so any justice from his role.

This story could have been better but it seems like the director wanted to finish in hurry hence they just focus on to make this movie in one go and was reliaying on previous part success.

Rani, Rishu and abhimanyu all acted like b grade movie seriously. Who play Snake & ladder in their first night. Who Buy 10bkg Tomatos . Disappointed 😞

Phir Aayi Hasseen Dillruba relocates from the sleepy town of Jwalapur to the city of Agra while attempting to recapture its predecessor's dark, edgy charm. Written by Kanika Dhillon and directed by Jayprad Desai, the movie has all the ingredients to be a thrilling ride, and with the addition of a formidable new adversary and obsessed lovers, the stakes are significantly raised. A dogged cop, Montu (Jimmy Shergill) is hot on Rani and Rishu's heels, spelling doom for the duo because he is the slain ex-lover Neel's chacha, making the case personal for him.

Despite the initial promise, the execution is lacking, and the script tries to pack too much, resulting in illogical decisions and unconvincing outcomes. The film's focus shifts from the intriguing mystery of the first instalment to a more straightforward chase, diluting the suspenseful elements that made the original compelling. The cat-and-mouse game between Rani, Rishu, and the police becomes predictable, lacking the edge-of-the-seat tension that Vinil Mathew's outing delivered.

While there are moments of intrigue, the narrative often meanders, bogged down by unnecessary subplots (including murders) and convoluted twists. The screenplay's attempts at clever dialogue and literary allusions (the pulpy crime novel background, a highlight of the first film) often feel over the top this time around, detracting from the overall impact. At 132 minutes, the film moves at a decent pace, but the plot points leave many questions unanswered.

Vikrant Massey shines as Rishu, with a commendable character arc from the first film. Taapsee Pannu brings a captivating energy to her role, although her performance in the first instalment was more subtly nuanced. Sunny Kaushal is decent as the meek but intense Abhimanyu. The two actors' on-screen dynamic is compelling. Aditya Srivastav and Jimmy Shergill are underutilized, despite Shergill's impactful scenes. The cinematography is a redeeming factor, capturing the essence of Agra.

Phir Aayi Hasseen Dillruba is engaging, if not awe-inspiring, and has some entertaining moments. While it maintains a stylish aesthetic and a talented cast, the film ultimately lacks the originality and suspense required to truly captivate audiences. With some tighter writing and more focused storytelling, this could have been a memorable sequel.

The primis was set up in the 1st so well. Building on that foundation is easy but still the work is decent.

Seven star till the last 20 minutes or so of the climax , the movie started good I enjoyed it was fun but falls flat in the climax it was very dull unnecessarily stretched blame goes to the writer. If only the script was tight like it started the climax was very dull childish and unbelievable. I don't agree any one saying this is the worst movie on netflix definitely not there are worst movie than this one on netflix. All actors did good job tapsee too was good , like always there are many who hate her we know the reason why and wait for her movie to vent out their frusturation, like I said cant blame the actors the blame goes on script and director.

Phir Aayi Haseen Dillruba is a sequel that struggles to replicate the intrigue and complexity of its predecessor. While the film attempts to delve deeper into the twisted world of its characters, it ultimately falls short in delivering a satisfying narrative.

The sequel picks up where the first film left off, with Rani (Taapsee Pannu) and Rishu (Vikrant Massey) entangled in a web of deceit and manipulation. However, the novelty of the first film's plot twists is replaced by a sense of déjà vu. The constant back-and-forth between reality and illusion becomes tiresome, and the audience is left questioning the purpose of revisiting this convoluted story.

While Taapsee Pannu maintains her magnetic screen presence, the characters of Rani and Rishu feel underdeveloped. Their motivations remain unclear, and their actions often defy logic. The supporting cast, including Sunny Kaushal, fails to leave a lasting impression, further weakening the overall impact of the film.

The film's plot is convoluted and often defies credibility. The constant twists and turns become more of a gimmick than a suspenseful element. The screenplay struggles to balance the complex narrative with character development, resulting in a disjointed viewing experience.

Phir Aayi Haseen Dillruba had the potential to explore the psychological depths of its characters and offer a fresh perspective on the themes of love, obsession, and betrayal. Unfortunately, the film opts for shock value and convoluted plot twists over substance. While it may entertain some viewers with its over-the-top drama, it ultimately fails to deliver a satisfying cinematic experience.

I was thrilled to dive into "Phir Aayi Haseen Dilruba", the sequel to the captivating suspense thriller "Haseen Dilruba". Initially, the film's realistic portrayal of life after the traumatic events of the first installment had me hooked. However, as the story unfolded, the narrative took a jarring turn. Rani's decision to marry Abhimanyu felt like a contrived attempt to sidestep the investigation, and from there, the plot spiralled into a convoluted mess.

The filmmakers' attempts to inject twists upon twists came across as forced and unrealistic, culminating in a climax that left me incredulous. It felt like the writers were mocking the audience's intelligence. Overall, the movie was a middling experience, failing to live up to the standards set by its predecessor.