First Shift

The trailer looked promising though when I saw Boll as the director I had some mighty reservations but all for naught. This was a very entertaining cop movie and certainly not deserving the low score it has here. And while there a few weirdly shot scenes the movie despite as others have said being somewhat disjointed is actually well directed. The strength of the entertainment is admittedly because of the two engaging lead actors ( I've seen him in guest parts on shows and a couple of movies; her never ) and their endless entertaining banter had my wife and I laughing quite a bit. If you're a dog lover there's a small subplot that you'll definitely enjoy. The only thing missing was a good cop shootout but like most cops work lives, that doesn't happen very often. If this were a show we'd definitely be watching but suffice that they have a possible part 2 in the works or already made. Be sure to hear the fantastic music at the beginning of the end credits.

This was a really generic cop drama that is almost a ridiculous stereotype of the genre. Eastwood did the exact same movie over and over in the Dirty Harry franchise. But worse, its obviously a pilot for a tv series that no one bought.

Uwe Boll has always been a hack, but this seems more like a director for hire tv movie right out of the 70s.

All that said, I liked the cast. I hope this earns them some more roles. It wasnt their fault the story wandered all over the place, and really had no plot or direction. The ending leaves you looking for the next episode. Its not a bad watch, and I dont feel like I wasted 90 minutes, but it just isnt original at all.

This movie takes 25 minutes to get to the first police action scene, a guy cutting the same part of his arm over and over again with a cleaver. I guess that was the only bleeder special effects they had? After 3-4 times chopping the same place I expected the hand to fall off.

Lots of cop-new-partner buddy talk. Really incredibly boring stuff. Lots of tracking shots of Gino Pesi walking around in his dark coat. Like John Wick, but without any shooting or fighting.

His co-star Detective Kristin Renton acted like she just came from MTV, and she had. She seemed about to start dancing at any point. Just totally no dynamics with the sour personality of Gino Pesi.

Into the movie are cut various scenes of unexplained guy and his girlfriend and son. At some point she wants to leave him because he is doing drugs. No explanation what the connection is to the main characters. Eventually at the end, we get a pretty disgusting murder scene, and the connection is just bombed into the movie.

Halfway in, an old guy (Willie C. Carpenter) has a seizure at a grocery store, and Pesi sees him at the hospital, and the old man asks him to find his dog. Pesi goes back to the grocery store and finds the dog.

The scenes with the dog, Pesi, and Renton are by far the best scenes in this movie. The dog is really friendly and reacts to Pesi better than his partner Renton does. They made the movie a lot better by putting the dog into it. The dog was the only actor that had chemistry with Pesi.

In a departure from high-profile blockbusters, this film presents a refreshingly grounded narrative that captivates through its sincerity and charm. The story centers on a seasoned New York detective who, despite his initial reluctance, is paired with a dynamic female officer recently transferred from Atlanta. This classic setup-where a grizzled veteran must adapt to a new partner-forms the backbone of the film's engaging plot.

While the storyline unfolds within the familiar confines of a New York detective thriller, it distinguishes itself through its focus on character development and realistic, heartfelt interactions. The film skillfully delves into the personal backgrounds of its characters, adding depth to their motivations and relationships. Although the antagonists may adhere to certain genre conventions and lack complexity, they serve their role effectively within the narrative.

Overall, the film succeeds in delivering an entertaining and emotionally resonant experience, despite its adherence to genre tropes. Its strength lies in its authentic portrayal of human connections and the understated charm of its characters, making it a worthwhile watch for those who appreciate a more nuanced approach to the detective genre.

Didn't expect to like it, but the movie has heart. It kept moving.

I understand the previous review's claim it was too slow, but it is a style.

Reminds me of the crime genre from yesteryear, sans the detective bent.

Would be great spun off into annual 3 or 6 episode BBC type miniseries.

Actors had good chemistry and situational dialogue was believable.

No spoilers, but I have a good iidea where the sequel is headed.

Enjoyable characters, felt like a pilot and went by fast.

With clever writing, the premise could go in many directions.

Wish I could tune back in next week.

Cross between Starsky and Hutch and Law And Order.