Als alle Kinder, bis auf einen Jungen, aus derselben Klasse in derselben Nacht zu exakt derselben Zeit auf mysteriöse Weise verschwinden, fragt sich die Gemeinschaft, wer oder was hinter ihr... Alles lesenAls alle Kinder, bis auf einen Jungen, aus derselben Klasse in derselben Nacht zu exakt derselben Zeit auf mysteriöse Weise verschwinden, fragt sich die Gemeinschaft, wer oder was hinter ihrem Verschwinden steckt.Als alle Kinder, bis auf einen Jungen, aus derselben Klasse in derselben Nacht zu exakt derselben Zeit auf mysteriöse Weise verschwinden, fragt sich die Gemeinschaft, wer oder was hinter ihrem Verschwinden steckt.
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Empfohlene Bewertungen
Normally, it takes a while for a film to draw me in and build up the suspense, but this one grabs your attention from the very first scene and keeps you hooked all the way through.
The pacing is tight, the atmosphere is intense, and the story unfolds in a way that keeps you constantly curious. I also really appreciated the performances - the acting felt authentic and added depth to the overall experience.
The ending was satisfying, though I gave it 8 stars because a few elements of the mystery remained unresolved - or perhaps intentionally left open to interpretation.
Still, a fantastic film and a must-watch for fans of smart, original horror!
This picture is written and directed by Zach Cregger (Barbarian) and stars Julia Garner (Ozark), Josh Brolin (No Country for Old Men), Amy Madigan (Streets of Fire), Benedict Wong (Doctor Strange), and Justin Long (Jeepers Creepers).
Weapons is a unique and gripping addition to the horror genre, evoking the tone of both Hereditary and The Children. The acting is phenomenal-every cast member delivers a grounded, emotionally authentic performance. The story unfolds in a Pulp Fiction-style structure, allowing the audience to piece everything together from different characters' perspectives.
The horror builds slowly and methodically, but once it kicks in, it really kicks in. The gore is intense, and a few scenes even brought Drag Me to Hell to mind. The villain is top-tier, and the central concept is executed with precision. Standout moments-especially the kitchen and gas station scenes-are packed with tension and shot beautifully. The camerawork throughout is exceptional, particularly in the climax, and even everyday settings like the liquor store are filmed with eerie familiarity. There's a cloud of mystery hanging over the film, and as the pieces finally click into place, the ending lands perfectly.
In conclusion, Weapons is everything you want it to be-methodical, well-written, and even better executed. I'd give it an 8.5/10 and strongly recommend it.
Director Zach Cregger continues to prove he's not afraid to break the mold, following up Barbarian (2022) with another unpredictable, non-traditional narrative. The story starts off familiar, but quickly evolves into something far more layered and unsettling.
I especially appreciated the decision to split the narrative across multiple characters - it added depth and gave the audience a clearer view of the bigger picture.
My only real critique is the ending - it was a bit abstract and left me slightly unsatisfied. Still, it fits the film's overall tone and ambition.
Highly recommended for fans of horror that challenges the norm.
The mystery of a mass disappearance and its impact on a small town unfolds in a mesmerizing, layered way, giving each character a chance to shine. The story is divided into several nerve-wracking chapters, ending with a gripping finale.
Special credit goes to Josh Brolin and Alden Ehrenreich, though the entire cast delivers strong, harmonious performances that brilliantly maintain the balance Cregger has created.
Wusstest du schon
- WissenswertesNetflix was ready to pay more money upfront than New Line, but an assured theatrical release and New Line's track record with horror were the better selling points.
- PatzerIn one POV, the homeless man is in the back of the officers car until dark- until the point when the officer, who is clearly possessed, charges the car and drags him in the house. Yet, in another POV, Alex comes home from school during the day, notices the cruiser, and then sees the homeless man possessed inside his house. Alex would have noticed the cruiser when leaving for school in the morning OR the homeless man would still be inside the cruiser.
- Zitate
Captain Ed: Mr. Graff, I can understand your passion and I don't mind having these conversations with you because god forbid if it was my child, I'd be demanding answers too. Those kids walked out of those homes, no one pulled them out. No one forced them. What do you see that I don't?
- Crazy CreditsThe New Line Cinema and Domain Entertainment logos have the sounds of children talking in the background.
- VerbindungenFeatured in Tyrone Magnus: Weapons | Official Trailer | Reaction! (2025)
- SoundtracksBeware of Darkness
Written and Performed by George Harrison
Courtesy of G. H. Estate Limited
By arrangement of BMG Rights Management (US) LLC
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La hora de la desaparición
- Drehorte
- Atlanta, Georgia, USA(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 38.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 136.355.961 $
- Eröffnungswochenende in den USA und in Kanada
- 43.501.217 $
- 10. Aug. 2025
- Weltweiter Bruttoertrag
- 239.055.961 $
- Laufzeit
- 2 Std. 8 Min.(128 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1