Die Crew des Raumschiffs Enterprise erforscht die Weiten des Weltalls, wo sie auf einen geheimnisvollen neuen Feind treffen, der die Föderation herausfordert.Die Crew des Raumschiffs Enterprise erforscht die Weiten des Weltalls, wo sie auf einen geheimnisvollen neuen Feind treffen, der die Föderation herausfordert.Die Crew des Raumschiffs Enterprise erforscht die Weiten des Weltalls, wo sie auf einen geheimnisvollen neuen Feind treffen, der die Föderation herausfordert.
- Für 1 Oscar nominiert
- 3 Gewinne & 29 Nominierungen insgesamt
Zoe Saldaña
- Lieutenant Uhura
- (as Zoe Saldana)
Empfohlene Bewertungen
Okay, as a lifelong Star Trek fan and not a big fan of the last movie, I had serious reservations about this one - especially as it was directed by Justin "Fast & Furious" Lin. However, credit where it's due, he made a great attempt at this, and it turned out to be good fun (and WAY better than Jar Jar Abrams' "Into Darkness" mess). It's STILL not Star Trek like the REAL Star Trek - there are no memorable lines here and you won't be playing particular scenes over and over in your head, but this is the world we now live in. They've given all your other favorites the same treatment (and ruined them too), James Bond and Star Wars being among the countless franchises to fall victim. Somehow we've got the point where ALL movies need to be a politically correct as possible, have as a diverse a cast as possible, and appeal to as wide an audience as possible. Hollywood want EVERYBODY to be fans of EVERYTHING from here on - no more closed communities thank you very much.
Given all this, and that Star Trek now has to fit this terrible template, this movie could have been SO much worse. Yes, it has plot holes galore (they're on purpose, don't you know? So the fans can have "insane theory" videos on YouTube), but it also has lots of references to the Star Trek Universe over the last 50 years to celebrate the 50th anniversary. These are subtle enough to indicate that they were put there for the real HARDCORE fans, which I thought was respectful and made me sit up and pay a bit more attention every time I spotted one. One thing that really bugged me though - some of the actors, as they get older, look even LESS like the characters should on screen. For instance, Simon Pegg would want to start piling on the pounds to play an older Scotty, and in the same vain Zachary Quinto should probably lose a few. But these are minor details for sure.
To finish on a positive note, Sofia Boutella who plays the alien Jaylah is really good, and a very likely contender to replace Anton Yelchin who sadly passed away recently. As I've read they won't be recasting Chekov (good!) then I think she would make a fine addition to the crew. Someone make this happen!
If you're a Trek fan at all you SHOULD go see this one. It's SLIGHTLY dragged out near the end, but there is at least a solid 90 minutes of big screen action to be enjoyed in there somewhere. A fitting way to celebrate 50 years of Trek? Maybe. I certainly didn't feel like walking out like during the last outing.. and during Star Wars... and during SPECTRE....
Given all this, and that Star Trek now has to fit this terrible template, this movie could have been SO much worse. Yes, it has plot holes galore (they're on purpose, don't you know? So the fans can have "insane theory" videos on YouTube), but it also has lots of references to the Star Trek Universe over the last 50 years to celebrate the 50th anniversary. These are subtle enough to indicate that they were put there for the real HARDCORE fans, which I thought was respectful and made me sit up and pay a bit more attention every time I spotted one. One thing that really bugged me though - some of the actors, as they get older, look even LESS like the characters should on screen. For instance, Simon Pegg would want to start piling on the pounds to play an older Scotty, and in the same vain Zachary Quinto should probably lose a few. But these are minor details for sure.
To finish on a positive note, Sofia Boutella who plays the alien Jaylah is really good, and a very likely contender to replace Anton Yelchin who sadly passed away recently. As I've read they won't be recasting Chekov (good!) then I think she would make a fine addition to the crew. Someone make this happen!
If you're a Trek fan at all you SHOULD go see this one. It's SLIGHTLY dragged out near the end, but there is at least a solid 90 minutes of big screen action to be enjoyed in there somewhere. A fitting way to celebrate 50 years of Trek? Maybe. I certainly didn't feel like walking out like during the last outing.. and during Star Wars... and during SPECTRE....
Before I write a review I like to browse through the other comments posted first. To surmise, many have got it quite right, this is not the best Star Trek movie, but it is a good one. The story is reasonable, although there are plenty of plot holes that you have to overlook and not delve into them too deeply. I also think that the size of that deep space station is just OTT even for that century, it is far too advanced! Anyway, get over the minor flaws and you will begin to notice that they are starting to focus more on character development and interaction of the personalities within the crew. It is what real fans enjoy the most, including the odd bit of humour.
As for the highly negative reviews on here, please start to put your rankings in perspective, this is by no means a shocking movie and definitely is fit to join the Star Trek Universe. It really winds me up when people rank this movie in the same breath as some of the real shockers we have seen in the last few years!
As for the highly negative reviews on here, please start to put your rankings in perspective, this is by no means a shocking movie and definitely is fit to join the Star Trek Universe. It really winds me up when people rank this movie in the same breath as some of the real shockers we have seen in the last few years!
OK, so I'm a Star Trek fan being old enough to have watched the original series BEFORE it was in re-runs! But Star Trek Beyond just plain disappoints. It's not terrible
but it's not great either.
It's Star Date 2263.2 and Kirk (Chris Pine) is into the third year of their "5 year mission" (which seems to somehow throw away a lot of potential sequel opportunities already doesn't it?). Less buoyant and confident than he used to be, Kirk is feeling a little emotionally 'Lost in Space': after all, as the Hitchhikers Guide to the Galaxy put it "Space is big REALLY big". Spock (Zachary Quinto) also receives some news of a personal nature that unsettles him. They are both in need of a vacation, and Starbase Yorktown (queue some spectacular special effects and an operatic Michael Giacchino track) appears to be able to offer them that. The crew disperse for a bit of R and R: Sulu (John Cho) goes off to spend time with his family (after the big internet furore, the gay aspect of this is very subtle); Kirk gets career advice from the Admiral; and Spock and Uhuru (Zoe Saldana) go their separate ways since – like Ross and Rachael – they are "on a break".
The reverie is rudely interrupted by the arrival of a frantic alien called Kalara (Lydia Wilson) from the other side of a dense nebula. She needs help to rescue her crew, stranded on a planet there. Kirk's rescue mission however goes far from to-plan, and he and his crew are caught in the clutches of the warlord Krall (Idris Elba).
What's nice about this film is that the core crew of Kirk, Spock, Uhuru, Bones (Karl Urban), Scotty (Simon Pegg), Sulu and Chekov (the tragically departed Anton Yelchin) gel together really nicely as an ensemble cast. The traditional by-play between the characters feels unforced, comedic and provides a warmth at the heart of the film. There is also a touching tribute to Leonard Nimoy, who died while the film was in pre-production, woven into the story of which I'm sure he would have approved.
Supporting the crew as a potential new character is the strikingly attractive and kick-ass Jaylah played by Sofia Boutella (the evil amputee Gazelle from "Kingsman").
There's also some fine and innovative alien technology on display with the 'swarm-like' alien fleet harking back (in an expanded scale) to the invulnerability of the nanites from an original episode.
Unfortunately, all of these positives are severely offset by a largely planet-bound Simon Pegg and Doug Jung story (didn't the woeful "Insurrection" teach writers that this tends not to be a good idea?) and action sequences that are so manically fast-moving that it is almost impossible to keep track of what exactly is happening. (Perversely, this is a film that might actually make more sense on the small screen than the big one, which is just BAD CINEMA!). There was even one point in a final fight scene where I seriously feared Kirk and Krall might have a 'sharing of mother's names' moment (if you know what I mean) but fortunately this script apocalypse is avoided.
At the conclusion the story actually makes no sense to me at all: without spoilers, it is difficult to discern exactly what the motivations of Krall actually were. Throw in a graphic in the final reel that looks like Krall is attacking the Death Star (no, seriously – watch for it!) and the concoction just doesn't hang together very well. I know Simon Pegg and director Justin ("Fast and Furious") Lin are huge Trekkers, but – sorry guys – this was a C- for me.
It's a mildly diverting popcorn movie, but with (for me at least) yet another disappointing film, its getting to the point where the best 'summer blockbuster' is likely to be Deadpool and that was released in February!
(Please visit http://bob-the-movie-man.com for the graphical version of this review. You can enter your email address there to automatically receive my future reviews. Thanks).
It's Star Date 2263.2 and Kirk (Chris Pine) is into the third year of their "5 year mission" (which seems to somehow throw away a lot of potential sequel opportunities already doesn't it?). Less buoyant and confident than he used to be, Kirk is feeling a little emotionally 'Lost in Space': after all, as the Hitchhikers Guide to the Galaxy put it "Space is big REALLY big". Spock (Zachary Quinto) also receives some news of a personal nature that unsettles him. They are both in need of a vacation, and Starbase Yorktown (queue some spectacular special effects and an operatic Michael Giacchino track) appears to be able to offer them that. The crew disperse for a bit of R and R: Sulu (John Cho) goes off to spend time with his family (after the big internet furore, the gay aspect of this is very subtle); Kirk gets career advice from the Admiral; and Spock and Uhuru (Zoe Saldana) go their separate ways since – like Ross and Rachael – they are "on a break".
The reverie is rudely interrupted by the arrival of a frantic alien called Kalara (Lydia Wilson) from the other side of a dense nebula. She needs help to rescue her crew, stranded on a planet there. Kirk's rescue mission however goes far from to-plan, and he and his crew are caught in the clutches of the warlord Krall (Idris Elba).
What's nice about this film is that the core crew of Kirk, Spock, Uhuru, Bones (Karl Urban), Scotty (Simon Pegg), Sulu and Chekov (the tragically departed Anton Yelchin) gel together really nicely as an ensemble cast. The traditional by-play between the characters feels unforced, comedic and provides a warmth at the heart of the film. There is also a touching tribute to Leonard Nimoy, who died while the film was in pre-production, woven into the story of which I'm sure he would have approved.
Supporting the crew as a potential new character is the strikingly attractive and kick-ass Jaylah played by Sofia Boutella (the evil amputee Gazelle from "Kingsman").
There's also some fine and innovative alien technology on display with the 'swarm-like' alien fleet harking back (in an expanded scale) to the invulnerability of the nanites from an original episode.
Unfortunately, all of these positives are severely offset by a largely planet-bound Simon Pegg and Doug Jung story (didn't the woeful "Insurrection" teach writers that this tends not to be a good idea?) and action sequences that are so manically fast-moving that it is almost impossible to keep track of what exactly is happening. (Perversely, this is a film that might actually make more sense on the small screen than the big one, which is just BAD CINEMA!). There was even one point in a final fight scene where I seriously feared Kirk and Krall might have a 'sharing of mother's names' moment (if you know what I mean) but fortunately this script apocalypse is avoided.
At the conclusion the story actually makes no sense to me at all: without spoilers, it is difficult to discern exactly what the motivations of Krall actually were. Throw in a graphic in the final reel that looks like Krall is attacking the Death Star (no, seriously – watch for it!) and the concoction just doesn't hang together very well. I know Simon Pegg and director Justin ("Fast and Furious") Lin are huge Trekkers, but – sorry guys – this was a C- for me.
It's a mildly diverting popcorn movie, but with (for me at least) yet another disappointing film, its getting to the point where the best 'summer blockbuster' is likely to be Deadpool and that was released in February!
(Please visit http://bob-the-movie-man.com for the graphical version of this review. You can enter your email address there to automatically receive my future reviews. Thanks).
After being attacked by a huge swarm of unknown ships the crew of the Starship Enterprise are separated and spread across a mysterious planet, there they must search for each other and battle a new villain who is against all that the federation stands for.
Star Trek: Into Darkness was well received when first released but afterwards many fans changed their opinions and it began to receive less than lukewarm feelings from people who went back to watch it, due to it's non Star Trek feel. So with new writers (Simon Pegg and Doug Jung) and a new director (Justin Lin, known for directing some of the Fast and Furious films) is Star Trek Beyond able to recapture the original feeling of Star Trek? Yes, it more than does this. In fact this ,the third film in the new series of Star Trek movies, feels like an extended episode from the original series. There is a lot of fun to be had with this film and in all honesty it might actually have a running time that is just over two hours but when watching it the pace is so fast and the action is so well shot the running time only seems to be just over 45 minutes. Another thing that new director Lin has been able to successfully do is bring the audience into the actual adventure, the audience doesn't just watch the film they are almost taking part, they are made to feel as if they are in the same world, the exact same situations as the characters causing them to not only laugh along with them when there are comedic moments ,which nearly always hit the right mark, but also feel involved in the action and the adventure. The chemistry between all the characters is always on top form and all actors clearly get on well making the on screen chemistry more realistic especially between Kirk (Chris Pine), Spock (Zachary Quinto) and Bones (Karl Urban). The characters of Spock and Bones ,helped by Pegg and Jung's script, go together so well creating a really well thought out and timed double act while still keeping the frame of the original characters, still providing the much needed action and adventure that is vital to this sort of film. As for the Visual Effects ,next to Ghostbusters, they are some of the best to be seen on the big screen this year and go towards creating an even greater sense of realism and once again pulling the audience in with immense ease.
Fans will be pleased by this new entry into the Star Trek series, because Star Trek Beyond not only feels like a successful extended episode but the acting, story, characters, action, effects and so much more go towards creating a fun, crowd pleasing sci-fi adventure.
**** <-- Four Stars
Star Trek: Into Darkness was well received when first released but afterwards many fans changed their opinions and it began to receive less than lukewarm feelings from people who went back to watch it, due to it's non Star Trek feel. So with new writers (Simon Pegg and Doug Jung) and a new director (Justin Lin, known for directing some of the Fast and Furious films) is Star Trek Beyond able to recapture the original feeling of Star Trek? Yes, it more than does this. In fact this ,the third film in the new series of Star Trek movies, feels like an extended episode from the original series. There is a lot of fun to be had with this film and in all honesty it might actually have a running time that is just over two hours but when watching it the pace is so fast and the action is so well shot the running time only seems to be just over 45 minutes. Another thing that new director Lin has been able to successfully do is bring the audience into the actual adventure, the audience doesn't just watch the film they are almost taking part, they are made to feel as if they are in the same world, the exact same situations as the characters causing them to not only laugh along with them when there are comedic moments ,which nearly always hit the right mark, but also feel involved in the action and the adventure. The chemistry between all the characters is always on top form and all actors clearly get on well making the on screen chemistry more realistic especially between Kirk (Chris Pine), Spock (Zachary Quinto) and Bones (Karl Urban). The characters of Spock and Bones ,helped by Pegg and Jung's script, go together so well creating a really well thought out and timed double act while still keeping the frame of the original characters, still providing the much needed action and adventure that is vital to this sort of film. As for the Visual Effects ,next to Ghostbusters, they are some of the best to be seen on the big screen this year and go towards creating an even greater sense of realism and once again pulling the audience in with immense ease.
Fans will be pleased by this new entry into the Star Trek series, because Star Trek Beyond not only feels like a successful extended episode but the acting, story, characters, action, effects and so much more go towards creating a fun, crowd pleasing sci-fi adventure.
**** <-- Four Stars
I was a bit surprised by the number of negative reviews this movie received on IMDb. The main complaint seemed to be that the film had too much action?! Anyone old enough to remember seeing 1979's 'The Motion Picture' on the big screen is a unique person... most of us fell asleep. Fortunately, 'Wrath of Khan' saved the day in 1982, with lots of action and a recycled, but disturbingly menacing villain.
C'mon folks... even the original series didn't get too deep and meaningful. It was the more action-oriented pilot featuring strong characters that knew how to have a laugh every now and then that got it the network green light. This is exactly what the reboot movies have been like up to now. Admittedly, there hasn't been a classic in the bunch yet, but the potential is certainly there.
In my view, the reboot films are one really scary villain away from producing a classic. With TNG it was the Borg. Doctor Who has the Daleks. Both races completely inhuman, really nasty, seemingly indestructible, and hellbent on destroying (be it assimilation or extermination) everything in their way. Boldly going where Trek has gone before, so to speak.
C'mon folks... even the original series didn't get too deep and meaningful. It was the more action-oriented pilot featuring strong characters that knew how to have a laugh every now and then that got it the network green light. This is exactly what the reboot movies have been like up to now. Admittedly, there hasn't been a classic in the bunch yet, but the potential is certainly there.
In my view, the reboot films are one really scary villain away from producing a classic. With TNG it was the Borg. Doctor Who has the Daleks. Both races completely inhuman, really nasty, seemingly indestructible, and hellbent on destroying (be it assimilation or extermination) everything in their way. Boldly going where Trek has gone before, so to speak.
Wusstest du schon
- WissenswertesAfter production on the film was completed, and a month before the release, Anton Yelchin died in a freak vehicle accident at age 27. During the ending credits, there is a dedication that reads, "For Anton." J.J. Abrams announced that Chekov would not be recast, "I would say you can't replace him. There will be no new casting. I can't imagine that, and I think Anton deserves better."
- PatzerThe number of ships and soldiers that the enemy has in its swarm changes dramatically during the final battle, from a few thousand to tens/hundreds of thousands when they attack the station. However, previously in the film, it is stated that the planet has deep and large underground caverns so it is entirely possible that there were more ships underground.
Also, the number of soldiers that would be needed to pilot all the ships would be huge as it was shown that they contain at least one soldier in each ship. But when they were watching the video logs near the film's ending, Captain Edison clearly states that they found drones. It is quite possible that the bulk of the enemy fleet is made up of drones and controlled by the hive mind that the music disrupts.
- Zitate
Doctor 'Bones' McCoy: [after removing shrapnel from Spock] Yeah. They say it hurts less if it's a surprise.
Commander Spock: If I may adopt a parlance with which you are familiar, I can confirm your theory to be horseshit.
- Crazy CreditsThere is a giant green energy-hand, in the closing credits, mentioned in the movie as one of the possibilities for a ship lost in space.
- VerbindungenFeatured in The Nostalgia Critic: How Right Are Trailers? (2016)
- SoundtracksTheme from 'Star Trek' TV Series
Written by Alexander Courage & Gene Roddenberry
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Details
- Erscheinungsdatum
- Herkunftsländer
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- Auch bekannt als
- Star Trek sin límites
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 185.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 158.848.340 $
- Eröffnungswochenende in den USA und in Kanada
- 59.253.211 $
- 24. Juli 2016
- Weltweiter Bruttoertrag
- 343.471.816 $
- Laufzeit
- 2 Std. 2 Min.(122 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
- 2.35 : 1(original ratio)
- 2.39 : 1(original ratio)
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