Raubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminelle... Alles lesenRaubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminellen waren.Raubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminellen waren.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
- Bank Manager
- (as Bryan McHale)
Zusammenfassung
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Despite all these important aspects, the movie didn't really pull me in. The pacing was slowish, not in a way that builds suspense or depth, but rather in a way that made it hard to stay emotionally invested. Scenes lingered without always adding much, and I often found myself waiting for something to fully click.
I think the main issue is that the film lacked some much-needed background, particularly when it came to crucial character development and the broader historical context. While I understood the general facts and timeline, I never really felt connected to the people involved or what was truly at stake, both for them as individuals and for the country as a whole. It felt like there was an emotional distance that the film never bridged.
In the end, it's a film I admire for its craft, but not one that truly moved me. They really were spot on in some crucial areas, the acting, the visuals, the tone, which only made it more disappointing when the film didn't quite come together as a whole. It had so much potential to be powerful and immersive, but instead, it left me feeling a bit cold and unfulfilled.
There were a few well-executed scenes-moments where the direction and cinematography showed real promise-but they were too few and far between. The tone also seemed confused at times, shifting awkwardly between thriller and drama without fully committing to either. It's the kind of movie that had all the pieces but couldn't quite put them together in a compelling way. Not terrible by any means, just very forgettable. I wouldn't warn people against watching it, but I wouldn't recommend it either.
I don't have too much to say about this film since it's actually not really stand-out in any way. It's at its best when focused on the life and times of members in The Order and fleshing out this world of the rural pacific northwest. Nicholas Hoult is having a hell of a year and this is another great performance to add to the resume for the year. Everyone is was just okay performance-wise but there has to be some blame on the writers for leaning so deeply into the hard-boiled detective tropes. Sometimes the FBI officers just act way too-cool-for-school and it shows some laziness on the writers' part. A nice foil to that is Jamie (Tye Sheridan) who does a fantastically accurate impression of a small town cop. I'll be a defector and say that I actually enjoyed the action sequences, and I like that details within action plot points have actual effect later in the story. I'm getting a lot of No Country For Old Men influence, and that's a good thing.
The film has a really good handle on itself with a steady mix of tension building and discovery until the third act in which themes muddy significantly. There was some kind of two-sides-of-the-same-coin subtheme being attempted in the end between Terry and Bob that didn't really work for me, and cops suddenly lose all the discipline they had earlier in the film to do action hero things. There is a whole lot of world building in the film that adds to the whole rural aesthetic but I wonder if it contributed to its slow pacing. The film certainly felt long for a less than 2 hour movie.
Enjoyable crime thriller with some salient themes of racism and uprising to think about.
Jude Law is really good in his role as this weary and seasoned FBI agent. I like the supporting cast members. I think Nicholas Hault actually looks a lot like Bob Matthews (based on his picture, which I saw on Wiki), and the young sheriff who works with Jude Law is good too. The movie's scenery is gorgeous, with the forests, mountains, and lake. I like the score too. There is an overall dark and gritty vibe throughout the film
The movie doesn't reach greatness because of the plot and predictability. I know that the events are based on a true story, so I get that the plot was limited since they had to follow the events that really occurred (note: I had never heard of Bob Matthews or the Turner diaries until I watched this movie). But they telegraphed some events, such as one character's death, way too obviously. I also feel that the film could've given more about the villain's motivations other than "they're evil racist white men." The movie early on shows a divide between Bob Matthews group and another white supremacist group: the latter believes that the right way to push white supremacy is through legal means, such as getting white supremacists elected to office. I feel this plot thread could have been explored more. The police scenes include some cliches too
Lastly - there was no need to insert politics at the very end, with a reference to January 6th, 2021.
It's those kind of movies which are good but you feel like something is missing.
Jude law is amazing in this movie. He is carrying the whole movie on his shoulders and he does an amazing job.
Rest all are good.
Nicholas hoult had nothing more to do and anyone could have played that role.
Direction is fine and cinematography looks really good.
Apart from that there is nothing much to say about this movie.
It's a slow burn thriller. Watch it for the amazing acting and that's it.
Wusstest du schon
- WissenswertesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- PatzerAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Zitate
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- VerbindungenReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- SoundtracksKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
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Details
- Erscheinungsdatum
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- Offizieller Standort
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- Auch bekannt als
- Порядок
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.010.901 $
- Eröffnungswochenende in den USA und in Kanada
- 877.855 $
- 8. Dez. 2024
- Weltweiter Bruttoertrag
- 2.270.354 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1