Eine junge Künstlerin strandet in einem weitläufigen, unberührten Wald im Westen Irlands, wo sie auf drei Fremde stößt, die sich bei Dunkelheit vor mysteriösen Kreaturen in einem Schaukasten... Alles lesenEine junge Künstlerin strandet in einem weitläufigen, unberührten Wald im Westen Irlands, wo sie auf drei Fremde stößt, die sich bei Dunkelheit vor mysteriösen Kreaturen in einem Schaukasten verschanzen, wo sie von jenen studiert werden.Eine junge Künstlerin strandet in einem weitläufigen, unberührten Wald im Westen Irlands, wo sie auf drei Fremde stößt, die sich bei Dunkelheit vor mysteriösen Kreaturen in einem Schaukasten verschanzen, wo sie von jenen studiert werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Siobhan Hewlett
- Mina's Mother
- (as Siobhán Hewlett)
Joel Figueroa
- Darwin
- (Synchronisation)
Thabile Michelle Hlongwane
- Newscaster
- (as Michelle Hlongwane)
Eabha Connolly
- Little Girl
- (as Éabha Connolly)
Zusammenfassung
Reviewers say 'The Watchers' delves into themes of duality, transformation, and folklore, inspired by Slavic mythology and Celtic traditions. The film's atmosphere, set design, and cinematography are lauded for their eerie and tense mood. However, the script, character development, and pacing are criticized for being lacking and predictable. The twist and ending receive mixed reactions, with some finding them surprising and others deeming them poorly executed. Dakota Fanning's performance is noted, though opinions on its effectiveness vary. The adaptation from the novel is often discussed, with many reviewers comparing it unfavorably to the source material. Overall, 'The Watchers' is seen as a mixed bag.
Empfohlene Bewertungen
While Ishana Night Shyamalan absolutely is her own filmmaker, and should her films judged on their own merits, The Watchers reminded me a lot of her fathers works in the ways that I usually find his films frustrating. I'm going to try my best not to keep comparing this to M. Night's movies but in particular The Watchers reminded me a lot of The Village and the issues I have with that film and I think I'd still feel that way with or without the familial connection.
Because like The Village, The Watchers has a very intriguing hook that presents a lot of interesting story possibilities very early on but it never capitalises on them in any satisfying way. The dialogue is really weak here and it's frequently delivered in extremely wooden ways which most rears its head in the exposition. Because Shyamalan clearly doesn't believe in the less-is-more approach in that she feels the need to over explain everything and as a result the mystery never really feels that intriguing. Most of the reveals come across as very flat that feel like they lack sufficient build up to be satisfying.
It's also very repetitive for most of the first 2 acts with it essentially following the same stricture of leaving this house and returning to it before night fall and it just came across as tiring rather tension-building. The reveals don't really feel earned and they're the one thing I wanted the film to explore more but the script really feels like it strikes the worst balance with what it chooses to focus on. The 3rd act was also a pretty big disappointment. The main action that's being built up for the entire film is achieved in a fairly standard way that doesn't feel fitting for what was being set up and it makes the mistake of feeling like it's getting ready to end only to go on for what felt like another 30 minutes.
Thankfully what saves the film from being a complete waste of time is the truly impressive filmmaking on display. It's gorgeously shot and visually ambitious in a way that feels like it could only come from a first-time director. I thought the score was phenomenal as was the cinematography in a way that didn't feel like it was drawing too much attention to itself. There are some very effective scares and genuine scenes of tension, unfortunately it was just never sustained enough to keep my interest. It's the script that ultimately sunk this movie for me but it's very clear that Ishana Night Shyamalan has real talent behind the camera.
The Watchers was frustrating waste of potential for me and something that never really felt like it capitalised on its intriguing set up. It's just reeks of a script that doesn't trust the intelligence of it's audience and I was just so consistently irritated at how the film kept going out of it's way to explain things in the most clunky and unimaginative ways possible. I can see what Shyamalan was going for, and if anything it makes more interested to read the novel, but her very clear talents just end up being wasted on a really poor script.
Because like The Village, The Watchers has a very intriguing hook that presents a lot of interesting story possibilities very early on but it never capitalises on them in any satisfying way. The dialogue is really weak here and it's frequently delivered in extremely wooden ways which most rears its head in the exposition. Because Shyamalan clearly doesn't believe in the less-is-more approach in that she feels the need to over explain everything and as a result the mystery never really feels that intriguing. Most of the reveals come across as very flat that feel like they lack sufficient build up to be satisfying.
It's also very repetitive for most of the first 2 acts with it essentially following the same stricture of leaving this house and returning to it before night fall and it just came across as tiring rather tension-building. The reveals don't really feel earned and they're the one thing I wanted the film to explore more but the script really feels like it strikes the worst balance with what it chooses to focus on. The 3rd act was also a pretty big disappointment. The main action that's being built up for the entire film is achieved in a fairly standard way that doesn't feel fitting for what was being set up and it makes the mistake of feeling like it's getting ready to end only to go on for what felt like another 30 minutes.
Thankfully what saves the film from being a complete waste of time is the truly impressive filmmaking on display. It's gorgeously shot and visually ambitious in a way that feels like it could only come from a first-time director. I thought the score was phenomenal as was the cinematography in a way that didn't feel like it was drawing too much attention to itself. There are some very effective scares and genuine scenes of tension, unfortunately it was just never sustained enough to keep my interest. It's the script that ultimately sunk this movie for me but it's very clear that Ishana Night Shyamalan has real talent behind the camera.
The Watchers was frustrating waste of potential for me and something that never really felt like it capitalised on its intriguing set up. It's just reeks of a script that doesn't trust the intelligence of it's audience and I was just so consistently irritated at how the film kept going out of it's way to explain things in the most clunky and unimaginative ways possible. I can see what Shyamalan was going for, and if anything it makes more interested to read the novel, but her very clear talents just end up being wasted on a really poor script.
7Ggc1
Many movie critics are predictable. Shyamalan's daughter has an approach to filmmaking and storytelling not different from the father and in fact the movie is received with mild reviews :)
But honestly I quite liked it. First of all, it's not super scary but it's moody and it has its quite unsettling moments. Sound design is top notch, would have loved to see this in Atmos, but even in 5.1 or 7.1 it was still great. The story is sufficient but also interesting, in general the movie keeps you hooked till the ending. This is typical of father's movies. There are also some metaphors but they land quiet flat for me
Not a movie for movie critics but a good atmospheric and folkloristic movie for movie theatre audience. Also it's a pg13 so suitable for a broader audience Said this, I found first omen (another recent horror movie) quiet better.
But honestly I quite liked it. First of all, it's not super scary but it's moody and it has its quite unsettling moments. Sound design is top notch, would have loved to see this in Atmos, but even in 5.1 or 7.1 it was still great. The story is sufficient but also interesting, in general the movie keeps you hooked till the ending. This is typical of father's movies. There are also some metaphors but they land quiet flat for me
Not a movie for movie critics but a good atmospheric and folkloristic movie for movie theatre audience. Also it's a pg13 so suitable for a broader audience Said this, I found first omen (another recent horror movie) quiet better.
I went into this one without watching the trailer and oh boy was I pleasantly surprised. It is not a super scary horror movie. Its more of a folklore horror but what i loved most about this movie is;
1. It quickly gets into the meat of the whole situation/madness
2. The atmosphere is perfect
3. Closer to the end of the movie, when everything makes sense, its a satisfying feeling to get an understanding of whats actually been going on here
4. No blood or gore, and still an good an interesting watch
5. The characters suited their roles perfectly
This i a much much better horror movie than some other overhyped horror movies of 2024. I would definitely recommend this to someone who likes a horror movie with a story and no jumpscares or gore.
This i a much much better horror movie than some other overhyped horror movies of 2024. I would definitely recommend this to someone who likes a horror movie with a story and no jumpscares or gore.
I enjoy movies with a good story and rich world-building. Although I'd rate this movie a 6/10, I still liked and enjoyed watching it. It's a thriller and mystery that kept me hooked as I wanted to uncover each mystery. The creatures were terrifying, I wouldn't want to come across one of those.
I do agree with some of the reviews that I found some of the characters odd, and no one normal would act the way they did if they were in such a situation.
One thing that could have made a big impact is adding a bit of romance at the end-you'll understand when you watch it. Overall, it's not a mind-blowing story, but I enjoyed it.
I do agree with some of the reviews that I found some of the characters odd, and no one normal would act the way they did if they were in such a situation.
One thing that could have made a big impact is adding a bit of romance at the end-you'll understand when you watch it. Overall, it's not a mind-blowing story, but I enjoyed it.
I have often thought of this novel since consuming the audiobook in a couple days last year. I've recommended it to a lot of fellow horror readers, too. I personally feel that the film adaptation falls incredibly short of what it could have been. The novel is beautifully crafted with suspense and character development, whereas the movie offers 2D characters that are simply there just because. Their faces remain blank the majority of the movie and their line delivery is flat and almost always as if they're bored talking.
In true Shyamalan fashion, (yes, it's M. Night's daughter who directed it, but the apple doesn't fall far from the tree), the twist is a huge moment. While it does get revealed, it also changes a huge part of the original ending of the book, which makes the overall story even more of a 2D "horror twist." The book's ending gave me chills; the movie's ending gave me cliché horror.
I will say, I was eager to see who would play the character of Madeline, as she is such a force in the book as the most interesting character, as well as the one who has been trapped in the forest the longest, and Olwen Fouéré portrays her beautifully. The overall set design and atmosphere of the film is also done well, which helps but also makes the movie's poor script and characters feel all the more disappointing at times.
While I won't actively encourage not seeing this movie, I DO encourage you to check out the book, by A. M. Shine. I'm also happy that an author whose work I appreciate it getting the attention of Hollywood to have his work made into a different media form - let's hope if his other works become film or television adaptations, that they'll be given the adaptation they deserve.
In true Shyamalan fashion, (yes, it's M. Night's daughter who directed it, but the apple doesn't fall far from the tree), the twist is a huge moment. While it does get revealed, it also changes a huge part of the original ending of the book, which makes the overall story even more of a 2D "horror twist." The book's ending gave me chills; the movie's ending gave me cliché horror.
I will say, I was eager to see who would play the character of Madeline, as she is such a force in the book as the most interesting character, as well as the one who has been trapped in the forest the longest, and Olwen Fouéré portrays her beautifully. The overall set design and atmosphere of the film is also done well, which helps but also makes the movie's poor script and characters feel all the more disappointing at times.
While I won't actively encourage not seeing this movie, I DO encourage you to check out the book, by A. M. Shine. I'm also happy that an author whose work I appreciate it getting the attention of Hollywood to have his work made into a different media form - let's hope if his other works become film or television adaptations, that they'll be given the adaptation they deserve.
Wusstest du schon
- WissenswertesThe title was changed to "The Watched" in the UK and Ireland to avoid confusion with the Netflix series The Watcher (2022).
- PatzerCharacters have been trapped in one location for months or even years and look clean and healthy, are shaved, have good haircuts ...
- VerbindungenFeatured in The 7PM Project: Folge vom 21. Juni 2024 (2024)
Top-Auswahl
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Details
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.071.404 $
- Eröffnungswochenende in den USA und in Kanada
- 7.003.537 $
- 9. Juni 2024
- Weltweiter Bruttoertrag
- 33.371.404 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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