Sovereign

Christian Swegal's directorial debut is truly encouraging, delivering a highly political thriller based on a true story about "Sovereign Citizens." A raw, intelligent, and highly political thriller that won't be to everyone's taste, but is well worth a chance.

The film solidifies its cast, especially Nick Offerman, who delves into his dramatic side in a highly developed and masterfully performed role. A character study that takes us on a journey through an extremist capable of dominating everything around him. We also find Jacob Tremblay, who reconnects with all the dazzling talent he gave us in The Room, and here he once again sustains a film with his sheer acting and stage talent.

The work also involves supporting actors such as Dennis Quaid, Thomas Mann, and Martha Plimpton, who do not lose the interpretive power of their two protagonists.

It's a raw, slow-burning thriller. In the first half, we empathize and even understand certain aspects of the protagonist's debate, and in the second half, everything explodes, shattering all that empathy with a heartbreaking climax. Its director and screenwriter invite us to reflect on the extremism of the new right in a compelling film that fits precisely with the current global times.

This intense thriller is worth your time. It may not be entirely perfect, but it's daring, thoughtful, and uncomfortable, providing an addictive watch with all its strengths and weaknesses, but establishing one of those films that hopefully won't be forgotten in a rather interesting 2025.

I saw this movie in theaters with a group of friends, all of us born and raised here in the Midwest. Afterwards the mood was pretty somber because everyone in the group recognized scenes from their own family upbringing. The kid sitting in the backseat listening to Dad rant about the government, cops being trained to immediately rely on overwhelming force, all of it building a system that pushes normal people into potentially violent situations over and over again until eventually somebody pulls a trigger. If you grew up in a working last neighborhood, I can guarantee you're gonna recognize some family members in these characters and chances are that you'll sympathize with each of the main characters. It's a great movie, but it's not a fun movie to watch.

I didn't have high hopes for this movie, but it really surprised me. It's based on a real even - the 2010 West Memphis police shootings. The director, Swegal, takes this story and makes it feel incredibly tense, without being fake or over the top.

Nick Offerman is amazing in this role. He's nothing like his character from Parks and Rec. Here, he's a scary father who thinks the government is out to get him. The movie deals with the "sovereign citizen" idea, but the script keeps things human. You can understand why his character, Jerry, believes what he does, even though it's all wrong.

Jacob Tremblay is excellent as the son. He's caught between wanting to be loyal to his dad and realizing how crazy their situation is becoming. Dennis Quaid also does a great job as the police chief who just wants to do his job.

The best part is how the movie builds suspense without using cheap jump scares. The high Rotten Tomatoes score (94%) is right - it's a very good film. It's not a remake, but a new story about how extreme ideas can tear a family apart.

Worth watching if you're into character-driven thrillers. Just don't expect action movie fireworks.

Sovereign has a killer concept but stumbles, earning a 6/10 for a bloated setup and a rushed payoff that left me feeling for the boy.

This crime thriller, rooted in the 2010 West Memphis shootings, follows Jerry Kane (Nick Offerman), a sovereign citizen zealot, and his son Joe (Jacob Tremblay), defying government authority. The concept - exploring anti-government extremism - is bold, but Christian Swegal's script drags, spending 75 minutes establishing a 20-minute story.

The slow-burn setup, while atmospheric, feels overstretched, leaning on repetitive rhetoric. The final 20 minutes ignite with tragic intensity, delivering raw emotion, especially for Joe's plight, but it's too late to fully salvage the pace.

Offerman is magnetic, blending charisma and menace, while Tremblay's vulnerable Joe tugs heartstrings, making his arc gut-wrenching. Dennis Quaid's police chief is solid but underused. Swegal's direction crafts a gritty, tense vibe with stark visuals, but uneven pacing and thin supporting characters hold it back.

Sovereign could've been a stunner with tighter storytelling and deeper focus on Joe's tragedy. Still, it's worth a watch for its strong leads and chilling climax.

This movie is gut turning. Most people recognize the sovereign movement from online videos showing citizens being difficult with law enforcement and then being arrested. What I find important about this film, while it is barely touched directly by the films dialogue, is its presentation of mental illness brought on by trauma. Near the end of the film we see a very brief discussion on a tragedy that, if offered up sooner, would have given the viewer a bit more of a grip on Jerry's mindset and why he had taken up the path he chose. While this movie is a slow burn it is also a rather fast spiral of decision making which held my interest till the end.

I think this and other films like it should be given note since it reflects the actions of people in other real life events. Being able to recognize when someone has fallen down the rabbit hole and landed themselves and others into dangerous waters is useful in life and benefits society. We see the young teen, Joe, in this story obviously confused and without true understanding of the peril he is in. We see the theme of growing up thinking life is "normal" when it's far from it.