The Undertaker

Watched this at premiere in Bristol. Went because big Dr Who fan and Paul McGann. Enjoyed the film, cool looking and atmospheric. Acting was good. It was a bit slow but kept my interest. They made the sets with models which was amazing. It's set in 1960's and the film was stylish and dark has a supernatural element which I wanted more of, all filmed in Bristol at Bottleyarde Studios which has produced lots of UK tv. Also last performance of Murray Melvin, who was in lots of cult films, Barry Lyndon etc. I would recommend seeing it as it's unlike most things you get on tv. All in all a good film.

In a dark northwestern town in England sometime in the 1950s or 60s, Paul McGann plays a silent brooding undertaker, scarred by the death of his brother at the hands of local Gangster Finlay (Roger Barclay) and mourning the loss of the love of his life. As Finlay's brutal business ambitions result in a series of killings by his henchmen Arthur is pressured into disposing of the bodies by burying them with the naturally deceased. This underhand deal begins to eat away at Arthur who realises he's getting into deep trouble as the police in the shape of Kelly (Sean Gilder) start to take an interest.

This is a stark, but sometimes darkly humorous, character study, that really focusses on McGann's captivating performance as Arthur, as he deals with the pressure by trying to continue with business as usual even as his respectable facade and his mental state is crumbling.

The film is shot through with a gothic shadowy grime that shifts from virtually monochrome to lurid reds in Finlay's hellish nightclub 'The Chessboard Club' where silent songbird Vic (Tara Fitzgerald) focuses on philosophy rather than belting out caberet numbers. Lily Frazer is Arthur's mortuary assistant who having signed up for the job can't stomach the questionable morals of Arthur's new lucrative side line.

This is a thoroughly enjoyable, dark, strange gothic crime thriller, with odd twists and turns and a unique look that creates its own deeply claustrophobic world on the screen.

In gentle, stylish, 1950s-based British dramatic-thriller "The Undertaker" quietly professional titular Manchester undertaker Paul McGann is pressured by local mobster Roger Barclay to discretely dispose of dead bodies... despite the concern of the likes of Tara Fitzgerald & Lily Frazer, and the interest of copper Sean Gilder. Michael Wright's debut as director is excellent, eliciting terrific performances while shooting in a striking, original, ethereal manner... but the screenplay (his second) doesn't match that level, being TOO sedate before failing to deliver the necessary bite in its final punch. It's an engaging, good-looking film - but one that ultimately comes up short.

A very good film. Saw this in the local cinema. I didn't know what to expect but it was very interesting. Described as a dark film noir thriller. Certainly the quality of the film is film noir. It's set in a Northern town in England in the 1960's, very much reminiscent of those kitchen sink dramas of the time. An Undertaker (Paul McGann) is presented with an offer he can't refuse by the town gangster (Roger Barclay). The film descends into a killing spree with someone's final demise. The acting is great, really string performances particularly from Tara Fitzgerald as the gangsters moll. Cameos by Nick Rowe and Sean Gilder bring a strong quality to the work. Michael Wrights direction is good although the story is repetitive at times. The whole feeling is claustrophobic and dystopian. Some ingenious use of sets makes this a very unique film harking back to the classic British cinema of the late50s early 60's I liked it but I'm not sure I'd watch it again.

A noir tour de force directed by Michael Wright The Premise, Script, extraordinary set Design, Photography, Casting and performances, Foley, sound design, music the pace, the pathos, the menace ... are all exemplary It's a gripping and evocative watch. It has an intoxicating and hypnotic atmosphere, and the strong narrative grips throughout.

So rare to see a production in the modern day embracing the true art of film making, with nearly all the devices shot in camera. True creative endeavour .

Add to that Incredible performances from all cast.

I haven't stopped thinking about it since I watched it yesterday.