IMDb-BEWERTUNG
8,3/10
2109
IHRE BEWERTUNG
Bagus, ein Drehbuchautor, trifft sich wieder mit seiner Highschool-Freundin und Schwarm Hana, die immer noch um den Verlust ihres Mannes trauert.Bagus, ein Drehbuchautor, trifft sich wieder mit seiner Highschool-Freundin und Schwarm Hana, die immer noch um den Verlust ihres Mannes trauert.Bagus, ein Drehbuchautor, trifft sich wieder mit seiner Highschool-Freundin und Schwarm Hana, die immer noch um den Verlust ihres Mannes trauert.
- Auszeichnungen
- 7 Gewinne & 14 Nominierungen insgesamt
Denisa Chyntiera Innocentia
- Line Producer
- (as Denissa Cynthiara Innocentia)
Empfohlene Bewertungen
9hz_
First 15 minutes of the movie, I thought it would be like One cut of the dead, where the story is the same as what the character filming... But its not like that apparently...
For a slow pace movie its really worth to wait and watch the ending, and I didn't expect the ending of the story. Yandy Lauren is a great writer and director in making this film... The cast is really suit themselves, and that makes the characters chemistry is very good on screen.
And I don't care black and white thing in movie, because its just the same for me, as long as the story is good like this. Because what makes movie really great is the story.
Its a very fun movie, recommended to watch... And the last thing, appreciate Yandy Lauren for making this brilliant movie...
For a slow pace movie its really worth to wait and watch the ending, and I didn't expect the ending of the story. Yandy Lauren is a great writer and director in making this film... The cast is really suit themselves, and that makes the characters chemistry is very good on screen.
And I don't care black and white thing in movie, because its just the same for me, as long as the story is good like this. Because what makes movie really great is the story.
Its a very fun movie, recommended to watch... And the last thing, appreciate Yandy Lauren for making this brilliant movie...
Such a wonderful film! I am a fan of meta films, and this is a prime example of how it is done. This film perfectly blurs the line between cinema and reality. The protagonist claims that this is a commercial movie, and not an art film. I will remain respectful to his opinion, and add that this is still a work of art.
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
Jatuh Cinta Seperti di Film-Film is a delightful surprise, a romantic comedy that feels both intimate and cinematic, simple yet emotionally layered.
Film dengan cerita sederhana dan relate dengan kehidupan keseharian kita namun dibungkus dan disajikan dalam penceritaan yang unik dan jenius. Sebagai sebuah film rom-com, film ini sukses menghadirkan humor yang segar dan pas. Chemistry tak perlu diragukan. Salah satu film terbaik tahun ini! Sebuah film dari sinefil untuk sinefil. What a great 8 sequences of cinema!
It's rare to find a film this self-aware yet so heartfelt. From cinephiles, for cinephiles - but accessible to anyone who's ever fallen in love or dreamed about it.
Film dengan cerita sederhana dan relate dengan kehidupan keseharian kita namun dibungkus dan disajikan dalam penceritaan yang unik dan jenius. Sebagai sebuah film rom-com, film ini sukses menghadirkan humor yang segar dan pas. Chemistry tak perlu diragukan. Salah satu film terbaik tahun ini! Sebuah film dari sinefil untuk sinefil. What a great 8 sequences of cinema!
It's rare to find a film this self-aware yet so heartfelt. From cinephiles, for cinephiles - but accessible to anyone who's ever fallen in love or dreamed about it.
An excellent Indonesian film in meticulously combining a cheesy melodrama romance movie with a more artistic film. They bring both a popcorn-eating-couch movie and a film shown in award shows, by making the plot quite simple for general audiences to grasp, but also presenting cinematic techniques for critics to enjoy. This combination is prominent in how they add explanations of technical things in the dialogues. Which is also another amazing thing they succeed in, making exposition enjoyable.
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
Wusstest du schon
- WissenswertesThe Black & White nature of the movie is NOT a gimmick, but rather a plot device.
- Crazy CreditsBefore film begins, there is a brief trailer for Agak Laen (2024).
- VerbindungenReferences Slumdog Millionär (2008)
- SoundtracksBercinta Lewat Kata
Performed by Donne Maula
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- Erscheinungsdatum
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- Auch bekannt als
- Falling in Love Like in Movies
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- Laufzeit1 Stunde 58 Minuten
- Farbe
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- Seitenverhältnis
- 2.35 : 1
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