White Lies

Eight episodes is too long for a drama where we dont warm to any character. We get to learn something of modern South Africa, there a high production values,, the acting is good and the location pretty but the direction and story meanders with every possible plot twist employed and many sub plot cul de sacs

Natalie is a great actress but this is her being stroppy on steroids. Her character, super journalist Eddie, is too lucky, stumbling across, everything and everybody she needs and having unbelievable access to all areas. Would a security guard leave his post to accompany her to a dangerous area? There are script issues from the start. Why does a millionaire's son needs a scholarship? The relationship between the odd daughter and handsome son is bizarre and changes with the plot line. The police have to be stupid, corrupt. Damaged and overly forgiving so Eddie can steer the investigation.

It's moderately interesting . You wont miss much by skipping q .an early episode and watching the catch up.

White Lies: South African Noir. A journalist is drawn into a tangled web of crime when her estranged brother is murdered and his wife left in a coma. Her teenage niece and nephew are suspects and she must now try and care for them. She is a stranger to them though. A hard boiled detective is convinced that the nephew did it. But a myriad of suspects emerge as a shoal of red herrings swim into the script. Some pointed social commentary on race, class and corruption in present day South Africa. There are some violent scenes but the real violence exposed is land grabs. A few interesting plot twists. Created by Sean Steinberg and written by Darrel Bristow-Bovey. Eight episodes on Channel 4. 7.5/10.

An equally impressive crime drama series with thrilling storyline and plots, for what is worth, with great acting, especially by Jaime whose sulfurous ego and tempestuous character stood out. She is perfect for Agatha Christie's novels.

The narrative and pace take their time without hastening things, all the while gracing us with that dysfunctional family history in sunny and beautiful South Africa.

The ending and the dancing were well-done and because of that nasty acidic chemistry between Daniel and Jaime, I really hope there's a second season.

• Screenplay/storyline/plots: 7
• Production value/impact: 6.5
• Development: 7.5
• Realism: 7
• Entertainment: 7
• Acting: 7.5
• Filming/photography/cinematography: 7.5
• VFX: 7
• Music/score/sound: 7
• Depth: 6.5
• Logic: 5.5
• Flow: 7.5
• Mystery/thriller/crime/drama: 7
• Ending: 6.5.

No much to see in this tv show. Everything you want to see is in the last two episodes. Most contents in first six episodes have nothing to do with the crime, as most are false trails. The show is not just about solving the crime, you can also see how two different characters, Edie Hanson and Forty Bell change throughout the investigation. The show also spends some time on family, mostly, toxic relationships. Some lines are great too. The ending may be very shocked to some viewers. But the background music is a bit annoying. There are some good storylines about family but not too much. Not too much about the characters either. The first episodes give you too many false trails which won't help you with the crime. By the way, good to see Natalie Dormer again.

"A decent script and thrilling show that did keep us guessing who the murderer was, and it was surprisingly well thought out as a story, but a classic modern South African letdown.

The dialogue may as well have been written for a 10th-grade stage play. I feel for Natalie Dormer, having been subjected to such bad material, especially coming from GOT to this. The South African cast was monotone and unconvincing throughout the show. The most believable performances in the entire show were the gangsters and skelems. Yet another South African show that just can't seem to hit the mark.

I feel for the cast as their cringe-worthy performances were clearly a result of poor directing and production. Yikes."