Mae Martin: SAP
- Fernsehspecial
- 2023
- 1 Std. 10 Min.
IMDb-BEWERTUNG
6,3/10
1090
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the sto... Alles lesenThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".The non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".
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Based on some of the other reviews I've read, I think that perhaps this special isnt for everyone, and thats okay. Personally, I laughed a ton throughout, *like* to the point of having coughing fits because im still recovering from a cold.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
I was excited to see that Mae Martin had a Netflix special; I enjoyed Feel Good and find Mae charming and likable. I thought the special would be an opportunity for Mae to showcase their talents as a comedian because the content of Feel Good was mostly autobiographical. This is a disappointing special. There are some rambling mildly amusing anecdotes, but there aren't any funny lines. I don't think I laughed once watching the entire thing. I still like Mae's style and personality and find them sincere and amusing, but this isn't comedy. This is like watching a monologue of a person who I would find interesting to talk with at a party. It's also sad that Mae calls out comedians like Louis CK and Dave Chapelle in a desperate attempt to score political points when they can't get a laugh from their audience. If you're going toe-to-toe with some of the GOATS then you need better material.
I've been a fan of Mae's since first seeing them on Baroness Von Sketch Show occasionally. On a recent road trip my wife and I got a lot of enjoyment when we listened to the Don't Ask Tig episode that featured Mae, and who didn't enjoy what they brought to the second season of The Flight attendant?
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
I have been a big fan of Mae's for a long time now, having first seen them on Russel Howards Good News years ago (back when they did comedy songs with a guitar), I was also lucky enough to see them live in Brighton just before the pandemic.
I am not sure why, perhaps the editing or pacing, or just the material itself, but this just didn't hit the mark as much as usual. It felt slightly awkward, subdued and stunted. By no means a bad comedy special, but never reaches the heights of their previous material in my opinion.
Raises a few giggles and had me smiling throughout, but never really laughing out loud.
If your are a fan of Mae's its obviously worth checking out, just don't expect too much!
I am not sure why, perhaps the editing or pacing, or just the material itself, but this just didn't hit the mark as much as usual. It felt slightly awkward, subdued and stunted. By no means a bad comedy special, but never reaches the heights of their previous material in my opinion.
Raises a few giggles and had me smiling throughout, but never really laughing out loud.
If your are a fan of Mae's its obviously worth checking out, just don't expect too much!
"SAP" is one of those shows where you actually had to be there. Mae is super likeable and has great chemistry with the audience. They are way better to watch live with friends than alone on netflix. Yes, it's true with every stand-up but with some ppl it's more so(ex: if Michelle Wolf is 9.5/10 on netflix then she's 10/10 live. If Mae is 6/10 on netflix, they are 8/10 live).
Writing-wise it's good: Mae is self-aware, there are jokes and there are some good metaphors.
Overall, this special is like a reddit thread where Mae is the op, the first level-commenter, and the jokey sub-commenter. It leaves you feeling good about the community but you're ready to move on to another post.
Writing-wise it's good: Mae is self-aware, there are jokes and there are some good metaphors.
Overall, this special is like a reddit thread where Mae is the op, the first level-commenter, and the jokey sub-commenter. It leaves you feeling good about the community but you're ready to move on to another post.
Wusstest du schon
- VerbindungenReferences Die Schöne und das Biest (1991)
- SoundtracksThe Lions Sleeps Tonight
Written by Solomon Linda, Hugo Peretti, Luigi Creatore, George David Weiss and Albert Stanton
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Details
- Laufzeit1 Stunde 10 Minuten
- Farbe
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