The Professional Bridesmaid

The first thing that occurred to me on this is how much Hunter King looks like Rachael Leigh Cook.

As the story progressed, of course it was pretty formula for Hallmark, but I thought it was pretty well put together. There were the right amount of mishaps. There was just enough tears to go with the laughter. And I think it was just enough short of sappy to be a good way to spend a couple of hours.

Peter Benson has managed to successfully navigate the course from bit part, to old boyfriend, to leading man, and now does an admirable job as director.

It isn't Oscar worthy, but only because it wasn't striving for greatness. It's what is expected from a Hallmark movie of the week, which is wholesome entertainment which leaves you with a smile on your face while not forgetting to show a bit of real heart. 9/10.

The professional bridesmaid angle is close but slightly different from the wedding planner premise. The overall flow of the movie follows this plot thread. It includes the requirement that she keep the big Secret of her identity. The other part of the premise is an investigative reporter sent to cover the wedding. This premise usually leads inevitably to a certain conflict near the end, but not here which I found refreshing. Henry was only mildly annoying in his reporter persona which allowed him to be likeable on the whole. Another thing I found refreshing was skipping the usual initial antagonism between the leads. Henry and Maggie/Maise met and engaged nicely with one another.

Some of the elements used for mild tension in the heart of the movie are a little weak. We're told the mayor can't be confronted by Henry because the electorate will be evenly divided no matter what stance he takes on the park. Unlikely. More like his campaign doners' interests will be contrary to the majority of the public. And then there's Chloe. Her thread is just a mess with some unlikely details also.

Another minor twist is the source of the inspiration for the resolution of the Conflict which results inevitably for obvious reasons.

The acting is decent. Hunter King and Chandler Massey have chemistry. Other players did their part but I can't decide whether Lillian Doucet-Roche succeeded as Chloe deliberately or just fell into the portrayal of this sadly confused woman. The dialogue is decent but not sparkling. This movie lacked an opportunity for Hallmark's signature scenery.

I rate this movie slightly on the high side of my average for this genre because of the unexpected plot lines and because of Hunter King as the appealing Maggie.

I'm not a fan of big weddings and therefore most wedding movies, so almost turned this off - however there's so much more than the main story here. Pretty much everyone is juggling responsibilities eg work / family / community and there's no nasty characters, just a lot of people under a lot of pressure to make the right decision. Obviously some of the plot is predictable, but other elements are quite unusual. The movie is pretty much all one generation, apart from the bride's father, who actually is mainly represented by his younger colleague, but there's still plenty of variety with different priorities and perspectives that work together in the end.

I liked the main characters and the basic bones of the script.

Unfortunately, it was more of the same old, same old.

Main female lead, X, has to hide her true identity.

Main male lead, Y, falls in love with X but doesn't know she isn't who she says she is.

Y overhears a private conversation that reveals the identity of X.

Y gets offended and confronts X, then walks away without hearing the whole story.

Two other women tell Y that it's obvious he's in love with X.

Y returns and forgives X.

X is sorry.

They kiss.

Other side issue is resolved.

The end.

In between all these things is a lot of wedding planning mishaps and X has to jump through hoops to make everyone happy, including finding the hoops.

Just tiring to watch. I was glad when it was over.

As usual, user reviews are somewhat split on this one...some like it, some don't. Personally I totally unimpressed. I've asked before (rhetorically of course) why every Hallmark movie I've ever watched was based on an outright lie, an identity concealment, or the invention of a goofy and mostly unbelievable line of work. I'll close with an opinion I'm sure will be very unpopular with some, but what writers keep creating leading men who are so dense, whiney and gullible! (no reflection on the actor). There doesn't seem to be many normal male characters lately...just men who are weak, misogynistic, not very bright, and/or bumbling idiots who behave as if they've never spoken to a woman before. Lol.