King of My Castle

Originaltitel: Le larbin

2024
1 Std. 49 Min.

IMDb-BEWERTUNG

5,1/10

590

IHRE BEWERTUNG

Isabelle Carré, Clovis Cornillac, Kad Merad, Stéphan Wojtowicz, Audran Cattin, and Jade Pedri in King of My Castle (2024)

trailer wiedergeben1:39

1 Video

3 Fotos

Comedy

Dorfkulisse, Drogen und Entführung des verwöhnten Sohnes, der zur Strafe glaubt, er sei durch die Zeit gereist, in der Hoffnung, Demut durch Leben zu lehren.Dorfkulisse, Drogen und Entführung des verwöhnten Sohnes, der zur Strafe glaubt, er sei durch die Zeit gereist, in der Hoffnung, Demut durch Leben zu lehren.Dorfkulisse, Drogen und Entführung des verwöhnten Sohnes, der zur Strafe glaubt, er sei durch die Zeit gereist, in der Hoffnung, Demut durch Leben zu lehren.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,1/10

590

IHRE BEWERTUNG

1Benutzerrezension

Siehe Produktionsinformationen bei IMDbPro

Videos1

Trailer 1:39

Trailer [OV]

Fotos2

Benutzerrezensionen1

5,1590

Empfohlene Bewertungen

7ponzolleto

This is total copy of Russian Film. But in general idea is good

In Russia we have got same film, which was done maybe 4 years ago. And its so funny to see almost totall copy of film. Anyway,the idea is funny and you should watch it.

How to change rich useless son, who spend money and not care about father?

To make him believe,That he is in a past. Without his favourite belongings.

Actors play good. But for me, after Russian version hard to say something wow. But if you watch it furst time. Why not! Nice comedy, with good funny idea. Life challenge for those who lost themselves and respect to this life. But would be interesting, if actors would be more popular.

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It's almost astounding how the French film "Le Larbin" manages to mirror the Russian original, "Son of a Rich." Virtually a scene-for-scene remake, the French adaptation sticks closely to its predecessor's script, with only subtle shifts in character roles and setting adjustments. Even the lead actor in "Le Larbin" bears a striking resemblance to his Russian counterpart, making the film feel like more of a carbon copy than a unique interpretation. This instance of cinematic replication showcases how global film industries can sometimes blur the lines between inspiration and imitation.