Kneecap

Brilliant comedy and great music. Never knew I was a fan of Irish hip-hop. As a Belgian, I certainly missed some of the specifically Northern Irish jokes, but there are so many that the film remains hilarious. Think Trainspotting, but more cheerful and with a school teacher and background politics.

The energy and charisma of the Kneecap lads is truly infectious. Their performances, fuelled by a healthy dose of ketamine, bring very funny film scenes.

But beyond just the music, the film does an excellent job of weaving in the complex social and political realities of life in Northern Ireland. The film depicts the lives of contemporary Belfast youth, who know the Troubles only from stories but have never experienced them themselves. The film tackles everything from the fun of substance use to the generational trauma of the Troubles with a blend of humour and poignancy.

Overall, Kneecap is a rollicking good time that left me with a newfound appreciation for hip-hop and N-Ireland. This film is an absolute must-see, whether you're a fan of hip-hop or not. It's a raucous, heartfelt celebration of music, creativity, and the power of finding your voice, even in the midst of adversity. And now I suddenly want to learn Irish and perhaps visit Ireland too.

Saw this on a secret screening, initial synopsis had me thinking, "oh I will be out the door in the first 15 minutes", but no, strong performances from all involved makes this an often funny, somewhat dramatic and rollercoaster of a movie following the unlikely events that end up forming the Irish Hip-Hop trio Kneecap.

It is easy to caveat this with "it will not be for everyone", which it will not be, many will not like the drug use, or the language, its context and suitable for the setting, and Kneecap uses these in balance to provide laughs along the way, as well as what has to be one of the funniest sex scenes in a long while.

Greetings again from the darkness. The Troubles of Northern Ireland were a 30-year political and social conflict that officially ended in 1998 with the Good Friday Agreement. Even today, the pain and memories and divisions remain. Writer-director Rich Peppiatt's film is set in 2019 (West Belfast) and is billed as a "mostly true story" involving controversial hip-hop group Kneecap and the push to make Irish an official language. Early on we are told, "A country without a language is only half a country." A circumstantial fluke brings music teacher JJ (DJ Provai) into the world of self-described "low life scum", Naoise ( Moglai Bap) and Liam Og (Mo Chara) - drug dealers and wannabe musicians. Performing their raps in native Irish tongue, the trio inexplicably and by happenstance, becomes the unlikely face and voice of the language movement. The resistance they face is stout and sometimes dangerous ... yet possibly they remain their own biggest hurdle to success.

Another plot line occasionally rears its head - Naoise's father Arlo (Michael Fassbender) has been on the run since Naoise's childhood and is now a paramilitary figure pursued by the police, despite family efforts to convince he's dead. Popping up now and again, Arlo offers guidance and words of advice to the boys who face oppression and opposition from the conservative and proper forces fighting their rebellious nature and pursuit of radical change.

Adding to the interest level here is that all three members of Kneecap play themselves. With no acting experience, they are convincing enough in telling (mostly) their own story in comedy-drama style. They are also experts at flowing f-words. We have witnessed Irish chaos many times, yet director Peppiatt and the trio generate an energetic cheekiness that plays well in establishing cultural and class differences. This may not be the first story of drug dealers becoming lyricists, performers, and social influencers, but we certainly appreciate the moments of authenticity proving yet again the power and influence of music (even if the bouncing subtitles are a step beyond challenging). The 2022 Identity and Language (Northern Ireland) Act affirmed Irish as an official language, and Kneecap shows punk rebellion will carry on. Oh, and ask your friends, "What's the craic?"

In theaters August 2, 2024.

This is an excellent and challenging film, but I expect may be challenging for some of those from the various Irish and Northern Irish communities - which I'm not. I should also add it's not for people who find the idea of prolific drug use/references and sting language offensive - if you're one of those, don't see this.

Is absolutely does help to have a little familiarity with the history of the troubles etc, but this film can also be viewed without that - it's a banging story about struggle and music, and almost feels like a really edgy, far more political reimagining of the Commitments - for the modern audience.

The music is excellent, whether you understand Irish or not (I don't). One of the reasons I went is because I'd heard a couple of tracks form Kneecap and really liked them - I'm in my mid 60's, so this isn't just for those under 20.

The story, acting, direction and script all come together in a really enjoyable and, ultimately, uplifting.

Ireland's official submission for Best International Film. Sex, Drugs & Rap - and Revolution. Rich Peppiatt's cheeky movie is based on the true story of a trio of Northern Irish rappers collectively known as Kneecap. They distinguish themselves from other UK musicians by singing their lyrics in Irish. Unwittingly at first, they become a rebellious symbol in their land in West Belfast in the "post-war" period after The Troubles.

The movie stars the actual members of the group as themselves- Naoise Ó Cairealláin, Liam Óg Ó Hannaidh and JJ Ó Dochartaigh. Peppiatt's screenplay (with input from the band) is pretty loose story-wise by design. The Director uses mixed media and plays with the film form in enjoyable ways. The Kneecap members are natural performers which brings a scruffy authenticity while also being impudent and refreshingly self-mocking. There are professionals in the cast including Josie Ellis, Jessica Reynolds (as Liam's spiky British girlfriend) and a very good Michael Fassbender as Naoise's dad who was an Irish revolutionary.

What gives the movie its spark is that this all took place during a period when there was a movement to force the British government to recognize Irish as an official language of Northern Ireland. Kneecap's rude and crude lyrics took on a whole new meaning and importance. Merely singing those songs in public became an act of civil disobedience. The main story-line is strong enough that some of the more obvious "scripted" movie moments stick out as being unnecessary. Fortunately, the anarchic energy makes up for those missteps. KNEECAP is an out and out banger.