Plainclothes

I was really excited to see this film because Russell Tovey is one of my favorite actors, and representation matters to me. I try to watch everything he's in. His performance as Andrew evoked a familiar mix of love, lust, and the potential for heartbreak.

Tom Blyth's performance as Lucas was phenomenal! He completely drew me in; I felt every emotion and experienced everything Lucas went through right alongside him.

Carmen Emmi-I'm a huge fan! The story was beautifully crafted and directed, transporting me back to 1996. This time, though, I was observing the stories that were used as scare tactics to keep us in line. Learning about the elements of Carmen's own life woven into the narrative, and hearing Carmen's motivation for creating this film during that specific time period, made me connect with it even more deeply.

The movie explores several themes that most queer adults have experienced. I'm being intentionally vague to avoid spoilers, but much of what Lucas experiences resonated with me. Some aspects were painfully familiar, while others made me laugh with recognition-yes, I've been there, even the minivan!

Lucas's anxiety and pain are palpable. Andrew's words in two key moments were spot-on, and I respected his character for the way he communicated with Lucas. He didn't shy away from the pain, but wrapped his words in compassion. It made my younger self feel seen.

Finally, the ending was so satisfying. I've encountered that type of person in my own life, and it was refreshing to see that moment of freedom portrayed so powerfully.

The film has the intimate feel of an exclusive memoir, the chemistry between the two actors takes the audience's breath away, the wonderful performances and images make an old story very beautiful, and the language of the shots can make you feel it!

The first encounter between the two actors is well shot, and the first half of the film is when the audience is fascinated by their story. The film's biggest feature is the way it is edited, the old DV machine cuts and the sound of the machine malfunctioning create a sense of tension and anxiety. As a fan of Russell Tovey, I think compared with his previous gay movies, his performance in this movie is very fitting and reaches another level.

From another perspective, this is like our real grindr story, sometimes you will fall in love with a stranger after ONS, which is beautiful, but it is painful and can not be eternal.

Definitely one of the films you must watch in 2025.

I hope we all find our own San Francisco.

The only spoiler I want to give about this finely acted and directed film is to say that it literally shows male love as it should be seen. The plot is basically about a plainclothes policeman who entraps men in public toilets. Set in the late nineties of the last century I had the feeling that this could be today in any place that represses forcefully homosexuality. Tom Blyth is superb as the man who entraps and while doing so he entraps himself in a passion for another man ( played well by Russell Tovey ) and how both of them fall into a transitory, but real love relationship. The film is truthful in its description of sex and how versatile it can be. Both men are willing to open themselves to each other and role playing so often seen in LGBTQ cinema has no place here. It is the best loving sexual scene I have seen and I have seen many. I urge anyone who cherishes diversity to see these two great actors, Blyth and Tovey show us both painful truth and ecstatic joy. An essential film.

I went into this film blind and did not know what to expect .Found Great acting and and an amazing capture of the stress, anxiety and fear one felt in the late 90's being a closeted gay man; told with flashbacks of home movie clips appropriate for each time period from the 70's 80's and 90's. It really highlights the trauma done to men who experience this. The panic sequences were really well done I hope younger audiences can appreciate that it wasn't as easy back then.

I felt what the characters felt, i've been there. I was stunned that a film can make me remember those feelings. Fear, panic, compassion and tears means a job well done.

I really struggle to care about romance films. Love is such a private, subjective, and in many ways arbitrary experience and, as a show-don't-tell medium, movies in my opinion just aren't an easy art through which to explore how people feel it. Generally movies standardize it to "well she fills his X deficit/need and he fills her Y deficit/need and that's why they work". I don't care about such contrived, transactional relationship.

Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...

Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.

So, so good. Keep an eye out on the creative team. Exceptional film.