Verbrechen ist Familiensache

I don't like it when a movie starts with a scene from the end and then rewinds back to the start - however, in this case I can at least understand why they needed to do it. The first 80% of this movie is painfully boring.

Which is a shame because the final sequence of the movie is actually really good and entertaining, proving that the film had the goods all along, it just wasn't using them.

The only scenes that were interesting in the early going were the Bill Murray and Pete Davidson ones. They were some fun villains and more screentime for them would've gone a long way.

'Riff Raff' feels like a waste of a really good cast. A lot of movies would kill to have a cast like this. A generous 5/10.

I went into this movie blind, having only seen the cast list and description. No Trailer. But a dark comedy with a great ensemble cast? Yes Please!

But the movie is sparse with comedy. Some light chuckles here and there. Some characters are just sad, like Coolidge. Everyone portrayed their characters very well though.

The story does a lot flash backs and time jumps. Almost everything is a cut away. It's not a novel story, it's actually very familiar. Actors play their usual tropes. Ed Harris moves on from his troubled past until it catches up to him.

Good use of scenery and music.

It's all well acted, well shot, but meanders without comedy. It was an entertaining watch. But a better script would have given the great cast more to do.

6.5*/10*

More reviews on my YT --GremlinLord615.

I honestly tend to have low expectations with star studded casts as if it means it's going to bomb. This film was obnoxiously amazing. 40 minutes in and there was zero plot. Every character felt so unnecessarily over dramatic with a stereotypical arch. It left me riveted, wanting to know what's next. I often felt beyond annoyed one minute, and the next feeling it was brilliant. The younger son's weird quirks felt unnecessary. The entire character and casting choice of Gabriel Union was cringy. I not once believed Harris and Union would ever be a couple and the one scene with the two was gag worthy. Pete and Bill were *chefs kiss* and I loved the Tarantinoesque dynamic of real world encounters with stupid people. Pete's monologue towards the end was hilarious. If the creators purposefully were making fun of these types of movies then it was spot on. This was honestly some of the best acting I've seen from Jennifer Coolidge. Give it a shot. A gummy helps!

This is kind of a farcical, black comedy. The characters have some life to them, but little depth or context It is reminiscent of a Fargo type story with the banal, the ordinary, sharing the story with extreme violence.

Because of the substantial lack of EARNED back story, most of the characters flat. Surprisingly, Ed Harris' new family dynamic comes across as flat and hollow. Jennifer Coolidge and Lewis Pullman steal the show with their performances. Bill Murray gets honorable mention...because he's Bill Murray, and I'd watch him read the dictionary. But, he's not that funny here, and is trying to play a straight character...who is put into black comedy situations.

If you're going to see a "Bill Murray movie" then you're going to be disappointed on many levels. But, it's not a complete waste. Although, I'm not sure it was worth his gonzo promotion campaign that included eating super hot chicken wings on First We Feast (although that interview was pretty good).

Riff Raff (2024) has many good qualities, but also a few gaps. Acting is solid, with credible performances by Ed Harris, Bill Murray, Pete Davidson, and other less familiar actors. The plot offers layers of complexity. Production values are adequate for a mid-budget film. It's watchable, but not thoroughly enjoyable. I liked Ed Harris's Vincent, but couldn't identify with him. It was nice to see Bill Murray playing against type. However, I never truly identified with or cared about any of the characters.

Some scenes seemed familiar and predictable. There was possibly an overreliance on flashbacks. It seemed a bit awkwardly politically correct with an interracial romance that laced passion. The ending was a bit noir, but spoiled by a Hollywood denouement and a climatic scene that seemed contrived and improbable. The filmmakers offer exposition on family that doesn't quite fit the action, but leave the viewer wondering what it all meant.