Nach dem Tod ihres Mannes bei einer seltsamen Explosion beginnt Amparo mit der einzigen Hilfe von Richi, einem Wachmann, Ex-Polizisten und Alkoholiker, nach Antworten zu suchen. triNach dem Tod ihres Mannes bei einer seltsamen Explosion beginnt Amparo mit der einzigen Hilfe von Richi, einem Wachmann, Ex-Polizisten und Alkoholiker, nach Antworten zu suchen. triNach dem Tod ihres Mannes bei einer seltsamen Explosion beginnt Amparo mit der einzigen Hilfe von Richi, einem Wachmann, Ex-Polizisten und Alkoholiker, nach Antworten zu suchen. tri
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So bad an.d confusing. The acting is poor and the plot is unclear. There are so many random scenes that could easily had been left out. It's like they didn't had a script. The main characters walks from one wierd situation to and other. The story could easily have been told in 3 episodes instead of 6 and could even have been a decent story. Thecstiry telling is so inconsistent and unrealistic to the extreme. Sometimes it's like watching a really bad comedy and giving the story it's just bad taste. Again it's is so random but luckily one of the main characters gives the other main character an occasional recap and guess what, it's still random.
This is a fine series and presented with great balance and originality. It is wisely kept to six episodes when so many other series are overambitiously stretched to eight. It is well acted and makes good use of the atmosphere and the remaining installations of the Seville World's Fair, something that other film makers might want to think about doing too. The balance and interaction of the characters is unusually supple, low-key and realistic, not something one would normally expect to see in, say, a U. S. film, for instance. Yet, it steers well clear of the soap-operatic, TV-style shallowness and caricature we are often shown on Spanish TV.
We know from Wikipedia that the boat-sinking and onshore fire at the beginning are real events that actually did beset the opening of the Seville 1992 Expo, but nowhere in the film are we given a clue as to whether the rest of the plot is true or not.
We should be told somewhere exactly which elements are ''documentary'' and which are not. Has the intricate plot beneath the surface got any connection with probable leads in the original real-life investigation, just a few of them, or none at all?
For that matter, what exactly DO we know about the real events? How much of this historical fiction is drawn from reality, and how much isn't?
Surely more is known of the actual events after thirty-three years, or is it still shrouded in mystery by the apparently sluggish and politically dominated Spanish police?
How much of this historical fiction is drawn from reality and how much isn't?
No need for a spoiler-alert here until the ORIGINAL mystery is finally solved some time in the future.
Is this part of the disquieting trend--apparently popularized by The Tudors--of using historical elements to ''legitimize'' a wholly invented fiction to stand in for any worthwhile attempt at history?
We know from Wikipedia that the boat-sinking and onshore fire at the beginning are real events that actually did beset the opening of the Seville 1992 Expo, but nowhere in the film are we given a clue as to whether the rest of the plot is true or not.
We should be told somewhere exactly which elements are ''documentary'' and which are not. Has the intricate plot beneath the surface got any connection with probable leads in the original real-life investigation, just a few of them, or none at all?
For that matter, what exactly DO we know about the real events? How much of this historical fiction is drawn from reality, and how much isn't?
Surely more is known of the actual events after thirty-three years, or is it still shrouded in mystery by the apparently sluggish and politically dominated Spanish police?
How much of this historical fiction is drawn from reality and how much isn't?
No need for a spoiler-alert here until the ORIGINAL mystery is finally solved some time in the future.
Is this part of the disquieting trend--apparently popularized by The Tudors--of using historical elements to ''legitimize'' a wholly invented fiction to stand in for any worthwhile attempt at history?
It was painful to watch, it is a mix of cheesy police thriller cliches (just never thrilling) with this deeply uninteresting lead characters, terrible characterisation of Seville, impossible plot, completely unbelievable but without any spectacularity. All the budget went into cgi fire. Seriously better miss this, by far the worst work of Alex de La Iglesia.
Maybe entertaining for really basic people, but i doubt it too since it is very slow.
The premise was fun, Sevilla's 1992 international expo still resonates in Spain's pop culture. It could have been so fun, but it ends in a lazy effort with cringeworthy overacted performances.
Maybe entertaining for really basic people, but i doubt it too since it is very slow.
The premise was fun, Sevilla's 1992 international expo still resonates in Spain's pop culture. It could have been so fun, but it ends in a lazy effort with cringeworthy overacted performances.
I have been using IMDB for last 8 years and first time I felt necessity to submit a review for a serial.
Beside bad acting and worst script why director showed his/her weather fetish. While it rains on actor behind him it is a sunny day. While wind blows all leaves all trees behind stand still. Unbelievable.
Wish the show at least showed us nice places in Sevilla but no chance. A gym addicted ex cop an adult widow and worse side actors.
If you have low budget you should made it in 3 episodes not 6.
I have been using IMDB for last 8 years and first time I felt necessity to submit a review for a serial.
Beside bad acting and worst script why director showed his/her weather fetish. While it rains on actor behind him it is a sunny day. While wind blows all leaves all trees behind stand still. Unbelievable.
Wish the show at least showed us nice places in Sevilla but no chance. A gym addicted ex cop an adult widow and worse side actors.
If you have low budget you should made it in 3 episodes not 6.
Beside bad acting and worst script why director showed his/her weather fetish. While it rains on actor behind him it is a sunny day. While wind blows all leaves all trees behind stand still. Unbelievable.
Wish the show at least showed us nice places in Sevilla but no chance. A gym addicted ex cop an adult widow and worse side actors.
If you have low budget you should made it in 3 episodes not 6.
I have been using IMDB for last 8 years and first time I felt necessity to submit a review for a serial.
Beside bad acting and worst script why director showed his/her weather fetish. While it rains on actor behind him it is a sunny day. While wind blows all leaves all trees behind stand still. Unbelievable.
Wish the show at least showed us nice places in Sevilla but no chance. A gym addicted ex cop an adult widow and worse side actors.
If you have low budget you should made it in 3 episodes not 6.
1992 is a solid mini-series by Álex de la Iglesia, blending suspense and personal drama with his distinctive storytelling flair. Set in the mysterious and evocative backdrop of Seville during Expo '92, the show follows Amparo's relentless quest for answers after her husband's untimely death.
While not groundbreaking, the series keeps viewers engaged with its intriguing plot and complex characters. Fernando Valdivielso and Marian Álvarez deliver compelling performances, particularly in portraying the raw, flawed humanity of their roles. The pacing can feel uneven at times, but the unique narrative style of de la Iglesia compensates for these minor shortcomings.
Best suited for those who enjoy slow-burn mysteries with a dash of dark humor, 1992 is an enjoyable watch that highlights de la Iglesia's ability to blend the ordinary with the extraordinary.
Rating: 7/10 - A decent, stylistically rich series worth a try.
While not groundbreaking, the series keeps viewers engaged with its intriguing plot and complex characters. Fernando Valdivielso and Marian Álvarez deliver compelling performances, particularly in portraying the raw, flawed humanity of their roles. The pacing can feel uneven at times, but the unique narrative style of de la Iglesia compensates for these minor shortcomings.
Best suited for those who enjoy slow-burn mysteries with a dash of dark humor, 1992 is an enjoyable watch that highlights de la Iglesia's ability to blend the ordinary with the extraordinary.
Rating: 7/10 - A decent, stylistically rich series worth a try.
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