Medellín: Chaoten gegen Kartell

"Medellín" sets out to be a fun action-comedy but stumbles under the weight of a weak plot and lackluster humor. The film follows a group of characters navigating the chaotic streets of Medellín, Colombia, where action-packed sequences and comedic moments are meant to intersect. While the film has moments of charm, it never fully captures the tone or energy it strives for.

The action scenes, though frequent, lack the excitement or cleverness seen in better films of the genre. Instead of thrilling the audience, they feel repetitive and fail to bring anything fresh to the table. The comedy, meanwhile, is often forced, relying too heavily on slapstick humor and tired stereotypes that fail to land. The cast, while capable, doesn't quite mesh together as well as it should. The performances feel disjointed, with some characters coming across as one-dimensional, leaving little room for meaningful connections or development. "Medellín's" attempt to blend high-octane action with comedy ultimately misses the mark. While the setting offers potential for a unique atmosphere, the film's predictable plot and lack of strong comedic timing make it an underwhelming experience.

This was so boring. Overplayed topic of drugs in Colombia. Very inaccurate, Medellin is not a short drive away from the beach lol, it's very locked in-land up in the Andes.

Bringing Mike Tyson and Tuco Salamanca as the fail-safe of the movie was more Fail than anything, the second plays a Colombian druglord and can barely speak spanish correctly.

Also, the chase scenes were like okay but felt shorthanded. Looked like they were about to save the movie but ended disappointing. Acting was also terrible, characters were poorly developed and seemed too unrealistic.

Overplayed, overexcited, too bad to watch.

I enjoyed it from the very start. Goofy characters which are supposed to be goofy. Its cast and acted perfectly.....everyone delivers their lines with a perfect cross between candor and goofiness. Even mike tyson sounds like he took elocution lessons and listened carefully to the directer about his dialogue delivery. Ciryl gane cameo very nice touch.

Even when i thought i knew what was coming, wat came was funnier.

This film was a real pleasure......... not at one point was i annoyed by the plot or script.

I love the way the film knows wat it was and didnt mess around trying to be something it isnt.

Im someone who thinks fast and furious is absolute sh#te and im a real movie lover and this film is great.

How I am going to give a 600 letter review here is beyond my imagination.

I wish Amazon Studios would list on their description of a film from what country the movie was made. This film was so disappointing for me, rude and crude language through out with some of the worst characters I have ever seen in a movie. As a viewer I didn't feel any emotion for any of the characters.

I have worked in the movie industry for over 40 years and have seen the down grading of movies since sound was invented. A classic movie is something special to watch these days with actors who were trained in their profession. Not a bunch of yahoo's acting like idiots like in this movie.

Wow I made over 600.

Franck Gastambide applies the same recipe as his three previous films. But with this film, the result is less successful. Perhaps because certain ingredients are missing: the equivalent of Medi Sadoun's character in Les Kaïra (2012) or Malik Bentalha's in Pattaya (2016) or Taxi 5. Here, he is replaced by the character played by Ramzy Bedia, already present in the two aforementioned films. But it doesn't work, because he's not a source of humor.

This is also due to the subject matter, the drug cartels in Colombia. It's a less interesting subject, as it's been dealt with many times before, and much more brilliantly. A poor choice, then. And that's despite some nice ingredients: Mike Tyson as a trainer or the romantic attribute (Essined Aponte).

Otherwise, Franck Gastambide's talents are still there: a character with logorrheic dialogue, a mix of situational comedy and action sequences that are meant to be, and are, breathtaking, and the dwarf (Anouar Toubali) who brings his variations, much less well integrated here than in Les Kaira or Pattaya. In short, the recipe doesn't work here.