IMDb-BEWERTUNG
6,3/10
3185
IHRE BEWERTUNG
Eine staubige Straße zu einer Stadt des Todes. Die Zeit wechselt von einem Bewusstsein zum anderen in einem hypnotischen Fluss von Träumen, Wünschen und Erinnerungen, einer Welt der Geister.Eine staubige Straße zu einer Stadt des Todes. Die Zeit wechselt von einem Bewusstsein zum anderen in einem hypnotischen Fluss von Träumen, Wünschen und Erinnerungen, einer Welt der Geister.Eine staubige Straße zu einer Stadt des Todes. Die Zeit wechselt von einem Bewusstsein zum anderen in einem hypnotischen Fluss von Träumen, Wünschen und Erinnerungen, einer Welt der Geister.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 30 Nominierungen insgesamt
Manuel Garcia-Rulfo
- Pedro Páramo
- (as Manuel García-Rulfo)
Tenoch Huerta
- Juan Preciado
- (as Tenoch Huerta Mejía)
Horacio Garcia Rojas
- Donis
- (as Horacio García-Rojas)
Empfohlene Bewertungen
Pedro Páramo follows Juan Preciado, who travels to the abandoned town of Comala to find his father, the ruthless landowner Pedro Páramo. In Comala, Juan encounters spirits who reveal the dark legacy of Páramo's cruelty and power.
The movie is an exceptional adaptation of the book of the same nam by Juan Rulfo. I think its stunning cinematography, set design, and costumes truly enhance the visual experience. The acting is also solid and well-executed.
Unlike some opinions, I didn't find the movie boring at all; on the contrary, it kept me engaged and on the edge of my seat from start to finish.
However, it's not a movie for everyone, as it requires some mental effort to follow the shifts in time. But for those who enjoy narrative challenges, it's a fascinating experience.
The movie is an exceptional adaptation of the book of the same nam by Juan Rulfo. I think its stunning cinematography, set design, and costumes truly enhance the visual experience. The acting is also solid and well-executed.
Unlike some opinions, I didn't find the movie boring at all; on the contrary, it kept me engaged and on the edge of my seat from start to finish.
However, it's not a movie for everyone, as it requires some mental effort to follow the shifts in time. But for those who enjoy narrative challenges, it's a fascinating experience.
A mother's last wish is for her son, Juan, to visit the father he never knew in a distant town. Juan finds the town abandoned and yet swirling with life. Nothing is as it seems. Apparitions appear and drift away. Pedro Páramo, the father, lays claim to the town and its inhabitants, and yet strangely his soul also belongs to them. Juan risks being swallowed by the miscreant spirits, the terrible deeds, and all the heartache. Not the inheritance he expected.
With intoxicating dance sequences, a profusion of light and color, flashbacks, capable acting, and the amazing cinematography of Rodrigo Prieto, the film and cast bring Juan Rulfo's 1955 masterpiece of magic realism to life. "If you want to understand who we are as a country," said one of the actors "then open the book."
The best part of the film is the characters. They are not good or bad, just human. Director Rodrigo Prieto, who was present for this world premiere screening at the Toronto International Film Festival, said that the characters fascinated him too. "Each character" he said, "has something about ourselves." Have an internal journey of your own in the magic and darkness of this film, a reflection of the Mexican soul.
With intoxicating dance sequences, a profusion of light and color, flashbacks, capable acting, and the amazing cinematography of Rodrigo Prieto, the film and cast bring Juan Rulfo's 1955 masterpiece of magic realism to life. "If you want to understand who we are as a country," said one of the actors "then open the book."
The best part of the film is the characters. They are not good or bad, just human. Director Rodrigo Prieto, who was present for this world premiere screening at the Toronto International Film Festival, said that the characters fascinated him too. "Each character" he said, "has something about ourselves." Have an internal journey of your own in the magic and darkness of this film, a reflection of the Mexican soul.
The difficulty of adapting one of the best Mexican literary works and one of the greatest examples of surrealism was a complete challenge for this great photographer and now debuting director. The film tries and succeeds very well, with an excellent cast and a long history in Mexican cinema, they give it the necessary support to tell this magical, melancholic story that is difficult to understand for those who are not Mexican. It is not the typical Hollywood, there are no monsters, aliens, or other current inclusive themes. This film is a tribute to Mexico, to our history, to our countryside and to our people. I think Mr. Rulfo would be happy with the work done on his great novel.
I'm sure that people giving a low rating, have simply not read the book, and hence not understood this wonderful movie. You don't have to read the book, but if you really want to understand the movie, read the book at some point. You'll be surprised and you'll love both!
Pedro Paramo, the book, reflects sadness and melancholy on every page. This is what made Rulfo great - his narrative was some sort of beautiful sadness. The book's narrative is simple yet beautiful. This movie does a great job of conveying the book's sadness through its dialogues, music, and the environment of Comala.
I'm surprised this is the director's opera prima. The actors, production, and costume design - every department paid a lot of attention to ensure the movie is as accurate as possible. Some of the book's dialogues are retained in the movie, along with the imagery, suffering, and horror - nothing is left aside.
This is undoubtedly a fantastic visual representation of Pedro Paramo, and it's one of those rare movies that can live up to the books they're based on.
Pedro Paramo, the book, reflects sadness and melancholy on every page. This is what made Rulfo great - his narrative was some sort of beautiful sadness. The book's narrative is simple yet beautiful. This movie does a great job of conveying the book's sadness through its dialogues, music, and the environment of Comala.
I'm surprised this is the director's opera prima. The actors, production, and costume design - every department paid a lot of attention to ensure the movie is as accurate as possible. Some of the book's dialogues are retained in the movie, along with the imagery, suffering, and horror - nothing is left aside.
This is undoubtedly a fantastic visual representation of Pedro Paramo, and it's one of those rare movies that can live up to the books they're based on.
A wonderful film.
The acting is top notch. This movie shows that there are wonderful Mexican actors and that we CAN write a good script, so I will not be forgiving any sub par job in the future.
The movie is gorgeous. Everything is done with love and care. My only (very small) complaint would be some of the CGI. But it doesn't take away from the wonderful story-telling and the visuals.
If paying attention is not your forte, maybe the movie is not for you. By the way, the movie is magical realism, that means it combines fantastical elements with day-to-day life. The reviews that say "it does not make sense", do they also complain about other genres? Does Avengers make sense? Star Wars?
Every character has a story to tell. It's not about villains and heroes. There's no divine retribution.
En verdad me hizo pensar que los mexicanos ya estamos muertos, solo estamos esperando a que alguien nos lo diga.
The acting is top notch. This movie shows that there are wonderful Mexican actors and that we CAN write a good script, so I will not be forgiving any sub par job in the future.
The movie is gorgeous. Everything is done with love and care. My only (very small) complaint would be some of the CGI. But it doesn't take away from the wonderful story-telling and the visuals.
If paying attention is not your forte, maybe the movie is not for you. By the way, the movie is magical realism, that means it combines fantastical elements with day-to-day life. The reviews that say "it does not make sense", do they also complain about other genres? Does Avengers make sense? Star Wars?
Every character has a story to tell. It's not about villains and heroes. There's no divine retribution.
En verdad me hizo pensar que los mexicanos ya estamos muertos, solo estamos esperando a que alguien nos lo diga.
Wusstest du schon
- WissenswertesAnna Terrazas, the costume designer, said in an interview that the use of turquoise and blue was strategically used to represent the love of Pedro Páramo for Susana San Juan. In their very first scene, Susana and Pedro are flying a blue kite and Susana wears a dress in a light shade of turquoise. "I found that color precisely for Susana, because in the book there's a lot of reference to water when talking about Susana", said Terrazas.
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Details
Box Office
- Budget
- 900.000 MX$ (geschätzt)
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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