I zografia tou Theou

This movie manages to get across a significant message in more ways than one, while entertaining you with a feelgood story.

The painting of God is a bright an awakening of selfless love for others. A sensitive script which manages to shake even the most critical viewers as long as they watch it with an open mind of course. Motivated by sensitive social issues of the disabled, the script is full of love and affection for thy neighbor. The expression of unfailing love and sincere compassion is evident thoughout. The more you watch the more concerned you become, firstly on face value, depending on how much you get absorben in the movies plot, but more importantly regarding the social issues facing people with disabilities in Greece.

When leaving the movie theater you will notice how almost everyone leaving the movie theater, whether due to personal experience (who relate and were either sore eyed or emotional) as also objective open-minded citizens who have the empathy to appreciate it, were both satisfied and thankful of the message and the way it made them think, feel for others not just themselves, and how it helped them understand through a soft humorous family movie.

A gem with rough edges, and I am thankful for it.

I would like to watch again and again this movie. The production is simple but the scenes and the senario was very sensitive and real for nowadays! It is a pity not to watch this movie. Emotions wake up and gives big lesson, especially to young people. I believe that i was lucky to watch the Gods Painting.

I totally recommend this movie and i hope to take all the messages. It is a chance to remember how is going life with pure heart, with love and how to avoid people who come in our life because they want something from us and not us. Remember how to avoid bad energy in our life and how to live possitive eventhough bad things always happen.

This film attempts to balance between the charm of bad Greek comedies from the sixties and the sophistication of modern cinema. Unfortunately, it struggles to find its footing. The lack of cohesiveness in the storytelling can leave the viewer in a state of confusion, wondering if certain scenes are meant to be comical or are just genuinely odd. The transition from theater to the big screen is evident. Awkwardly close shots that make the actors' heads fill the frame are complimented by low quality editing.

One significant missed opportunity in the film is addressing diversity issues. This oversight is so glaring that it almost makes Roberto Baggio's infamous penalty miss in the 1994 World Cup final look like a success. In a time when diversity and inclusivity are essential themes in storytelling, this film's failure to address them is a disappointment.

A quirky experiment that doesn't quite hit the mark.