Teri Meri Kahaniyaan

Apart from a few truly stellar cinematic films (Maula Jutt, Moor, Manto, Waar, Namaloom Afraad, Laal Kabootar), Pakistani Cinema is confused. Most films are like directors trying to copy-paste a TV drama onto the big screen.

The same is the case with this anthology. They are a good collection of short films, but definitely not for the big screen. The second film was essentially an extended ad for Cadbury Dairy Milk, it was so bad. This should have been a digital release. Save for some excellent cinematic scenes at the end of the third short film, nothing was truly cinema eye-candy.

Pakistani directors should realize that making movies for the cinema is different than making them for the TV/Computer screen. There is a thing called cinematic experience.

Also, Khalilur Rehman should stick to writing cringey, misogynistic dramas.

Definitely not one to be watched in cinemas, see it digitally or on TV.

We were confused whether to pick this one for a family entertainer this Eid. I still don't know what pushed me to go to this movie, but in short it was worth my 2.5 hours.

From comic horror movie to a laughter filled Marina Khan directorial debut to Khalil sb's well written dialogues in the last one of the 3, this movie kept us thoroughly engaged.

I highly recommend it to those who want to enjoy their time and also want to touch upon the sensitivity of marital relations.

Apart from a few scenes of intimacy in the last one, the movie can be conveniently watched with young kids. In fact my kids laughed their heart out and this made my day.

So i went to watch a pakistani film in cinema after 7 years and i only went for Wahaj Ali.

Jin mahal - was very interesting and funny, Mr and Mrs mani were amazing, the ending made me jump out my seat.

Pasoori - i found this story a bit boring, Ramsha i felt was a bit OTT, sheheryar was ok, i think babar Ali was the best character in this story.

Ek Sau Taeeswan - wahaj ali was amazing as always, mehvish i did not like at all. Like ramsha she was also very OTT, The way her character was flirting i didnt like that. Praising herself non stop. I felt wahaj had less dialogues and less screen time. Hopefully he will have more in his next movie .

Sadafs husbands part and his kuttiya Girlfriends part was unnecessary.

I liked jin mahal the most , then Ek Sau Taeeswan and lastly pasoori

It was paisa vasool movie. Overall i enjoyed it. I rate all movies i watch n i rated this 7/10.

Zin Mahal had the most interesting premise and plot with some comic moments. It takes on social issues like homelessness, superstition with a touch of humor. All the primary actors delivered good performances. Pasoori was a fun ride, provided much needed light hearted buffer between two intense films and made the viewing experience better. Performance wise again, all the actors delivered specially Ramsha. Ek Sau Taeeswan was intense drama about underbelly of marital relatioinships exploring (in)fidelity with many wordplays in place. Mehwish Hayat's character Sadaf was the driving force, got most of the punchline dialogues and she carried the film well on her shoulders. Wahaj Ali's character Asad was more of a foil and on a listening/realization trip. He had slightly less room for performance and did well with what he had.

The format of three short films was like a buffet in a restaurant and provided interspersing combination of different tastes that I thought worked well for the viewing experience.

The film begins with a funny and snappy horrorcomedy called "Jinmahal." Hira, Mani, and Gul-e- Rana all provide excellent performances in the direction of Nabeel Qureshi. It's entertaining to watch.

"Pasoori" is the second film. Unfortunately, actors of caliber such as Sheheryar Munnawar, Ramsha Khan, and Babar Ali are all wasted in this mediocre rom-com.

"Aik So Teeswaan" is the third, and the one I'm here to talk about. A story of two strangers who meet on a train ride. Sadaf's narrative is about a girl who is still looking on the bright side of her not-so-perfect married life, and Asad's story is about a painter and poet who has concerns about his marriage and is smitten by her. As they both discuss their experiences and ideas on their positions, as well as how other passengers are chasing their chemistry, the tale continues. It becomes more lyrical and intriguing as it nears its conclusion, as they each influence one other's beliefs and behaviors.

Wahaj Ali brings Asad the much-needed charm and tenderness in addition to Meahwish's stunning and strong Sadaf. You are captivated by the plot after seeing both performances. A beautifully written story by Khalil-ur-Rehman Qamar, and a flawlessly executed script by Nadeem Baig.