IMDb-BEWERTUNG
5,7/10
5627
IHRE BEWERTUNG
Ein ehemaliger DEA-Agent und ein ehemaliger Undercover-Agent lassen während eines schicksalhaften Wochenendes in Taipeh ihre Romanze wieder aufleben, ohne sich der gefährlichen Konsequenzen ... Alles lesenEin ehemaliger DEA-Agent und ein ehemaliger Undercover-Agent lassen während eines schicksalhaften Wochenendes in Taipeh ihre Romanze wieder aufleben, ohne sich der gefährlichen Konsequenzen ihrer Vergangenheit bewusst zu sein.Ein ehemaliger DEA-Agent und ein ehemaliger Undercover-Agent lassen während eines schicksalhaften Wochenendes in Taipeh ihre Romanze wieder aufleben, ohne sich der gefährlichen Konsequenzen ihrer Vergangenheit bewusst zu sein.
Lun-Mei Gwei
- Joey
- (as Gwei Lun-Mei)
Patrick Pei-hsu Lee
- Bolo
- (as Patrick Lee)
Chung-Hua Tou
- Deputy Liu
- (as Tsun-Hua Tuo)
Empfohlene Bewertungen
Picture a guy who shoots faster than a Call of Duty sniper and drives through Taipei's streets like he's in a Need for Speed DLC. That's Luke Evans in Weekend in Taipei. Seriously, the man's a machine. He's so intense even red lights seem to give him the right of way.
Opposite him is Gwei Lun Mei, a driver so skilled she could drift circles around Vin Diesel and leave him in the dust. Her character, Joey, is a whirlwind of style and speed, giving you chills with just the sound of her car starting. But don't be fooled-she's got a Kill Bill side to her: soft yet deadly.
Luc Besson, true to form, serves up an explosive cocktail of action and romance. He's firmly in his comfort zone, but honestly, that's all we want. It's cinema that hits hard, packed with chases, explosions, and dialogue as subtle as a rocket in GTA. The plot? Simple. But let's be real-who's here for the plot?
The real star, though, is Taipei. The city is filmed like a character in its own right. Neon lights everywhere, narrow alleyways, and buildings practically screaming, "Come have a car chase here!" Between the fights, you could almost believe you're in an open-world Yakuza game.
The film's strength lies in its explosive blend of action and romance. One moment, you're hooked on a fight scene where Luke Evans is smashing jaws; the next, you're hit with a ridiculously cheesy exchange between two ex-lovers still hung up on their breakup. It's so cliché it's brilliant.
Weekend in Taipei is like a four-cheese pizza at 3 a.m.: you know it's not gourmet, but damn, it feels good. With punchy action scenes, a visually stunning city, and a romance running on pure adrenaline, this film is a guilty pleasure at its finest. Don't expect a Palme d'Or, but buckle up for a hell of a ride.
Opposite him is Gwei Lun Mei, a driver so skilled she could drift circles around Vin Diesel and leave him in the dust. Her character, Joey, is a whirlwind of style and speed, giving you chills with just the sound of her car starting. But don't be fooled-she's got a Kill Bill side to her: soft yet deadly.
Luc Besson, true to form, serves up an explosive cocktail of action and romance. He's firmly in his comfort zone, but honestly, that's all we want. It's cinema that hits hard, packed with chases, explosions, and dialogue as subtle as a rocket in GTA. The plot? Simple. But let's be real-who's here for the plot?
The real star, though, is Taipei. The city is filmed like a character in its own right. Neon lights everywhere, narrow alleyways, and buildings practically screaming, "Come have a car chase here!" Between the fights, you could almost believe you're in an open-world Yakuza game.
The film's strength lies in its explosive blend of action and romance. One moment, you're hooked on a fight scene where Luke Evans is smashing jaws; the next, you're hit with a ridiculously cheesy exchange between two ex-lovers still hung up on their breakup. It's so cliché it's brilliant.
Weekend in Taipei is like a four-cheese pizza at 3 a.m.: you know it's not gourmet, but damn, it feels good. With punchy action scenes, a visually stunning city, and a romance running on pure adrenaline, this film is a guilty pleasure at its finest. Don't expect a Palme d'Or, but buckle up for a hell of a ride.
This movie is either written by a kid or by a low budget Xbox 360 video game writer
And weirdly it's not that bad, it's really not good either
Also I don't understand why it's shown in English when the actors have the worst accent possible.
The story is very basic, the actors are not really good, thankfully it's not too long, which makes it okay to watch if you want to clear your mind and not have to think too much.
It's cool to see Taipei and Taiwan.
There are a lot of flashbacks and the way to show that the characters are in the past is to have them have long hairs, in the past they all have long hairs and in present all short.
The story is very basic, the actors are not really good, thankfully it's not too long, which makes it okay to watch if you want to clear your mind and not have to think too much.
It's cool to see Taipei and Taiwan.
There are a lot of flashbacks and the way to show that the characters are in the past is to have them have long hairs, in the past they all have long hairs and in present all short.
The director and producer Luc BESSON still stands for French genre cinema that aims to reach a global audience. This is also the case with this English-language WEEKEND IN TAIPEI, which BESSON produced with his company EUROPACORP.
It all begins with a Taiwanese Holly Golightly, who treats herself to breakfast at Ferrari and turns out to be an excellent racing driver (Lun-mei GWEI as Joey). At the same time, an undercover agent (Luke EVANS) in Minneapolis uncovers a drug ring based in Taiwan and run by Joey's nasty husband (Sung KANG). What connects these three people becomes clear during a weekend trip to Taiwan. And then there is Joey's precocious teenage son (Wyatt YANG), who will learn a lot about his family.
Fast-paced action, solid shots from an exotic location! This is how the GERMAN ADVENTURE FLICKS worked 60 years ago in the tradition of the KOMMISSAR X films with Tony KENDALL and Brad HARRIS. And like in the films of the Roman CINECITTA, an English-speaking B-star was hired to appeal to a global audience. The fact that the plot is not particularly original doesn't hurt either. After all, the film is primarily intended to lure a teenage audience into the cinema seats. But the film is certainly fun, even if it's better to switch off your brain.
The French film industry of the Paris CINECITE, especially in the form of Luc BESSON, manages to produce a genre film every year that has what it takes to appeal to young moviegoers and to work in cinemas around the world.
It all begins with a Taiwanese Holly Golightly, who treats herself to breakfast at Ferrari and turns out to be an excellent racing driver (Lun-mei GWEI as Joey). At the same time, an undercover agent (Luke EVANS) in Minneapolis uncovers a drug ring based in Taiwan and run by Joey's nasty husband (Sung KANG). What connects these three people becomes clear during a weekend trip to Taiwan. And then there is Joey's precocious teenage son (Wyatt YANG), who will learn a lot about his family.
Fast-paced action, solid shots from an exotic location! This is how the GERMAN ADVENTURE FLICKS worked 60 years ago in the tradition of the KOMMISSAR X films with Tony KENDALL and Brad HARRIS. And like in the films of the Roman CINECITTA, an English-speaking B-star was hired to appeal to a global audience. The fact that the plot is not particularly original doesn't hurt either. After all, the film is primarily intended to lure a teenage audience into the cinema seats. But the film is certainly fun, even if it's better to switch off your brain.
The French film industry of the Paris CINECITE, especially in the form of Luc BESSON, manages to produce a genre film every year that has what it takes to appeal to young moviegoers and to work in cinemas around the world.
The visuals - Colour, Composition, Editing - Were beyond my expectations for a simple action movie. At times the scenes resemble paintings, and the respect for emphasis and symmetry is endearing to see on the big screen.
The audio work was similarly very thrilling, and the soundtrack, while not melodic or memorable, was very accurate and worked well with the tone of the visuals. The textures of certain parts are very lovingly rough and reminiscent of the sound of car engines and tires scraping the floor, which compliments the central theme of driving well.
If there were one thing that could be so repulsive that it shoots down the rating from a Nine or Ten star, it would wholly be the writing. The dialogue is dry and surface-level, almost child-like, and not for any aesthetic purpose. It is childlike because it struggles to enter the minds of the characters that push the story forward. The way events are structured are almost ridiculous, and the motivations for the antagonist are so flimsy I almost caught myself talking out loud, to the two other people in the cinema. As if a kind of Ironic "Divine Joke" from god itself, the only place where the Child-Like writing ability is appropriate is... The child actor himself. Frankly, the only saving grace for this film is if modern technology could remove the dialogue in it's entirety, perhaps it will even earn itself an extra star!
In summary: To enjoy the film in it's entirety requires an extensive lobotomy.
The audio work was similarly very thrilling, and the soundtrack, while not melodic or memorable, was very accurate and worked well with the tone of the visuals. The textures of certain parts are very lovingly rough and reminiscent of the sound of car engines and tires scraping the floor, which compliments the central theme of driving well.
If there were one thing that could be so repulsive that it shoots down the rating from a Nine or Ten star, it would wholly be the writing. The dialogue is dry and surface-level, almost child-like, and not for any aesthetic purpose. It is childlike because it struggles to enter the minds of the characters that push the story forward. The way events are structured are almost ridiculous, and the motivations for the antagonist are so flimsy I almost caught myself talking out loud, to the two other people in the cinema. As if a kind of Ironic "Divine Joke" from god itself, the only place where the Child-Like writing ability is appropriate is... The child actor himself. Frankly, the only saving grace for this film is if modern technology could remove the dialogue in it's entirety, perhaps it will even earn itself an extra star!
In summary: To enjoy the film in it's entirety requires an extensive lobotomy.
I am a fan of this action movie genre, but there are so many below average action movies that I didnt expect much at firsthand, but after having watched it I can confirm that this movie is quite an enjoyable action flick.
The good: I NEED riveting action, chases and fights. And THAT is exactly what I got. Not the best, but good enough for me to have a fun time watching it.
More good: what's even more to like is that the characters are credible. The acting is solid (not earthshattering good, but solid) and it has got characters and a storyline I can believe in. THAT matters to me, because even in an action flick like this I WANT the characters to be credible.
Any bad? Dont expect action heaven, this is just another action movie but a really solid one. Recommended for the fans of this action genre.
The good: I NEED riveting action, chases and fights. And THAT is exactly what I got. Not the best, but good enough for me to have a fun time watching it.
More good: what's even more to like is that the characters are credible. The acting is solid (not earthshattering good, but solid) and it has got characters and a storyline I can believe in. THAT matters to me, because even in an action flick like this I WANT the characters to be credible.
Any bad? Dont expect action heaven, this is just another action movie but a really solid one. Recommended for the fans of this action genre.
Wusstest du schon
- WissenswertesLuke Evans and Sung Kang have appeared in the Fast and Furious franchise, both in The Fast and Furious 6 movie.
- PatzerThe salesman at the car dealership says that the Ferrari is a "488 Pista Spider", but the car is a 488 GTB, as shown on the dashboard in the car.
- VerbindungenFeatures House of Flying Daggers (2004)
- SoundtracksPaint It, Black
(Mick Jagger (as Michael Phillip Jagger): Keith Richards)
Performed by Nini Music
Courtesy of ABKCO Music Inc.
Publishings Promopub B.V.; Westminster Music Ltd
Courtesy of BMG Rights Management (France) Europacorp
Top-Auswahl
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- How long is Weekend in Taipei?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Misión en Taipei
- Drehorte
- Taipei, Taiwan, China(city of main events)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 608.034 $
- Eröffnungswochenende in den USA und in Kanada
- 380.057 $
- 10. Nov. 2024
- Weltweiter Bruttoertrag
- 2.987.898 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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