Eine zweifache Mutter, deren Welt auf den Kopf gestellt wird, als sie ihrer neunjährigen Tochter erlaubt, im Haus ihrer neuen besten Freundin zu übernachten.Eine zweifache Mutter, deren Welt auf den Kopf gestellt wird, als sie ihrer neunjährigen Tochter erlaubt, im Haus ihrer neuen besten Freundin zu übernachten.Eine zweifache Mutter, deren Welt auf den Kopf gestellt wird, als sie ihrer neunjährigen Tochter erlaubt, im Haus ihrer neuen besten Freundin zu übernachten.
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The first episode had me hooked. Although not typically a fan of disjointed storytelling, I liked the way the show unfolded, which makes the final episode and the conclusion of the story that much more irritating. After the final episode, I kept checking back for another episode not believing that was the actual ending of the story.
The acting was good, particularly the leads. I found the detectives role in the story pretty terrible, I also didn't think the reporter editor interactions with him.
Overall, I liked the story, and the twists that unraveled through the disjointed storytelling. However, I just can't support the ending.
The acting was good, particularly the leads. I found the detectives role in the story pretty terrible, I also didn't think the reporter editor interactions with him.
Overall, I liked the story, and the twists that unraveled through the disjointed storytelling. However, I just can't support the ending.
The main plot of the show is really good, and the production is paced well. It has that problem that most 'streaming binge' drama has in that it is constantly explaining the obvious, treating the audience as if they are either a) on their phone or b) really stupid. So the script feels a little on the wonky side from the get go.
The major drawback, and this stops it getting a higher score for me is just how howlingly bad some of the acting. Everything line comes at you with a sigh, every line has a sharp intake of breath and a really laboured way of delivering 'plot' which makes it feel less classy than a show of this budget should.
It's okay and passes a few hours of telly wallpaper but with a plotline that's as potentially good as this it could have been much much better.
The major drawback, and this stops it getting a higher score for me is just how howlingly bad some of the acting. Everything line comes at you with a sigh, every line has a sharp intake of breath and a really laboured way of delivering 'plot' which makes it feel less classy than a show of this budget should.
It's okay and passes a few hours of telly wallpaper but with a plotline that's as potentially good as this it could have been much much better.
It was a good series. Entertaining, but I firgured out pretty quickly what must have happened. I was waiting for another twist, but it never came. I did watch it in one go, so it kept me interested!
Great perfomance by the women in gthis cast, especially the woman who plays Elisa and the woman who plays Josephine's mother. The man who played Fred also did a great job.
Not everything seems to be realistic in my opinion, but it also wasn't extremely farfetched. I would watch if there will be another season made.
I was left with a few questions about the 'why?' of some things, so maybe those questions could be answered in a second season.
Great perfomance by the women in gthis cast, especially the woman who plays Elisa and the woman who plays Josephine's mother. The man who played Fred also did a great job.
Not everything seems to be realistic in my opinion, but it also wasn't extremely farfetched. I would watch if there will be another season made.
I was left with a few questions about the 'why?' of some things, so maybe those questions could be answered in a second season.
This mini-series is well-paced at 5 episodes, with a decent, well-written storyline.
Multiple twists and developments keep it engaging, with interesting emotional shifts as the series progresses.
The production seems to have been appropriately budgeted for with decent cast, brilliant scenary and good diversity of locations throughout.
Mod plays the role of the tenacious journalist really well, while I found some of Grainger's more dramatic scenes less than convincing. Gough's performance was brilliant throughout and she was able to showcase a good degree of range in this title.
I think this will age pretty well, and is definitely worth a watch in my view.
Multiple twists and developments keep it engaging, with interesting emotional shifts as the series progresses.
The production seems to have been appropriately budgeted for with decent cast, brilliant scenary and good diversity of locations throughout.
Mod plays the role of the tenacious journalist really well, while I found some of Grainger's more dramatic scenes less than convincing. Gough's performance was brilliant throughout and she was able to showcase a good degree of range in this title.
I think this will age pretty well, and is definitely worth a watch in my view.
Very well directed. The storyline is very interesting from both a criminal and a psychological perspective. The story unfolds gradually with unexpected twists and turns. The role of the journalist is pivotal, contributing significantly to the narrative. It portrays a rare yet challenging situation with a sense of realism, highlighting the complexities and nuances involved. The script adds depth to the characters, as well as to the changes in their relationships brought about by the pressure they experience. The actors deliver good performances, bringing depth and authenticity to their characters. Additionally, the plot is not only intriguing but also layered, keeping you engaged.
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- WissenswertesThe working title, "Playdate," was taken from Alex Dahl's novel, on which this adaptation is based.
- PatzerA car hits another car with enough force to roll it over, but the airbags don't deploy.
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By what name was The Stolen Girl (2025) officially released in Canada in French?
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