Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Tapestry Video Narrator
- (Synchronisation)
- Dr. Song
- (as Stephen Park)
- Mercenary #2
- (as Max Draskóczi)
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Written and directed by Alex Scharfman in his feature debut, the film stars Jenna Ortega (Wednesday), Paul Rudd (Ant-Man), Anthony Carrigan (Gotham), Téa Leoni (Jurassic Park III), Will Poulter (The Maze Runner), and Richard E. Grant (Gosford Park).
This is the definition of Hollywood horror-slick, well-produced, and predictable. The writing has some unique elements but also reminded me of Resident Evil in terms of its sci-fi horror aspects. The CGI is top-notch, and the gore is well-executed, though at times it's a bit overdone. The horror elements are solid, with some entertaining kills and at least one effective jump scare. The cast is excellent across the board, but Anthony Carrigan, as Griff, steals the show. I wasn't a big fan of the ending, but it fits the Hollywood horror formula.
In conclusion, Death of a Unicorn is entertaining enough to keep your attention but won't make anyone's best horror list for 2025. I'd score it a 6/10 and recommend seeing it once.
If you like dark humor, jump scares, and a bit of gore, I'd recommend it to you. The characters are more caricatures. The satire is not subtle. The humor is low brow. And I say all of this as QUALITIES of the movie.
The level of writing is very much like that of 80s or 90s era sitcoms. The performances are fine - adequate. I left the theater understanding that I saw a "bad" movie by most standards. But I didn't regret spending money on the ticket. To me, it's one of those "so bad, it's good" kind of movies.
If I have the opportunity to see it again, maybe on a streaming service, I will.
Jenna Ortega is averagely hard enough to watch with near zero youthful charisma, but when you have her as one of the executive producers the result is not bright.
The effects were good, the whole movie and cast weren't.
- Screenplay/storyline/plots: 6
- Production value/impact: 7
- Development: 7
- Realism: 7
- Entertainment: 6.5
- Acting: 6.5
- Filming/photography/cinematography: 7
- VFX: 8
- Music/score/sound: 6
- Depth: 5.5
- Logic: 5
- Flow: 7
- Dark comedy/fantasy/horror/thriler/drama: 6.5
- Ending: 2.
The comedy side is strong but inconsistent. Some attempts I found hilarious while others fall flat, but not to the point of cringe. I enjoyed the entire cast as well as the visually unique characters.
I do want to point out a couple standouts. One is, to no one's surprise, Jenna Ortega. She has become a full-blown star and has taken the mantle of horror queen like none other. And Will Poulter, once known as the weird eyebrows dude from We're the Millers, continues to impress with vastly differing characters.
I had a fun time with this movie and think most fans of the subgenre will as well.
(1 viewing, opening Thursday Dolby Cinema 3/27/2025)
A movie solely about the Kintners and the unicorns could've been ace, especially if it lent into the fantasy side of it; almost if it was (iffy association incoming) 'How to Train Your Dragon'-esque, just with all the gore and death that this 2025 releaes does hold. The final scene, as oddly over the top as it is, shows the promise.
Paul Rudd and Jenna Ortega are decent in their respective roles, not that I have any core moments to take from either of them here though. The Leopolds, as much as I wish they weren't in the film, are portrayed well enough by those on the screen, Will Poulter is minorly amusing to be fair.
I'm sure it'll work for a good many, but I can't say it did so for me.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Wusstest du schon
- WissenswertesThe sensors used by the scientists to detect the presence of the creatures make the same sound as the motion trackers in Aliens: Die Rückkehr (1986).
- PatzerNear the end just before they go outside for the last time, it goes from night time to bright daylight, even though only 10 or 15 minutes have passed.
- Zitate
Shepard: What exactly are we saying this is though?
Ridley: I think we know exactly what this is.
Shepard: What I can say with total confidence is that Elliot here, has hit a... a horse like Mammalia vertebral. Would that be the correct classification?
Belinda: Ya. No. But it is horse shaped. With some sort of protrusion or a growth.
Shepard: Oh, right.
Elliot: That's my working theory too. Feral Horse. Mad. Tumor ridden. Jumps in the middle of the road. Not the fault of any one driver per say.
Ridley: It's a fucking unicorn!
- Crazy CreditsDuring the credits we see images from a tapestry that depict incidents from the film that affected each character.
- VerbindungenReferenced in kuji: Lado Kvataniya: Analysis of Mechanisms (2025)
- SoundtracksCherry-Coloured Funk
Performed by Cocteau Twins
Written by Simon Raymonde (as Simon Philip Raymonde), Robin Guthrie (as Robin A. Guthrie), Elizabeth Fraser
Courtesy of 4AD
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Смерть єдинорога
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.899.252 $
- Eröffnungswochenende in den USA und in Kanada
- 5.787.425 $
- 30. März 2025
- Weltweiter Bruttoertrag
- 16.413.554 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1