Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Tapestry Video Narrator
- (Synchronisation)
- Dr. Song
- (as Stephen Park)
- Mercenary #2
- (as Max Draskóczi)
Empfohlene Bewertungen
The bad- The father's character development felt very unearned, most of the movie I was praying for his bloody comeuppance. The rich family was too one-note for the amount of screen time they get. CGI was noticeably mediocre but understandable for a low budget movie.
With a rewrite or two, and some more money for CGI and action sequences, this could have been a sleeper surprise with genuine sequel potential as I really did like what they did with the unicorns. But because most all the characters were one-dimensional, the movie drags in the middle third as you wait for the inevitable. When it does finally happen, it's somewhat entertaining but let down by its poor CGI, so-so action sequences, and clunky plot resolution. The first two are forgivable given its budget, the third is not.
I don't regret watching this movie, I just wish that it had lived up to its potential.
Jenna Ortega is averagely hard enough to watch with near zero youthful charisma, but when you have her as one of the executive producers the result is not bright.
The effects were good, the whole movie and cast weren't.
- Screenplay/storyline/plots: 6
- Production value/impact: 7
- Development: 7
- Realism: 7
- Entertainment: 6.5
- Acting: 6.5
- Filming/photography/cinematography: 7
- VFX: 8
- Music/score/sound: 6
- Depth: 5.5
- Logic: 5
- Flow: 7
- Dark comedy/fantasy/horror/thriler/drama: 6.5
- Ending: 2.
A movie solely about the Kintners and the unicorns could've been ace, especially if it lent into the fantasy side of it; almost if it was (iffy association incoming) 'How to Train Your Dragon'-esque, just with all the gore and death that this 2025 releaes does hold. The final scene, as oddly over the top as it is, shows the promise.
Paul Rudd and Jenna Ortega are decent in their respective roles, not that I have any core moments to take from either of them here though. The Leopolds, as much as I wish they weren't in the film, are portrayed well enough by those on the screen, Will Poulter is minorly amusing to be fair.
I'm sure it'll work for a good many, but I can't say it did so for me.
The Rich Family: take your typical evil greedy rich family and that's all you get here. They're ready to make a buck. That's their entire drive. There were hints of depth that were destroyed by misplaced comedy. When the father is standing, the son's immediately reaction was great. Then they went hokey.
In the end, this is a forgettable movie. The premise should carry it better, but the characters ruin it. The CGI is bad. But, you can let it pass if the characters are relatable. This movie fails here.
If you like dark humor, jump scares, and a bit of gore, I'd recommend it to you. The characters are more caricatures. The satire is not subtle. The humor is low brow. And I say all of this as QUALITIES of the movie.
The level of writing is very much like that of 80s or 90s era sitcoms. The performances are fine - adequate. I left the theater understanding that I saw a "bad" movie by most standards. But I didn't regret spending money on the ticket. To me, it's one of those "so bad, it's good" kind of movies.
If I have the opportunity to see it again, maybe on a streaming service, I will.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Wusstest du schon
- WissenswertesThe sensors used by the scientists to detect the presence of the creatures make the same sound as the motion trackers in Aliens: Die Rückkehr (1986).
- PatzerNear the end just before they go outside for the last time, it goes from night time to bright daylight, even though only 10 or 15 minutes have passed.
- Zitate
Shepard: What exactly are we saying this is though?
Ridley: I think we know exactly what this is.
Shepard: What I can say with total confidence is that Elliot here, has hit a... a horse like Mammalia vertebral. Would that be the correct classification?
Belinda: Ya. No. But it is horse shaped. With some sort of protrusion or a growth.
Shepard: Oh, right.
Elliot: That's my working theory too. Feral Horse. Mad. Tumor ridden. Jumps in the middle of the road. Not the fault of any one driver per say.
Ridley: It's a fucking unicorn!
- Crazy CreditsDuring the credits we see images from a tapestry that depict incidents from the film that affected each character.
- VerbindungenReferenced in kuji: Lado Kvataniya: Analysis of Mechanisms (2025)
- SoundtracksCherry-Coloured Funk
Performed by Cocteau Twins
Written by Simon Raymonde (as Simon Philip Raymonde), Robin Guthrie (as Robin A. Guthrie), Elizabeth Fraser
Courtesy of 4AD
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Смерть єдинорога
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.899.252 $
- Eröffnungswochenende in den USA und in Kanada
- 5.787.425 $
- 30. März 2025
- Weltweiter Bruttoertrag
- 16.413.554 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1