IMDb-BEWERTUNG
5,9/10
6194
IHRE BEWERTUNG
Eine Frau überrascht die Familie ihres verstorbenen Freundes, indem sie ihnen sagt, dass sie mit seinem Kind schwanger ist.Eine Frau überrascht die Familie ihres verstorbenen Freundes, indem sie ihnen sagt, dass sie mit seinem Kind schwanger ist.Eine Frau überrascht die Familie ihres verstorbenen Freundes, indem sie ihnen sagt, dass sie mit seinem Kind schwanger ist.
Empfohlene Bewertungen
This film tells the story of a woman who believes she carries the child of her dead boyfriend.
The plot is mysterious to start with, and then becomes very engaging and captivating. I really feel for all the characters, including the mother, father, brother, the girlfriend and the girlfriend's neighbors. Who would have thought the plot takes such a dramatic turn and becomes so touching. I really enjoyed this film.
The plot is mysterious to start with, and then becomes very engaging and captivating. I really feel for all the characters, including the mother, father, brother, the girlfriend and the girlfriend's neighbors. Who would have thought the plot takes such a dramatic turn and becomes so touching. I really enjoyed this film.
This is newbie director Rowan Athale's second full length feature film (plus one short), and aside from a few technical errors and editing issues, he pretty much nailed it behind the camera and in directing his cast.
The film is an adaptation of the novel (I haven't read it) of the same name by John Searles, turned into a screenplay by novice writer Eric Garcia. The pacing started out decent, then slowed down midway, and felt dragged out towards the end, that the 96 min run-time felt longer. I wasn't a fan of the non-climatic stretch of cross-cutting time lines, and I felt the story would've been better told in the proper order.
Casting was excellent and all actors were convincing in their roles, especially Margaret Qualley, who was outstanding in her starring role.
The cinematography was on point, and the score perfect for this type of film.
For a low-budget B-grade film by unseasoned filmmakers, this was a surprisingly enjoyable noir-thriller about grief, belief and the things we keep hidden.
It's a recommended watch and a well deserved 8/10 from me.
The film is an adaptation of the novel (I haven't read it) of the same name by John Searles, turned into a screenplay by novice writer Eric Garcia. The pacing started out decent, then slowed down midway, and felt dragged out towards the end, that the 96 min run-time felt longer. I wasn't a fan of the non-climatic stretch of cross-cutting time lines, and I felt the story would've been better told in the proper order.
Casting was excellent and all actors were convincing in their roles, especially Margaret Qualley, who was outstanding in her starring role.
The cinematography was on point, and the score perfect for this type of film.
For a low-budget B-grade film by unseasoned filmmakers, this was a surprisingly enjoyable noir-thriller about grief, belief and the things we keep hidden.
It's a recommended watch and a well deserved 8/10 from me.
Not sure what happened here but it's an interesting case study.
This worst titled movie ever starts with a well-crafted, unpredictable mystery with just enough hints dropped to completely engage the audience and keep them guessing. All the way up until the final mind-blowing clue, the movie works.
And then that all goes away, and it's one contrived, cliched confrontation after another. Complex characters all become one-dimensional morons, and the movie degrades into mindless, forgettable action replacing thoughtful dialogue.
Great premise ruined at the end by amateurish, unnecessary "guns and blood!"
This worst titled movie ever starts with a well-crafted, unpredictable mystery with just enough hints dropped to completely engage the audience and keep them guessing. All the way up until the final mind-blowing clue, the movie works.
And then that all goes away, and it's one contrived, cliched confrontation after another. Complex characters all become one-dimensional morons, and the movie degrades into mindless, forgettable action replacing thoughtful dialogue.
Great premise ruined at the end by amateurish, unnecessary "guns and blood!"
I don't want to spoil anything so I won't go into detail, but this film was going along pretty well, with enough mystery, drama, character development, redemption, acceptance, relationship, family, love, etc, etc....very interesting concept and held my attention throughout trying to figure things out and what exactly happened. There were a few ways this could go and the film maker did a good job to showcase those avenues to keep things interesting and mysterious and leave plenty of room for a twist and surprise ending. Well the surprise was they basically ruined it all in the last 10 minutes using that old time tested and overused method of suspense, which frankly bugs the heck out of me, which is having characters make implausible decisions and do things that no normal, rational or even irrational person would do. The decisions and actions made by several characters in the ending scenes were just so implausible that I docked 1 star, being generous too. So this gets just a 6, watchable, but I believe it could have garnered 7, a fair movie, easily with just a little better writing when they wrapped things up.
This is one of those mystery tales that keeps you guessing as to why our young female is now pregnant from, she believes, her deceased boyfriend from five years ago. We are teased with several possibilities from the mysterious to the bizarre. Of course the answer as to what happened occurs in the final minutes so be patient as you guess who, or what happened.
Wusstest du schon
- WissenswertesMargaret Qualley and Nick Robinson will go on to star in the Netflix TV Mini-series Maid (2021).
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Details
Box Office
- Weltweiter Bruttoertrag
- 343.038 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Strange But True (2019) officially released in Japan in Japanese?
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